Tag Archives: 2015

My Experience at MDF 2015: Part 3 – Saturday

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Saturday was going to be the roughest day of the fest. With so many good bands across the stages, I knew I’d end up moving around a lot.

Before the show we stopped at a pharmacy since some of our friends needed a few things. Here I ran into Joe Sullivan of Metal Rules TV (this was an awesome surprise as his concert reviews are a big influence on mine). Today was the only day that our group included two more people, Gwen and Joff (this was due to them only having Saturday Edison tickets).

Fulgora

As early as 12:15 P.M. (seriously MDF wtf?) Fulgora played. I went into this set knowing nothing about them except that they’re on Phil Anselmo’s of Pantera fame’s Housecore Records. The band played some kind of sludge/death metal mix with a space theme.The drums were impressive but sadly, nothing else was.

Serpentine Path

After Fulgora were done another sludge/death metal fusion took the stage. This was one I was more familiar with. Playing a sludge influenced version of 90’s death doom, Serpentine Path crushed it.

Twilight of the Gods

Twilight of the Gods is a Bathory influenced power metal band. Although power metal is normally not my thing, I will admit this band played well. I’d heard the band started out as a Bathory cover band, which would have been awesome if they played some Bathory songs.

Morpheus Descends

The first of the “must-see” bands of Saturday. Being from the area Morpheus Descends is from, I’d seen them twice before (both secret shows). Now was time to see them play to a much larger audience.

I was joined by Pearl and Andrew of Chicago death metal band Moratorium.We all watched Morpheus Descends play their classic tracks such as “Immortal Coil” and “Corpse Under Glass.” It felt both weird and awesome to see a band from my area play the main stage at a huge festival.

Einherjer

After watching some death metal from familiar ground the lot shifted to viking black metal from Norway. I tend to be pretty picky when it comes to the whole folky side of metal, but Einherjer was always one of the ones I dug. Their epic and atmospheric sounds really translated well on Edison. I could have done without the people in Turisas shirts dancing funny, but it was a fun set regardless. After these guys I would run over to Soundstage.

Full Of Hell

After getting some cheap 7-11 food I went into Soundstage for some powerviolence. Full of Hell played their brand of hyper-aggressive noise really well. I didn’t stand too close to the stage as I was going to leave right after their set.

Vulcano

I rushed back to Edison Lot and got there just in time for some Brazilian thrash. I never had the chance to check these guys out before and boy did I wish I had.They played very raw and primitive old-school thrash that quickly reminded me of Sarcofago and old Sepultura.

Bulldozer

After watching one of Brazil’s most obscure thrash bands, it was time for an Italian one.

I will admit though I’ve made fun of some of their weird ideas and lyrics in articles in the past, I don’t dislike them at all and find them fun to listen to. With that said, I actually really enjoyed their set. My friend Herb, who was standing right up front yelled at them to play their infamous “Dance Got Sick” EP -t o which the bands vocalist, A.C. Wild heard him and laughed.

Tryptikon

On the car ride here Josh and I were both discussing what Tryptikon’s set would be like. We wondered if it would be all Tryptikon songs or if there would be any Celtic Frost covers thrown in for good measure (either variation would’ve been cool). I mentioned that I doubted they would play “Proclamation of the Wicked” or any Hellhammer songs.

As soon as the set started I was wrong. They opened up with “Proclamation of the Wicked,” playing it in the slowed down Tryptikon style. I watched it with my Albany friends Filip and Craig and while we were pretty far, we heard them nice and clear where we were. They played a mix of Trypikon songs and Celtic Frost classics. Singer/guitarist Tom G. Warrior proved me wrong once again when the band played the Hellhammer track “Messiah.” Not only was it an amazing set, it one of the best performances of the whole fest.

Matyrdod 

I rushed back to the Soundstage yet again to catch these Swedish crusties in action, who played a fun energetic set. After Matyrdod I went once again back to Edison.

