Long Live “The American Dream” Dusty Rhodes

“The American Dream” is dead.

Virgil Runnels, better known to the wrestling world as the legendary Dusty Rhodes died Thursday morning. He was 69 years old. The cause of death is unknown at this time.

Runnels, who famously referred to himself as “the son of a plumber who grew up to be so sweet” was one of the best talkers in the business. At eight years old, the Texas native was diagnosed with osteomyelitis, a bone disease that he would live with for the rest of his life. While Runnels was thought to be unable to walk, he proved everyone wrong and then some. Regardless, Runnels would work with his father every day while the two would bond over local wrestling matches and baseball games. While wrestling was his first love, Runnels’ sport of choice was football as he would play for high school and college at West Texas University with fellow future wrestling stars Ted DiBiase,Terry Funk and Dick Murdoch, whom he would later tag with. Runnels almost became an NFL player, but instead chose “the business” after realizing where his heart truly was.

Starting his career in 1968 as a rule-breaking heel (a professional wrestling term for “bad guy”) in the territorial days of the NWA and AWA promotions; Rhodes would team up with college buddy Murdoch to form “The Texas Outlaws.” Together, the two would go on to hold the NWA Tag Team Championships multiple times in different territories before Rhodes would turn babyface (good guy) and gain the adoration of the pro-wrestling world for the rest of his days, feuding with the likes of Abdulla the Butcher, Harley Race and “Superstar” Billy Graham.

The original “every man” of sports entertainment would go on a rocket ride to superstardom when he moved on to Jim Crockett Promotions (where he would book outlandish run-in endings to matches, which became known in the industry as the “Dusty Finish”) and WCW, feuding with (arguably the best heel to ever step foot in the ring) “Nature Boy” Ric Flair and his legendary stable “The Four Horseman,”leading to the creation of the infamous “War Games” match. The two would put on classic bouts regarded by many as some of the best matches of all time over pride and coveted WCW championships. Rhodes’ knowledge of wrestling psychology and charisma captivated the United States with his over-the-top promos, earning him the nickname “The American Dream.” It was during this time that Rhodes would become immortal with his legendary “Hard Times” promo (below in all its glory).

Rhodes was eventually fired from WCW due to booking a then hyper-violent storyline with the Road Warriors and bloodletting, (known as “blading” in the wrestling world) which was against WCW’s rules under ownership of Turner Broadcasting Systems (TBS). While Rhodes was out of work, it was only a matter of time before Vince McMahon’s WWE (then known as WWF) would come calling.

After a series of ridiculously funny vignettes where he would perform everyday manual labor jobs, “The American Dream” made his WWE debut in what would become his trademark polka-dot attire with a “common man” gimmick (which was essentially the kind of guy he was at heart). While many felt the new clothes and gimmick was a step backward for Runnels, the man would take it in stride and remained hugely over with the fans. He would eventually gain a valet in the form of “Sapphire” (real name Juanita Wright), the common woman to Rhodes’ common man. The two would feud with DiBiase’s evil “Million Dollar Man” character, Randy Savage (under the “Macho King” gimmick) and “Sensational” Queen Sherri. Rhodes would also partner with real-life son Dustin Runnels for a short while as he continued to feud with DiBiase and Virgil until the two would leave WWE in 1991 (shortly after Dustin’s debut), returning to WCW where he would eventually become one of the head bookers for the company.

The pair would work together until 1996 when the two had a falling out that caused Dustin to leave WCW, returning to WWE under the name “Golddust” (an androginous character that he would portray to this day). It would be five years before the two would speak again.

During the late 90’s and early 2000’s WCW was in a constant state of chaos both on camera and backstage due to the N.W.O. (New World Order) angle becoming too ridiculous due to backstage politicking and overwhelming confusion. Eventually WCW would lose the “Monday Night War” with WWE and would be bought out by McMahon. Rhodes would not sign with WWE until 2005 after a brief stint in TNA and working the independent circut.

In September 2015 Rhodes would sign a legends contract with WWE and be brought onto the creative team, where he would help come up with storylines and mentor many a talent on the WWE roster. WWE would go on to release “The American Dream” DVD set, containing a full-length documentary, a collection of classic matches and a plethora of Rhode’s immaculate promos. On March 31, 2007, Rhodes would be inducted into the WWE Hall of Fame by his two sons Dustin and Cody (who now wrestles for WWE under the name “Stardust”). Rhodes would do the favors (lose to make a young talent look good) for then up-and-coming star Randy Orton in a “Texas Bullrope” match during Orton’s “Legend Killer” gimmick. The match was Rhode’s last televised match to date.

Rhodes would live out his days backstage with WWE as a mentor, creative force, and occasional plot device. He is survived by his wife and four children (including Dustin and Cody).

