Tag Archives: Hard Rock

Wishbone Ash At Daryl’s House


Every once in a while I check the listing for shows at Daryl’s House,  a restaurant owned by Daryl Hall of Hall and Oates located in Pawling, NY. The place is known for great food and gets plenty of notable jazz,blues and classic rock acts. I noticed that Wishbone Ash were scheduled to play there in late September.

Seeing this as a once-in-a-lifetime chance to see such an underrated band, my good buddy Birdman from Roargh and I knew we had to go. After school that day, I made the drive to Pawling. While we waited, we both ordered chili burgers, which were pretty amazing.

Wishbone Ash

For those who don’t know, Wishbone Ash are a pretty overlooked 70’s hard rock band that are most known for influencing Iron Maiden. We were able to see this as soon as we noticed their guitar playing is just like Dave Murray and Adrain Smith’s.

The sound was amazing and the vocalist showed us all he has a sense of humor. They played many great songs including “The King Has Come,” “You see Red” and “Blowing Wind.” The band encored with the track “Pheonix.” Wishbone Ash played for about an hour and 45 minutes but weren’t boring for a second. After the show we met the band, who were pretty chill guys and then headed home after experiencing a performance by one of classic rocks most overlooked acts.


Blue Coupe Rock Brian’s Backyard BBQ

Blue Coupe (left to right): Bassist Dennis Dunaway, guitarist and lead vocalist Joe Bouchard and drummer Albert Bouchard.

While looking for shows to go to in March, I remembered that I hadn’t been to Brian’s Backyard BBQ in awhile. Upon looking through their events, I saw that Blue Coupe were playing on the 19th (“Blue Coupe” is a Blue Oyster Cult offshoot that plays small venues during Blue Oyster Cult’s off dates on their tours).

This version of the band contains the Joe and Albert Bouchard, the two founding brothers of Blue Oyster Cult as well as founding Alice Cooper bassist Dennis Dunaway. Due to Dunaway, they also throw in some Alice Cooper tracks. I had seen them 2 years ago during a memorial for Brian’s nephew and they put on a killer show. This time they were headlining so I knew they were going to play more material this time around.

I arrived at the Middletown/Montgomery, NY venue/restaurant at around 7:00 p.m. and ordered the Backyard Burger combo. After some really good food a staff member asked me if I wanted to sit closer, which I graciously obliged. I didn’t know any of the people I now sat next to but they seemed quiet nice and humorous. At around 9:20 p.m. Blue Coupe was set to kill.

Blue Coupe

As mentioned earlier, Blue Coupe’s set featured both Blue Oyster cult and Alice Cooper songs. Killer tracks such as “City on Flames With Rock and Roll,” “Burning For You,” “Don’t Fear The Reaper,” “Black Juju,” “I’m Eighteen” and many more classics were played and all sounded great. We also got a cover of the Ramones’ “Pet Cemetery” as well as some songs there were written specifically for the Blue Coupe lineup.

The band had plenty of energy and didn’t show their age. After this first set there was a brief intermission. During this time I was able to buy a photo of Blue Oyster Cult and have them sign it. After about half an hour, they started their second set. Act two contained more Blue Oyster Cult tracks like “Astonomy” and “Godzilla” as well as some Alice Cooper  tracks like “No More Mr.Nice Guy” and “Elected.” While I didn’t get to hear tracks like “Veteran of the Psychic Wars” and “Take Me Away,” it was still an amazing show and I was glad to once again hear some classics by two of rock n roll’s best bands.

