Saturday was going to be the roughest day of the fest. With so many good bands across the stages, I knew I’d end up moving around a lot.
Before the show we stopped at a pharmacy since some of our friends needed a few things. Here I ran into Joe Sullivan of Metal Rules TV (this was an awesome surprise as his concert reviews are a big influence on mine). Today was the only day that our group included two more people, Gwen and Joff (this was due to them only having Saturday Edison tickets).
As early as 12:15 P.M. (seriously MDF wtf?) Fulgora played. I went into this set knowing nothing about them except that they’re on Phil Anselmo’s of Pantera fame’s Housecore Records. The band played some kind of sludge/death metal mix with a space theme.The drums were impressive but sadly, nothing else was.
After Fulgora were done another sludge/death metal fusion took the stage. This was one I was more familiar with. Playing a sludge influenced version of 90’s death doom, Serpentine Path crushed it.
Twilight of the Gods
Twilight of the Gods is a Bathory influenced power metal band. Although power metal is normally not my thing, I will admit this band played well. I’d heard the band started out as a Bathory cover band, which would have been awesome if they played some Bathory songs.
The first of the “must-see” bands of Saturday. Being from the area Morpheus Descends is from, I’d seen them twice before (both secret shows). Now was time to see them play to a much larger audience.
I was joined by Pearl and Andrew of Chicago death metal band Moratorium.We all watched Morpheus Descends play their classic tracks such as “Immortal Coil” and “Corpse Under Glass.” It felt both weird and awesome to see a band from my area play the main stage at a huge festival.
After watching some death metal from familiar ground the lot shifted to viking black metal from Norway. I tend to be pretty picky when it comes to the whole folky side of metal, but Einherjer was always one of the ones I dug. Their epic and atmospheric sounds really translated well on Edison. I could have done without the people in Turisas shirts dancing funny, but it was a fun set regardless. After these guys I would run over to Soundstage.
Full Of Hell
After getting some cheap 7-11 food I went into Soundstage for some powerviolence. Full of Hell played their brand of hyper-aggressive noise really well. I didn’t stand too close to the stage as I was going to leave right after their set.
I rushed back to Edison Lot and got there just in time for some Brazilian thrash. I never had the chance to check these guys out before and boy did I wish I had.They played very raw and primitive old-school thrash that quickly reminded me of Sarcofago and old Sepultura.
After watching one of Brazil’s most obscure thrash bands, it was time for an Italian one.
I will admit though I’ve made fun of some of their weird ideas and lyrics in articles in the past, I don’t dislike them at all and find them fun to listen to. With that said, I actually really enjoyed their set. My friend Herb, who was standing right up front yelled at them to play their infamous “Dance Got Sick” EP -t o which the bands vocalist, A.C. Wild heard him and laughed.
On the car ride here Josh and I were both discussing what Tryptikon’s set would be like. We wondered if it would be all Tryptikon songs or if there would be any Celtic Frost covers thrown in for good measure (either variation would’ve been cool). I mentioned that I doubted they would play “Proclamation of the Wicked” or any Hellhammer songs.
As soon as the set started I was wrong. They opened up with “Proclamation of the Wicked,” playing it in the slowed down Tryptikon style. I watched it with my Albany friends Filip and Craig and while we were pretty far, we heard them nice and clear where we were. They played a mix of Trypikon songs and Celtic Frost classics. Singer/guitarist Tom G. Warrior proved me wrong once again when the band played the Hellhammer track “Messiah.” Not only was it an amazing set, it one of the best performances of the whole fest.
I rushed back to the Soundstage yet again to catch these Swedish crusties in action, who played a fun energetic set. After Matyrdod I went once again back to Edison.
I got back to Edison right when these guys were about to set up. A very different band on the bill, Artcurus are a Norwegian metal band with avant-garde influences. The bands sound turned off a lot of people but I was excited to finally get to see them (especially after their great new album “Arcturian”). Vortex’s vocals sounded spot-on and the band’s campy theatrics were fun as hell to watch. Arcturus had a great set, playing material from most of their albums.
The last band of Edison Lot was the old-school Canadian thrash band Razor. While I still wish Sodom didn’t cancel their appearance, seeing Razor was still pretty cool. The band delivered a great thrash performance and a set that included a lot of classics. Herb and I left 15 minutes before their set ended to catch a band we both wanted to see at Rams Head.
Gnaw Their Tongues
We got into Rams Head to watch what was probably the second biggest outlier on the bill next to Mobb Deep. Gnaw Their Tongues play electronic music with black metal influences.
Instead of a full band it was a man programming beats on his laptop while another member did shrieks. I’m not a huge fan of electronic music, but this band is a pretty big. Gnaw Their Tongues had a lot of walk-outs due to being so different from many other bands on the bill, but I enjoyed the haunting atmosphere the band brought with them. Towards the end of their set I yet again went back to Soundstage.
Wolfbrigade are the band that got me into crust punk and are still one of my favorites of the genre. They killed with their high energy and intense circle pits.Their whole set reminded me of first checking these guys out in 12th grade and learning what crust punk is all about.
The time had come for the main attraction of the entire fest: Agoraphobic Nosebleed’s first official live show.
The expectations where high. Just the thought of being part of the first real show from a band that never plays live was mind-blowing enough. The venue was extremely crowded. Anyone who had a pass that allowed access to Soundstage on Saturday was here.
The band more then met expectations. The energy was top notch. The sound was crystal-clear and extremely loud and their set had the most violent pit I had ever seen.
ANB would end up being my favorite performance of the entire fest. It felt as if the band had been building up to this very moment from the day they started. When ANB finished we traveled back to the hotel. Walking with us were a bunch of Josh and Nicole’s friends who were also blown away by this moment as well as a guy with a traffic cone on his head yelling that he was the singer for Portal (not making this up).
Check out the final part (Sunday) right here.