Arcturus

I got back to Edison right when these guys were about to set up. A very different band on the bill, Artcurus are a Norwegian metal band with avant-garde influences. The bands sound turned off a lot of people but I was excited to finally get to see them (especially after their great new album “Arcturian”). Vortex’s vocals sounded spot-on and the band’s campy theatrics were fun as hell to watch. Arcturus had a great set, playing material from most of their albums.

Razor

The last band of Edison Lot was the old-school Canadian thrash band Razor. While I still wish Sodom didn’t cancel their appearance, seeing Razor was still pretty cool. The band delivered a great thrash performance and a set that included a lot of classics. Herb and I left 15 minutes before their set ended to catch a band we both wanted to see at Rams Head.

Gnaw Their Tongues

We got into Rams Head to watch what was probably the second biggest outlier on the bill next to Mobb Deep. Gnaw Their Tongues play electronic music with black metal influences.

Instead of a full band it was a man programming beats on his laptop while another member did shrieks. I’m not a huge fan of electronic music, but this band is a pretty big. Gnaw Their Tongues had a lot of walk-outs due to being so different from many other bands on the bill, but I enjoyed the haunting atmosphere the band brought with them. Towards the end of their set I yet again went back to Soundstage.

Wolfbrigade

Wolfbrigade are the band that got me into crust punk and are still one of my favorites of the genre. They killed with their high energy and intense circle pits.Their whole set reminded me of first checking these guys out in 12th grade and learning what crust punk is all about.

Agoraphobic Nosebleed

The time had come for the main attraction of the entire fest: Agoraphobic Nosebleed’s first official live show.

The expectations where high. Just the thought of being part of the first real show from a band that never plays live was mind-blowing enough. The venue was extremely crowded. Anyone who had a pass that allowed access to Soundstage on Saturday was here.

The band more then met expectations. The energy was top notch. The sound was crystal-clear and extremely loud and their set had the most violent pit I had ever seen.

ANB would end up being my favorite performance of the entire fest. It felt as if the band had been building up to this very moment from the day they started. When ANB finished we traveled back to the hotel. Walking with us were a bunch of Josh and Nicole’s friends who were also blown away by this moment as well as a guy with a traffic cone on his head yelling that he was the singer for Portal (not making this up).

Check out the final part (Sunday) right here.

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My Experience at MDF 2015: Part 2 – Friday

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After resting Thursday night, the five of us (Josh, Nicole, Jason, Matt and I) ventured to the Edison Lot. We arrived an hour before the first band to look at merch.

At the Season of Mist tent I finally met Enrique, the labels PR in person (who thanks to my connections I’ve been able to conduct several interviews for the label’s artists). Before we knew it, 2pm started to roll around and it was time for the first band.

Artificial Brain 

Friday started with Long Island tech-death metal in the form of Artificial Brain. At the time I’d heard a lot of hype about this band but sadly, I didn’t get the hype. Artificial Brain was very technical but not in a fun way.

Funebrarum

After being bored by those damn Long Islanders, it was time for a slice of New Jersey  to take stage. I had seen these guys once before at MDF 2011. Like at that year’s fest, they killed.

Cianide

Old-school death metal dudes, Cianide where next. The band sounded decent but nothing too amazing.

Vallenfyre

These British death/doom greats were the first band on my Friday “must-see” list. I’ve loved their music ever since their 2011 debut “A Fragile King;” most likely due to the fact that they are an offshoot of Paradise Lost and sound similar as well.

The bands live performance was very impressive and they sounded great. I was extremely happy to hear my favorite Vallenfyre tracks “Splinters” and “Savages Arise” performed so well. After their set Jason and I rushed to Soundstage to catch another of my must-sees for the day.

Flagitious Idiosyncrasy in The Dilapitation

Jason and I got to the venue just as these adorable Japanese ladies were setting up.

Cute pictures and image aside, they are one of heaviest bands from Japan. The energy these girls brought on was intense. I caught up with my friend Nick and his girlfriend Cheyenne as we watched them put on one of the best performances of the whole fest.