While the legendary son of a plumber has gone on to wine and dine with kings and queens in the afterlife, the wrestling world mourns the loss of one of its greatest talents. Despite Rhode’s non-athletic build, his abilities were unsurpassed and got him over with the world for ages. There are many different chants wrestling fans have used over the years, but only one can summarize the loss of “The American Dream.”

“We will miss you.”

Photo credit to Daniel Nemzer
A meeting with “The American Dream” in 2013. Rhodes was one of the greatest talents to ever grace the squared circle.

Goatsnake: Black Age Blues Review

For the first time in 15 years, Goatsnake has a new record.

The album, “Black Age Blues” is doomy as ever and it puts the “south” in Goatsnake’s new label and home Southern Lord Recordings (for which this is their first true release with).

Defiantly sludgy riffs merge southern rock and stoner metal; appropriately setting the albums tone from square one with “Another River to Cross.” The opener softly lulls you in with the sounds of rain, church bells and a gospel choir before kicking you in the teeth with heavy growling guitars.

Next up is a hot order of good vibes and southern hospitality with the insanely catchy “Elevated Man” and “Coffee & Whiskey.” The grooves are so tasteful you’ll be banging your head and snapping your fingers in no time. These two will get stuck in your head and cause one to strut down the street like an elevated man with said tasty beverages on the brain.

Before we go any further, it is worth noting that the albums artwork completely defines “Black Age Blues” before hearing anything. A southern church with an ominous storm brewing in the distance. The sheer simplicity alone shows us how clear of a vision the members of Goatsnake had going into this.

The title track, “House of the Moon” and “Jimi’s Gone” take a more serious shape for the second act; cranking the doom with more of the heavy and less pizzazz. The latter leaves sorrow in the air with a tinge of despair looming overhead. “House of the Moon” especially quells much of the upbeat from the first third of the album with roaring dirges and a murky midsection. The drums especially take the pace as they channel the river downstream before the fall of the third act.

“Black Age Blues’s” torrential downpour rages on with “Graves,” “Grandpa Jones” and the closer; “A Killing Blues.”

“Grandpa Jones” is a masterpiece unto itself and one of the best pieces Goatsnake has ever written. The hook of the chorus presents itself as an audible offering to any fan of metal. “A Killing Blues” brings the album full circle with a reprisal of the opener’s use of the gospel choir and the pitter-patter of rain; a calming end to a beautiful and treacherous outing.

Trailer Feedback: Sinister 2

2012 saw a very unlikely horror movie blow the roof off of the supernatural world with a demon that uses multimedia and imagery as a portal to our world in order to brainwash children into murdering their families before joining his cult.

2015 looks to plunge into the inner workings of Bughuul with Sinister 2, in theaters this August.

While the trailer itself looks mostly like more of the same, Sinister 2 appears that it will focus more on Bughuul (reprised by Nicholas King) and his child abducting methods than terrorizing the family that moves into his den.

Sinister 2 seems to be delving more into Bughuul’s lore as well. Upon seeing him more we also see the children brainwashing Bughuul’s child of choice, culminating with the boy presumably filming a murder (possibly an initiation). We also see Bughuul’s history being briefly explained (although it could be borrowed footage from the first movie), hinting towards Sinister 2 filling in a few of Mr. Boogey’s blanks.

With one part Poltergeist and two parts Children of the Corn, Sinister 2’s trailer does show signs of a different direction but doesn’t quite look like it will shock us in the way the first film did. Having said that, expecting one thing from a trailer does not necessarily mean you will get it in full. We’ll just have to see.

However; Henry Hall’s “Hush, Hush, Hush, (Here Comes the Boogeyman)” still gives us the heebie-jeebies.

Bonesaw Podcast Episode 12: Chris and Frank Shoot on WWE Elimination Chamber

Episode 12 marks the long overdue return of “the shoot.”

In a hilarious outing, Chris and Frank go toe to toe with the results of WWE Elimination Chamber.

Industrial metal unit The Unravelling is featured with their new single “Revolt.”

Bonesaw Comiccast: Episode 3 – Flashing Fish Mooney’s Arrow (With Apologies to Uncle Jesse)

Chris and Jon swing for the fences as they shoot on the season finales of The Flash, Arrow and Gotham as well as sing praise and air grievances over upcoming series’ Legends of Tomorrow and Supergirl.

The Unravelling “13 Arcane Hymns” Review

In 2010, Canadian Industrial band “The Unravelling” released an album that shook (and continues to shake) the very core of the metal underground.

That album is “13 Arcane Hymns.”

While drastically different from their newly released single “Revolt,” “Hymns” focuses on Lamb of God/ Tool influenced progressive grooves with locking tribal drumming and a frightful array of haunting, mid-range vocals crossing a link between Fear Factory and Alice In Chains.