Anthony and Chris’s Top 5 Metal Concerts of 2015

As we continue to open the can of worms that is 2016, there are an abundance of great hard rock/heavy metal concerts waiting in the wings.
Of course there are the big festivals such as Maryland Deathfest and Germany’s Keep it True and Wacken Open Air, but those aren’t always the best shows of the year for each individual person for one reason or another.
Sometimes, it’s the little local shows that make the most impact.
Join us as Bonesaw’s contirubuting writer Anthony Carioscia (Tonythechosen) and Editor in Chief Chris Butera put the final nails in 2015’s coffin by discussing their top five concert experiences of last year.
5: Electric Wizard (4/2/2015) and At The Gates (4/12/2015), Webster Hall, NYC
Anthony: Number five for me would be Electric Wizard at Webster hall. I’ve been wanting to see these guys live since high school and the car ride there was fun. It sucks that I missed the opener but their (Eletric Wizard’s)  performance made it worth going for one band.
Chris: I wanted to go to that so bad. was so bummed to see it sell out so fast

Anthony:  It’s crazy how fast it sold out. I remember when I first got into doom and how no one was into it. How that times changed.

Chris: Doom pretty much became the flavor of the month once Black Sabbath started up again. I remember barely any doom bands around and then all of a sudden you can’t find a show around here without one.

Anthony: Maryland Deathfest gets loaded with doom now.

Chris: The D is unofficially for doom at this point. My 5th is also at Webster hall. My number five goes to At the Gates on April 12.

Anthony: With Vallenfye Pallbearer and Converge right?

Chris: Yes they were. I got to  see them on their reunion tour in 2008, when we thought it was one and done. Then they came back and put out a new album that I thought was decent, but impossible to live up to Slaughter of the Soul. In my opinion they should have just toured but maybe they were pressured into it and maybe they were jonesing for a new record anyway.  This show was unbelievable knowing what At The Gates can do. I rank it at 5 because I’m not crazy about any of the openers minus Pallbearer.

Anthony: I caught At The Gates at Maryland Deathfest 2014. It was pretty killer. How did Pallbeaer do? I never caught them live.

Chris: They did very well. One of the best shows I’ve been to  this year.

4: Nuclear Assault (9/12/2015) Gramercy Theater, NYC

Anthony: I guess my number 4 would be Nuclear Assault at Gramercy theater.

Chris:  Mine as well. If in fact this is Nuclear Assault’s last outing, it was a great send-off in their hometown

Anthony: I think after that one off show on Maryland Deathfest they are done.

Chris: Just the overall atmosphere was great. A bunch of hometown heroes and their friends. You couldn’t ask for a better ending.

Anthony: That was my second time seeing them. Both times they killed it. John Connelly’s voice sounds just as good it did in the 80’s. Having Whiplash open was a good choice too.

Chris: John always sounds awesome. I caught them at their semi-secret reunion in 2010 as well. Whiplash surprised me. I was not sure if they would be that good but they definitely still had their chops. It seems like they got better with age, and they were already good. Murphy’s law was a lot of fun too. Their energy was great and they were funny as hell.

Anthony: I was never a fan of Murphy’s Law but that set was fun as hell to watch.

Chris: They made if feel like a ceremony because they brought their whole crew with them onstage. It felt like a big house party.

3: Napalm Death,Voivod,Exhumed,Iron Regan and Ringworm (2/8/2015)  The Chance Theater, Poughkeepsie, NY and Ghost (9/27/2015) Terminal 5, NYC

Anthony: I guess since this was 4 for both of us. I’ll go with my 3rd choice, 3 would be Napalm Death, Voivod, Exhumed, Iron Regan and Ringworm at the chance theater.

Chris: That sounds ridiculous. I forgot about that tour

Anthony: It was a crazy show both the line up itself and what happened that day. I got to interview Barney (Greenway) in person. Hes a great guy and I was starstruck. He gets extra points for bashing the Chance’s disgusting bathrooms. The best performances were them Exhumed and Iron Reagan. Voivod’s set could have been better and of course a shout out to the local opener Blast Furnace. Those dudes are always awesome.

Chris: The above three are always great. Haven’t seen them in awhile but looking forward to Napalm Death and The Melvins as well as Vektor and Voivod.

Anthony: Voivod were amazing at Maryland Deathfest 2011 and had a much better set. I plan on going to the Napalm Death/Melvins show as well.

Chris: My 3 would be Ghost at Terminal 5 . It was my first time seeing them and was blown away by their presence.