Nekrofilth

We stayed at the Soundstage to see Nekrofilth. When they were added to the bill, I checked out some of their material and though it sounded decent. After watching them for about half an hour, I was kinda bored. Something about their set just felt off so Jason and I decided to leave for Edison.

Aura Noir

When we got to Edison Lot, Aura Noir still had about 20 minutes left in their set. I had seen these Norwegian blackened thrash greats once before at MDF 2011. Again, like last time they put on a fun live show. The day would only get better from here on.

Suffocation

Suffocation has always been one of my favorite death metal bands. Their 1995 album “Pierced from Within” is one of my top 10 albums of all time. Before this, it had also been five years since I’d last seen them so they were way over due for another encounter. Suffocation blew me away just like they did five years ago. Between their perfect performance and vocalist Frank Mullen’s jokes, this set blew teveryone in attendance away.

Obituary

These death metal pioneers had been on my “to see” list for quiet some time.When I finally did, I was not disappointed.

While not as energetic as Suffocation, Obituary still delivered with their signature dirty Florida Everglades sound. While they didn’t play “Chopped in Half” (the song that first got me into them), I still greatly enjoyed them.

Bloodbath

The last band of the Edison Lot classic death metal triple feature was Sweden’s Bloodbath.

Many fans worried about this set because Bloodbath’s new vocalist, Nick Holmes had turned off many fans, causing the new album to get mixed reactions. Personally, I didn’t have a problem with that album and the band played a good mixture of songs from their entire career.

Holmes told some pretty funny jokes including asking “if we were sick of death metal yet” (as if).

Bloodbath encored with their two most well known songs, “Eaten” and “Cry My Name” as well as a short cover of the Phantasm theme. After Bloodbath, Jason and I rushed over to sound stage.

Napalm Death

This was the last band Jason, Matt and I watched that night. I had seen Napalm Death earlier that year with Voivod, Exhumed and Iron Regan (That show was killer and I got to interview Barney Greenway in person! ).

The British grind giants opened with “The Silence is Deafening,” which was the first hint that this set list was going to be very different from last time.The band had tons of energy and I enjoyed this performance a lot more due to the venue having better sound.

After Napalm Death was done, Jason, Matt and I left for our hotels while Josh and Nicole watched Aeternus at Rams Head. After stopping at 7-11 for some snacks and running into a homeless, schizophrenic version of Bill Cosby we made it back to the hotel and called it a night.

Click here for part 3 (Saturday).

My Experience at MDF 2015: Part 1 – Thursday

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Memorial Day Weekend was back yet again which of course means another Maryland Deathfest.

The fellowship consisted of Josh (a.k.a. Heavy Metal Horseman), his then-girlfriend Nicole, our friend Matt and I. We spent Wednesday at Josh’s so we could all head out on Thursday to venture into Baltimore for the first day of the fest’s amazing lineup.

On day one (Thursday), Edison (the main stage) wasn’t open but the two smaller stages, Soundstage and Rams Head were. Thursday’s Soundstage was all brutal death metal (and one rap group) while Ram’s Head had all doom bands. Thanks to traffic caused by a baseball game, we arrived at our hotel late. When we finally got there, we met up with our friend Jason who would room with us for the duration of the fest. After checking in and getting everything in order, we walked down to Soundstage.

Mortal Decay

The first band up was Philly’s brutal death metal band Mortal Decay. Because of the traffic, I missed 20 minutes of their set, which wasn’t too sad since I didn’t know this band too well. Brutal death metal is a subgenre that was always hit or miss for me. Mortal Decay was pretty hit and had a very enjoyable set.

Origin

Next up was the ultra technical death metal band, Origin. I’d seen Origin a few times before and they’d always delivered. As always, Origin had tons of energy and vocalist Jason Keyser would crack jokes about everything – including Mobb Deep not fitting the bill and the Baltimore Riots. These guys never disappoint.