The kicker: a mammoth wall of sound created by two Canadians.

Singer Scott Moore and instrumentalist Gustavo de Beauville have unleashed the early stages of a complicated vision with “13 Arcane Hymns” that is currently building into something beautiful.
Standout tracks from “Hymns” include the three openers “Move Forward Until You are Dead,” ”Becoming Chaos” and “Fire Breather.” The chemistry between Moore and Beauville is striking, capturing fear and imagination in the layers of emotions flattened into a myriad of sound.

“Last Rights Protest” is arguably the most gripping song on the album. Moore’s anger is expressed ten-fold with Beauville’s aggressive talents backing him.

“My Resignation” and “Arjuna” help round out the album with soothing intimidation reimagining pain. The progressive tendencies contain a great ebb and flow that build to impressive portraits through an innate wall of sound.

While a difficult struggle with Cancer put a strong hiatus on the band for five years, The Unraveilling have returned with “Revolt,” but their debut album serves as a blueprint for where they can (and will) go. The Unravelling’s initial unraveling still holds a body of water for what the band will eventually become. If you haven’t heard them before, do yourself a favor and give The Unravelling a whirl, starting from square one.

Bonesaw Podcast: Episode 11 – Bruce “AllOne” Pandolfo

Our guest is independent Hip Hop artist Bruce “AllOne” Pandolfo. Pandolfo is you’re average Long Island Joe with an uncanny mastering of the English language. Channeling different music genres with poetic, freestyle lyrics reflecting life in the vein of Mos Def and Eyedea, AllOne is a force to be reckoned with.

Check out AllOne here.

How Crowdfunding Will Save the Gaming Industry

Roughly a month ago, a team of veteran game developers came together for the first time in years and launched a Kickstarter for a game harkening back to the classic days of 3D platforming.

Made up of all former Rare members, the team (Playtonic Games) was famous for this style of game, creating such classics as Banjo-Kazooie and Donkey Kong 64. Within 38 minutes of launch, the game was completely funded, and has now stretched well passed its goal in the few weeks since the campaign started. The game, titled “Yooka-Laylee” is being touted as a spiritual successor to Banjo-Kazooie, and is already shaping up to be much more interesting than any of the other dreck the Triple A companies are producing.

Several weeks after the launch of one of the biggest games on Kickstarter, another industry veteran, Koji Igarashi, known best for arguably the greatest games in the Castlevania series (Symphony of the Night, Dawn of Sorrow, and the other “metroidvanias”) launched his own Kickstarter for a new action RPG platformer titled Bloodstained: Ritual of the Night. Again, this game was funded shortly after the Kickstarter launched, and has reached several stretch goals since then.

These two instances are not unique. More and more, industry veterans are leaving triple A companies to start their own development teams, and are turning to Kickstarter or other crowdfunding instead of major publishers. Many of these games get funded, and most of them are much more innovative and interesting than anything the major developers are cooking up. While many journalists and big-wigs in the industry are warning of a coming collapse, indie developers keep plugging away doing more for video games than any big company has done in a decade.

Of course, crowdfunding has its downsides, as there have been several instances of indie studios funding a game and then going belly-up, leaving the investors twisting in the wind. However; with more well-known industry veterans coming into the fold, it is looking like the future of video games lies in the hands of indie companies. As the major developers keep pushing out the same games over and over again, independent companies are looking for new and exciting ways to change video gaming as a whole. When not constrained by the schedule and guidelines of big-name publishers (most of which are run by people who have never even played a video game, let alone made one), creativity flows much freer, and ingenuity prevails.

Let the industry collapse. Let the corporate side of the video game industry continue on its downward spiral of awful, repetitive games. Once the dust settles, a new era will begin in the gaming industry, an era that is reminiscent of the 90s, when games were more an art form than a cash cow, and the community was much more close-knit. Like a phoenix from the ashes, the industry will be rejuvenated, and although it still won’t be perfect, it will hopefully be much better than what exists now.

The Unravelling Reemerge With “Revolt” Single

After five years of waiting, The Unravelling are preparing to unleash their follow up to their critically acclaimed 2010 album “13 Arcane Hymns” stating with their new single “Revolt.”

Shortly after the release of “13 Arcane Hymns,” vocalist Steve Moore became ill. In 2011, Morse was diagnosed with cancer. The fate of the Alberta, Canada duo would have to wait while Moore coped with his condition, resulting in a five year hiatus.

During Moore’s extensive battle, instrumentalist and band founder Gustavo de Beauville would spend his time working with soundtrack and various forms of production.

Moore’s perseverance would hold true and he eventually beat cancer. With his health restored, The Uravelling would rise from the ashes like a Canadian Phoenix.