 Anthony: They are a lot of fun live. I’ve seen them twice.


Chris: They’re unbelievable. The house was packed and it was the same week the Pope was in town so there was a very ominous vibe in the air.

Anthony: I wonder if that was scheduled on purpose.

Chris: Could be. Also the opener Purson was pretty good too. Their singer/guitarist was a breath of fresh air. She’s got a lot of charisma.

Anthony: Never heard of them. Last time I saw Ghost the opener was King Dude who was cool but didn’t fit the bill at all.

Chris: I heard mixed reactions about King Dude on that show, but their music is pretty decent. Purson is similar to Coven in that female-fronted psychadelic rock (which a lot of people mistake for doom).

Anthony: Coven-esque bands are pretty common nowadays.

Chris: Unfortunately, a lot of people are jumping on that but this one stood out.

2: Maryland Deathfest XIII (5/21/2015-5/24/2015) Baltimore, MD

Anthony: My 2nd place choice would be the Almighty Maryland Deathfest.

Chris: That would have been my first but I feel like because I didn’t go to it that puts in second for me as well. I have yet to go but i’m clamoring for one.

Anthony: It’s an experience. This was my third time going. This was the only year where I went all four days. I normally skip Thursday.

Chris: It sounds like the raddest party. I feel like the 10,000 Tons of Metal cruise is becoming the semi-mainstream version of this. Which band was your favorite at this year’s Maryland Deathfest?

Anthony: I’d say Agoraphobic Nosebleed had the best performance. Craziest pit ive ever seen. Demilich was a close second though.

Chris: Wasn’t that one of their (Agoraphobic Nosebleed) first shows or something?

Anthony: First official show. Also the Mobb Deep bonus show that was packaged with it was cool to0 though we left when it looked like fights were starting.

Chris: I could see that happening due to a mixed crowd.

Anthony: Yeah more metalheads were watching them than rap fans.

Chris: Groovy. I think our number one is the same band, possibly a different show each,

 Anthony: King Diamond?

Chris: Yep.

1: King Diamond and Exodus (11/20 and 11/21/2015) Playstation Theater, NYC

Anthony: I caught King Diamond on the Abigail tour at the Playstation theater.


Chris: Me too, which night?

Anthony: The 21st, I also caught King Diamond at Mayhem Fest but this show throws it out of the water. Mainly because of King playing all of Abigail and not having to sit through Hellyeah and Devil Wears Prada. Slayer and Jungle Rot ruled though.

Chris: I saw the man himself on the 20th, night two for me.
Mayhem Fest shot themselves in the foot with that lineup.

Anthony: I can’t believe how much he (King Diamond) recovered.

Chris: Me too. I had tickets for King Diamond and Kreator in 2008 – just before he had the back surgery and then the triple bypass so when this was announced I was so psyched because that tour got cancelled for the above reasons. I would up having my friend go down to the venue the day the first night tickets went on sale and he got tickets for the second night about an hour before they were officially announced so it was a sweet score.

 Anthony: It was sold out but thanks to Adrenaline PR I was able to get free last minute tickets. I do feel Exodus got screwed over on the tour though.


Chris: Exodus was great as usual, I liked how their merchandise played off of NWA’s imagery. It was nice seeing them with Zetro. How do you think they got screwed?

Anthony: Maybe it was just my show, but when I saw them they didn’t even play for half an hour and had no pit. They were much better when I caught them at the Chance with Testament last  year.

Chris: I felt that their set could have been longer but “Impaler” was awesome to hear. I still can’t believe they played that. They had a decent set for me and their pit was ok. It could have been bigger but the crowds were mostly older fans. There were a few dads and their grown children in attendance.

Anthony: I was so glad King Diamond played “Melissa” and “Come to the Sabbath” back to back, especially since those songs were connected. The fact that they were right before the Abigail part of the set made it seem like a short film before the main one.

Chris: I agree. He also played “Curse of the Pharoahs” for me which was awesome. I just remember that this was the first show in a very long time where I was smiling and legitimately happy the entire time.
Anthony: This might very well be the best live performance Iv’e ever seen.