Internal Bleeding

Next up were New York’s “slam” pioneers Internal Bleeding. This band never fully interested me and even live I just found their songs boring. Their set was slightly redeemed when they let everyone get on stage. This included Josh wearing his horse mask, a guy in a penis suit and the MDF chicken (yes, there is a man in a chicken getup at MDF). After Inernal Bleeding’s set I went to Seven Eleven for some cheap food then back to Soundstage for the next band.

Skinless 

Like Origin, I’d seen Hudson Valley brutal death masters Skinless a few times (including MDF 2011). Like Origin, they always kill. Skinless had tons of energy and an amazing set list. My favorite part was seeing Keyser again, singing on songs from “Trample the Weak” (the album he appeared on). This gave me memories of when I first saw Skinless back when he was in the band. Without a doubt Skinless were my favorite band to see Thursday night.

Devourment

This was the third time I went to a show with Devourment on the bill.The first time was at MDF 2011 and the second time was on tour with Dying Fetus and Exhumed. Devourment dropped both of those shows. This time however, they actually played. As someone who mostly enjoys older Devourment, I was glad they had a mostly retro set list. The crowd was nuts and got even crazier when they played the classic heart warming song, “Babykiller.” After their set I headed over to Rams Head.

Conan

I walked into Rams Head and heard Jex Thoth play the last minute of their final song. I relaxed on one of Rams Head’s couches as these British stoner doomers set up. Conan was super slow and super heavy, which as a stoner/doom fan I was impressed greatly.

Mobb Deep

After Conan I went back to Soundstage for the Mobb Deep bonus show. When this was first announced as part of the MDF package, a lot of people complained. As a fan of old-school hip hop, I was stoked.

After the hype man had the crowd yell “Mobb Deep” over and over, the legendary New York duo got on stage (fun fact: Mobb Deep were celebrating the 20th anniversary of their classic sophomore album, “The Infamous”). To my surprise, the crowd had more metalheads then rap fans. I watched the set for a little over half an hour before leaving for Ram’s Head due to what looked like a fight starting.

Yob

Next up was the Thursday band I wanted to see the most. Yob is one of my all time favorite stoner/doom bands and my second favorite band from the Portland metal scene (next to Agalloch). Jason and I went in to watch these guys while the rest of our group (due to not being big doom fans) went back to the hotel.

Yob’s set was amazing. The band would draw you in its atmosphere and as soon as you’re calm, the songs crush you with their overbearing heaviness. After they were done we went back to the hotel to get some rest for the next day (one that would blow us away even more).

Check out part 2 here.

Anthony and Chris’s Top 5 Metal Concerts of 2015

As we continue to open the can of worms that is 2016, there are an abundance of great hard rock/heavy metal concerts waiting in the wings.
Of course there are the big festivals such as Maryland Deathfest and Germany’s Keep it True and Wacken Open Air, but those aren’t always the best shows of the year for each individual person for one reason or another.
Sometimes, it’s the little local shows that make the most impact.
Join us as Bonesaw’s contirubuting writer Anthony Carioscia (Tonythechosen) and Editor in Chief Chris Butera put the final nails in 2015’s coffin by discussing their top five concert experiences of last year.
5: Electric Wizard (4/2/2015) and At The Gates (4/12/2015), Webster Hall, NYC
Anthony: Number five for me would be Electric Wizard at Webster hall. I’ve been wanting to see these guys live since high school and the car ride there was fun. It sucks that I missed the opener but their (Eletric Wizard’s)  performance made it worth going for one band.
 
Chris: I wanted to go to that so bad. was so bummed to see it sell out so fast

Anthony:  It’s crazy how fast it sold out. I remember when I first got into doom and how no one was into it. How that times changed.

Chris: Doom pretty much became the flavor of the month once Black Sabbath started up again. I remember barely any doom bands around and then all of a sudden you can’t find a show around here without one.