While “13 Arcane Hymns” contained a sound that was one part Fear Factory, two parts Lamb of God and a sliver of Devin Townsend; “Revolt” is more Nine Inch Nails merged with early Alice In Chains. Beauville’s moving synths and well placed guitar drones connecting with Moore’s chilling, pained vocals cultivate the appropriately named piece into a deranged masterpiece.

Although the single (which can be heard here) sounds drastically different from their well received debut, The Unravelling have changed just as drastically from their own personal experiences and have found a way to have art imitate life for once.

WWE Elimination Chamber Predictions

After a brief hiatus, WWE is bringing back the Elimination Chamber pay-per-view  exclusively on the WWE Network this Sunday.

Four out of the five championships will be defended with two being inside the dreaded Elimination Chamber for which the event is named.

For some, the stakes can’t be any higher. For others, the rewards will be vast. For all, there will be no mercy.

Here are our predictions for the event.

Neville vs. Bo Dallas: What started as Dallas trolling Neville’s slump has evolved into a grudge match rekindling their NXT rivalry. Expect a nice exchange between the two before Dallas pulls an underhanded tactic to squeak out a win in hopefully the first of a series of matches on the big stage.

Tag Team Championships Elimination Chamber Match – The New Day (c) vs. Cesaro and Tyson Kidd vs. The Ascension vs. Los Matadores vs. The Lucha Dragons vs. The Prime Time Players: For the first time the Tag Team Championships will be defended inside the Elimination Chamber. Given the circumstance, this is going to be both fun to watch and a bit confusing when determining the grounds for elimination. Having said that, there are going to be plenty of high spots involving The New Day’s Kofi Kingston, The Lucha Dragons and Cesaro and Kidd. When you give young talent with unique styles an enclosed cage you are creating a recipe for beautiful, violent art and we can’t wait. However; we feel that The New Day is going to end up retaining with another slight of hand from the groups wild card Xavier Woods. One question remains: does one member have to be pinned or submitted for a team’s elimination or do both members have to be eliminated individually? We’ll know for sure come Sunday.

Non-Title Champion vs. Champion Match – United States Champion John Cena vs. NXT Champion Kevin Owens: This is something the WWE should cherish. Since making his NXT debut roughly three months ago, Owens has not only dominated but completely changed the WWE landscape in that short time. Cena has also greatly invigorated the United States title as well, making it feel as important as it should be with his weekly open challenges while giving the rub to young talent waiting to shine. Though it would not be the worst thing in the world for Cena to win, Owens is something special and should be treated as a commodity. If WWE wants to continue building the NXT Champion as a monster they should have him go over the Cenation Leader. Win Owens, win.

Triple Threat Divas Championship Match – Nikki Bella(c) vs. Naomi vs. Paige: Naomi has been gunning for the Divas Championship for quite some time now and Bella has held on long enough. Paige is the wild card in the match with her eyes set on not only a third title reign but revenge on Naomi as well. The two’s history has been budding for several months as Paige was originally set to take on Bella at Elimination Chamber, only to be taken out of action by the former Funkadactyl. Sunday night will not be her night, as Naomi will finally rise above the ashes and taste gold for the first time in her career.

Elimination Chamber Match for the vacant Intercontinental Championship – R-Truth vs. Sheamus vs. Dolph Ziggler vs. King Barrett vs. Ryback vs. Rusev: When Daniel Bryan vacated the Intercontinental title due to injury last month, he may have given Elimination Chamber a small blessing in disguise. While he is unable to compete, a new champion will be crowned. One of the best features of the Elimination Chamber is the unpredictable feeling of when a competitor will be unleashed from the pod and who will be eliminated by whom. This match will have all that and more due to how even the odds are for every WWE Superstar involved.  While the momentum is on Barrett’s shoulders, he needs something more than the Intercontinental title as he’s held it enough to show he’s ready for the main event. Due to an unforeseen injury on Smackdown, Rusev may not be in the match and there are talks of him being replaced with Bray Wyatt if he is not able to compete. If Rusev is in, he’s taking home the gold. If he’s out and is in fact replaced by Wyatt, then the Eater of Worlds will leave the arena 10 pounds heavier.

WWE World Heavyweight Championship Match – Seth Rollins (c) vs. Dean Ambrose: This is one of the more intense rivalries WWE has built up in a while. These two were brothers in The Shield before Rollins did the unthinkable and turned on his fellow man for corporate greed. A little more than a year later, the self-proclaimed “Future of WWE” is sitting atop the food chain as WWE Champion with Triple H’s Pedigree finisher at his disposal. The Lunatic Fringe on the other hand, is fighting in the trenches day in and day out against anyone and everyone just to get his hands on Rollins. This Sunday he finally gets another shot at his former ally in what could be their best match to date. Ambrose is not going to win, but he’s going to put on a clinic trying.

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