Chris: It did a lot for me personally. It definitely has earned a spot in the top five of all time.

Anthony: Same here.

Chris: The King is King, what more can I say?


Lemmy: The Man, The Myth, The Legend

One of Rock’s mightiest Gods has returned home.

Motörhead’s brash frontman Ian Fraser “Lemmy” Kilmister died unexpectedly Monday, just two days after being diagnosed with a very aggressive cancer.

“We cannot begin to express our shock and sadness, there aren’t words,” surviving band members (Phil Campbell and Mikkey Dee) said in their official Facebook post that confirmed the news.

Born on Christmas Day 1945, the legendary growler began his music career playing in local bands like “The Rockin’ Vicars” and doing odd jobs as a roadie for Jimi Hendrix, a gig Lemmy spoke fondly of in many interviews.

Soon after, Lemmy would join Hawkwind, a psychadelic rock outfit that dabbled in space, time and frequent drug use. Lemmy would record four albums (“Doremi Fasol Latido,” “Space Ritual,” “Hall of the Mountain Grill” and “Warrior on the Edge of Time”) with Hawkwind until being fired upon being arrested for drug possession crossing the Canadian boarder.

The firing would turn out to be a blessing in disguise for Lemmy.

Taking the name from a Hawkwind song, our hero would forge a legacy in 1975 with Motörhead. While the band was originally called “Bastard,” no major marketing or promotion would touch a band with that name at the time. The original name would take a back seat until 1993 when Motörhead would release “Bastards,” their 11th studio album.

22 Studio albums later, Motörhead would become a household name, leaving a trail of lineup changes, debauchery and bleeding eardrums in their wake. They would rise to superstardom with 1980’s “Ace of Spades” and ride off into the sunset with 2015’s “Bad Magic.”

During his long music career, Lemmy would lend his voice and talents to a number of artists, most famously writing the Ozzy Osbourne hit “Mama I’m Coming Home” off of 1991’s “No More Tears.” Later he would lend his voice to game developer Double Fine’s heavy metal video game “Brutal Legend” as “The Killmaster,” a sorcerer who aids you in your quest. He would also exclusively use Marshall amplifiers and Rickenbacker basses to not only compliment his playing but to generate his pick-heavy, aggressive sound.

Lemmy was infamously known (and often criticized by the media) for collecting World War II Nazi memorabilia. In his 2004 autobiography “White Line Fever” (and a plethora of interviews) he said, “I’ve had three black girlfriends, so I’m the worst racist you ever saw.”

Brash, bold and always on, Lemmy was beloved by all. Whether you were a fan of his or not, you respected him and supported his ultimate quest for the riff. The 2010 documentary “Lemmy” gives us an intimate look as his life on and off the road.

A great number of Lemmy’s peers in the industry as well as saddened fans gave their condolences via social media.

Living by the mantra “born to lose, live to win,” Lemmy was the embodiment of rebellion and he carried it with him for his entire life, sticking to his guns until the end. His dedicated fanbase hanging on his every word, adorning their bodies with tattoos of Motörhead artwork, lyrics, and of the man himself. The man built a reputation on being as bad-ass as his music and his legacy will live on.


Band of the Week: Black Sabbath

Besides giving birth to Heavy Metal, Black Sabbath is one of the few bands that have conquered the world and still managed to stay on top for over 40 years.

Forming under the name “Polka Tulk” before becoming “Earth,” (and eventually Sabbath) the band formed in 1968 due to a flyer singer Ozzy Osbourne put out in a local music shop. In his book “Iron Man,” the bands legendary guitarist Tony Iommi (who had gone to school with Osbourne) says that although Osbourne wasn’t a very good singer, he had his own PA system – which in those days was hard to come by.

Its hard to believe something so extraordinary started due to settling over some gear.

Along with world renown bass player and drummer Terrence “Geezer” Butler and Bill Ward, the original lineup would release their classic self titled first full length in 1970 and would continue to dominate the world with record after record for eight years.