Anthony: Maryland Deathfest gets loaded with doom now.

Chris: The D is unofficially for doom at this point. My 5th is also at Webster hall. My number five goes to At the Gates on April 12.

Anthony: With Vallenfye Pallbearer and Converge right?

Chris: Yes they were. I got to  see them on their reunion tour in 2008, when we thought it was one and done. Then they came back and put out a new album that I thought was decent, but impossible to live up to Slaughter of the Soul. In my opinion they should have just toured but maybe they were pressured into it and maybe they were jonesing for a new record anyway.  This show was unbelievable knowing what At The Gates can do. I rank it at 5 because I’m not crazy about any of the openers minus Pallbearer.

Anthony: I caught At The Gates at Maryland Deathfest 2014. It was pretty killer. How did Pallbeaer do? I never caught them live.

Chris: They did very well. One of the best shows I’ve been to  this year.

4: Nuclear Assault (9/12/2015) Gramercy Theater, NYC

Anthony: I guess my number 4 would be Nuclear Assault at Gramercy theater.

Chris:  Mine as well. If in fact this is Nuclear Assault’s last outing, it was a great send-off in their hometown

Anthony: I think after that one off show on Maryland Deathfest they are done.

Chris: Just the overall atmosphere was great. A bunch of hometown heroes and their friends. You couldn’t ask for a better ending.

Anthony: That was my second time seeing them. Both times they killed it. John Connelly’s voice sounds just as good it did in the 80’s. Having Whiplash open was a good choice too.

Chris: John always sounds awesome. I caught them at their semi-secret reunion in 2010 as well. Whiplash surprised me. I was not sure if they would be that good but they definitely still had their chops. It seems like they got better with age, and they were already good. Murphy’s law was a lot of fun too. Their energy was great and they were funny as hell.

Anthony: I was never a fan of Murphy’s Law but that set was fun as hell to watch.

Chris: They made if feel like a ceremony because they brought their whole crew with them onstage. It felt like a big house party.

3: Napalm Death,Voivod,Exhumed,Iron Regan and Ringworm (2/8/2015)  The Chance Theater, Poughkeepsie, NY and Ghost (9/27/2015) Terminal 5, NYC

Anthony: I guess since this was 4 for both of us. I’ll go with my 3rd choice, 3 would be Napalm Death, Voivod, Exhumed, Iron Regan and Ringworm at the chance theater.

Chris: That sounds ridiculous. I forgot about that tour

Anthony: It was a crazy show both the line up itself and what happened that day. I got to interview Barney (Greenway) in person. Hes a great guy and I was starstruck. He gets extra points for bashing the Chance’s disgusting bathrooms. The best performances were them Exhumed and Iron Reagan. Voivod’s set could have been better and of course a shout out to the local opener Blast Furnace. Those dudes are always awesome.

Chris: The above three are always great. Haven’t seen them in awhile but looking forward to Napalm Death and The Melvins as well as Vektor and Voivod.

Anthony: Voivod were amazing at Maryland Deathfest 2011 and had a much better set. I plan on going to the Napalm Death/Melvins show as well.

Chris: My 3 would be Ghost at Terminal 5 . It was my first time seeing them and was blown away by their presence.

 Anthony: They are a lot of fun live. I’ve seen them twice.

 

Chris: They’re unbelievable. The house was packed and it was the same week the Pope was in town so there was a very ominous vibe in the air.

Anthony: I wonder if that was scheduled on purpose.

Chris: Could be. Also the opener Purson was pretty good too. Their singer/guitarist was a breath of fresh air. She’s got a lot of charisma.

Anthony: Never heard of them. Last time I saw Ghost the opener was King Dude who was cool but didn’t fit the bill at all.

Chris: I heard mixed reactions about King Dude on that show, but their music is pretty decent. Purson is similar to Coven in that female-fronted psychadelic rock (which a lot of people mistake for doom).

Anthony: Coven-esque bands are pretty common nowadays.

Chris: Unfortunately, a lot of people are jumping on that but this one stood out.

2: Maryland Deathfest XIII (5/21/2015-5/24/2015) Baltimore, MD

Anthony: My 2nd place choice would be the Almighty Maryland Deathfest.

Chris: That would have been my first but I feel like because I didn’t go to it that puts in second for me as well. I have yet to go but i’m clamoring for one.

Anthony: It’s an experience. This was my third time going. This was the only year where I went all four days. I normally skip Thursday.

Chris: It sounds like the raddest party. I feel like the 10,000 Tons of Metal cruise is becoming the semi-mainstream version of this. Which band was your favorite at this year’s Maryland Deathfest?

Anthony: I’d say Agoraphobic Nosebleed had the best performance. Craziest pit ive ever seen. Demilich was a close second though.

Chris: Wasn’t that one of their (Agoraphobic Nosebleed) first shows or something?

Anthony: First official show. Also the Mobb Deep bonus show that was packaged with it was cool to0 though we left when it looked like fights were starting.

Chris: I could see that happening due to a mixed crowd.

Anthony: Yeah more metalheads were watching them than rap fans.

Chris: Groovy. I think our number one is the same band, possibly a different show each,

 Anthony: King Diamond?

Chris: Yep.

1: King Diamond and Exodus (11/20 and 11/21/2015) Playstation Theater, NYC

Anthony: I caught King Diamond on the Abigail tour at the Playstation theater.

 

Chris: Me too, which night?

Anthony: The 21st, I also caught King Diamond at Mayhem Fest but this show throws it out of the water. Mainly because of King playing all of Abigail and not having to sit through Hellyeah and Devil Wears Prada. Slayer and Jungle Rot ruled though.

Chris: I saw the man himself on the 20th, night two for me.
Mayhem Fest shot themselves in the foot with that lineup.

Anthony: I can’t believe how much he (King Diamond) recovered.

Chris: Me too. I had tickets for King Diamond and Kreator in 2008 – just before he had the back surgery and then the triple bypass so when this was announced I was so psyched because that tour got cancelled for the above reasons. I would up having my friend go down to the venue the day the first night tickets went on sale and he got tickets for the second night about an hour before they were officially announced so it was a sweet score.

 Anthony: It was sold out but thanks to Adrenaline PR I was able to get free last minute tickets. I do feel Exodus got screwed over on the tour though.

 

Chris: Exodus was great as usual, I liked how their merchandise played off of NWA’s imagery. It was nice seeing them with Zetro. How do you think they got screwed?

Anthony: Maybe it was just my show, but when I saw them they didn’t even play for half an hour and had no pit. They were much better when I caught them at the Chance with Testament last  year.

Chris: I felt that their set could have been longer but “Impaler” was awesome to hear. I still can’t believe they played that. They had a decent set for me and their pit was ok. It could have been bigger but the crowds were mostly older fans. There were a few dads and their grown children in attendance.

Anthony: I was so glad King Diamond played “Melissa” and “Come to the Sabbath” back to back, especially since those songs were connected. The fact that they were right before the Abigail part of the set made it seem like a short film before the main one.

Chris: I agree. He also played “Curse of the Pharoahs” for me which was awesome. I just remember that this was the first show in a very long time where I was smiling and legitimately happy the entire time.
Anthony: This might very well be the best live performance Iv’e ever seen.

Chris: It did a lot for me personally. It definitely has earned a spot in the top five of all time.

Anthony: Same here.

Chris: The King is King, what more can I say?

 

Manopera! Episode 8: WWE 2015 Review & The People vs. Roman Reigns

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Chris and “Spaceman” Frank review WWE in 2015 and tackle the topic of whether or not the Roman Reigns experiment will pan out or if the WWE is just simply trying too hard to make him a John Cena clone.