Shortly after the tour for 1978’s “Never Say Die,” Osbourne would be fired and would soon begin his solo career, launching himself to new heights and becoming the icon we know him as today. Replacing him would be then-“Rainbow” front man Ronnie James Dio. The lineup known as “Heaven and Hell” (featuring Vinny Appice on drums) would release four albums over the course of their careers, with decades between their last two albums.

Other lineups would persist during the 80’s and 90’s with Ian Gillian of “Deep Purple” fame and other singers. The only focal member would be Iommi until the early to mid 2000’s, when both the original and “Heaven and Hell” lineups would reunite for tours and albums before Dio’s death in 2010.

2013 would spark “13,” the first Sabbath album with the original lineup (sans Ward, who was replaced with Tommy Clufetos due to health, legal and management issues) followed by a world tour.

It was announced in September of 2014 that the band have made plans to enter the studio in 2015 for a final album and a farewell tour.

Never say “Die” indeed.

Attik Door: “Never in Agreement” Review


Thanks to a gritty, but beautiful female voice, top-notch guitars and eclectic drum and bass work, Bay Area rockers Attik Door’s new album “Never in Agreement” is simply awesome.

Their sound is easily described as a Mad Scientist’s concoction of awesome alternative rock. Part DeVinyls, with some Disturbed, a nice-sized chunk of No Doubt and a side of Fly Leaf, as well as some Red Hot Chili Peppers, Attik Door have a sound that changes from song to song, but it’s always catchy. There’s not a bad song on the album, even if they share a consistent theme of borrowing things from more established bands. But in their defense, not many bands can emulate the elements of such a wide array of talent.

Because of that, Attik Door will immediately catch your ears.

There’s no way around it- lead vocalist Liana Tovmasyan is a treat. It would be easy to call her a younger sounding Gwen Stefani, but she’s so much more. With the accent appearing in some of her work and her pure grit, she’s not the cute punker Stefani is. She’s the type of rocker that’ll outdrink you and slap you in the face before winning you back over with her smile. Ballsy, but smooth, she’s got a ton of depth and heart. In every song she brings something different to the table, from “California,” where she sounds like the new female voice of RHCP, to “The Front,” which could easily be a track on No Doubt’s “Tragic Kingdom.” “Cosmos” is another song that’ll sound familiar, as the opening guitar riff is super similar to Flyleaf’s “All Around Me,” but with a more Stefani-esque vocalization, it has a unique feel to it.

By the end of the album, it’s apparent that Toymasyan is super versatile. She can rap rock, she can wail, she can tantalize like a siren off the Greek Coast. She’s a star in the making.

It also helps that she has a wonderful backing band behind her. Obviously a bar/cover band at one point in their careers, guitarists Alex Shrayber and Tim Shulepov have a polish that defines each song. They’re are definitely the types of guys that grew up on mid-late ‘90s alternative and metal. Their seamless play just screams it. The same goes for bassist and Margarita Grabarova and drummer Igor Boyko, who possess the speed and skill to make a song extra ballsy or groovy. On “Bleed,” the drum and bass work maintains such a consistent speed throughout that you can’t deny their skill. Driving the song from start to finish, you’ll want to put the bass boost up so you can hear it even closer.

At the same time, the familiarity sounds the band consistently experiments with comes with a caveat. The riffs and vocals work off of established and successful tones and sounds. They don’t stretch the medium and as a result, you can say that Attik Door aren’t challenging themselves to create something as new as they could. Rather than redefine, they are masters of the rehash. However, Lady Gaga has made millions of dollars doing the same thin with pop music, so what’s wrong with Attik Door doing the same thing?

Either way you try and spin it, Attik Door’s “Never in Agreement” is the type of album you can leave on repeat for hours at a time. Thanks to an accessible assortment of tunes and a wonderful vocalist with plenty of talent behind her, “Never in Agreement” is one of the best indie rock albums of 2015.

You can also read Patrick Hickey Jr.’s review here and more at Reviewfix.com.