Bonesaw Podcast: Episode 25 – Temple of Dagon’s Kyle Hertz

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We’re opening the can of worms with Kyle Hertz of Temple of Dagon! Hertz talks working in the gaming industry, being a local promoter and much more in our last podcast of 2015.

Lemmy: The Man, The Myth, The Legend

One of Rock’s mightiest Gods has returned home.

Motörhead’s brash frontman Ian Fraser “Lemmy” Kilmister died unexpectedly Monday, just two days after being diagnosed with a very aggressive cancer.

“We cannot begin to express our shock and sadness, there aren’t words,” surviving band members (Phil Campbell and Mikkey Dee) said in their official Facebook post that confirmed the news.

Born on Christmas Day 1945, the legendary growler began his music career playing in local bands like “The Rockin’ Vicars” and doing odd jobs as a roadie for Jimi Hendrix, a gig Lemmy spoke fondly of in many interviews.

Soon after, Lemmy would join Hawkwind, a psychadelic rock outfit that dabbled in space, time and frequent drug use. Lemmy would record four albums (“Doremi Fasol Latido,” “Space Ritual,” “Hall of the Mountain Grill” and “Warrior on the Edge of Time”) with Hawkwind until being fired upon being arrested for drug possession crossing the Canadian boarder.

The firing would turn out to be a blessing in disguise for Lemmy.

Taking the name from a Hawkwind song, our hero would forge a legacy in 1975 with Motörhead. While the band was originally called “Bastard,” no major marketing or promotion would touch a band with that name at the time. The original name would take a back seat until 1993 when Motörhead would release “Bastards,” their 11th studio album.

22 Studio albums later, Motörhead would become a household name, leaving a trail of lineup changes, debauchery and bleeding eardrums in their wake. They would rise to superstardom with 1980’s “Ace of Spades” and ride off into the sunset with 2015’s “Bad Magic.”

During his long music career, Lemmy would lend his voice and talents to a number of artists, most famously writing the Ozzy Osbourne hit “Mama I’m Coming Home” off of 1991’s “No More Tears.” Later he would lend his voice to game developer Double Fine’s heavy metal video game “Brutal Legend” as “The Killmaster,” a sorcerer who aids you in your quest. He would also exclusively use Marshall amplifiers and Rickenbacker basses to not only compliment his playing but to generate his pick-heavy, aggressive sound.

Lemmy was infamously known (and often criticized by the media) for collecting World War II Nazi memorabilia. In his 2004 autobiography “White Line Fever” (and a plethora of interviews) he said, “I’ve had three black girlfriends, so I’m the worst racist you ever saw.”

Brash, bold and always on, Lemmy was beloved by all. Whether you were a fan of his or not, you respected him and supported his ultimate quest for the riff. The 2010 documentary “Lemmy” gives us an intimate look as his life on and off the road.

A great number of Lemmy’s peers in the industry as well as saddened fans gave their condolences via social media.

Living by the mantra “born to lose, live to win,” Lemmy was the embodiment of rebellion and he carried it with him for his entire life, sticking to his guns until the end. His dedicated fanbase hanging on his every word, adorning their bodies with tattoos of Motörhead artwork, lyrics, and of the man himself. The man built a reputation on being as bad-ass as his music and his legacy will live on.

 

F*ck Mondays! Episode 7: Chris & Jon Shoot on 2015

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Chris and Jon review the best and worst of 2015. Nothing is sacred, no punches are pulled and no mercy is given. The boys also shoot on the latest Deadpool trailer.

F*ck Mondays! Episode 6: Star Wars – The Force Awakens Review & Analysis

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Just in time for the holidays, Chris and Jon review and analyze Star Wars: The Force Awakens while watching Trey Parker’s (South Park)Cannibal! The Musical.

WARNING: MASSIVE SPOILERS

Manopera! Episode 7: Giant Sized WWE TLC 2015 & NXT TakeOver: London Review

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In the final edition of Manopera of the year, Chris and “Spaceman” Frank analyze WWE TLC 2015 and NXT TakeOver: London.