In a long-overdue return host Chris Butera sits down with The Unravelling’s Steve Moore to talk about his music, Moore’s battle with Cancer, and The Unravelling’s new album “Tear a Hole in the Collective Vision” (available at theunravelling.bandcamp.com).
After a five year hiatus, battles with Cancer and a revolutionary new sound, Canada’s The Unravelling have returned with their striking sophomore release, “Tear a Hole in the Collective Vision.”
Ten tracks of beautiful, chaotic frustration make up the release, starting with “The Hydra’s Heart.” Gustavo de Beauville’s ambient, droning guitars over spacious synths, dancing drums and the agonized, rage-fueled vocals of Steve Moore fuel the album to life.
Weaving a morbid, raving web, the albums tempo picks up in the Powerman 5000-esque “Lucky Me,” then slows to a crawl in the title track and the gripping dirge “Out of the Depths.” Moore’s lyrics are of a man possessed, dissatisfied with society and the cards he has been given and willing to make a drastic change for better or worse. De Beauville’s scoring of Moore’s dwindling frustrations is timed immaculately, with each transfixed scream generating its own unique crescendo.
The remainder of the album continues with “The Fearless Seed,” the piss-and-vinegar ranting of “Enough is Enough, and ” “No One’s Song.” Also contained are the two singles (“Revolt” and “Master Drone“), and the albums ironic closer, “We Have No Problems.” What’s interesting is not only de Beauville’s sonic decoration of Moore’s chilling vocals, but the fact that both singles are the deeper cuts of the album rather than highlighted at the beginning. Placement is everything and if you read the lyrics, there is a damn good reason.
We very well may have a concept album on our hands.
While the album’s pace is of a slower pace than their previous effort “13 Arcane Hymns,” “Tear a Hole in the Collective Vision” (which can be downloaded here) is a more enraged horse of a different color. The Unravelling have gotten darker and angrier, emerging like a phoenix from the ashes out to solidify their place in musical history. Lyrically the album seems like there is a story element, especially when you think about the placement of the songs and the way they bleed into each other.
How’s that for a hole in your collective vision?
(via Metal Insider)
Canadian Industrial Metal duo The Unravelling have had quite the journey. In 2010, they released their critically acclaimed debut 13 Arcane Hymns. At what seemed like the breakthrough they had so deserved, singer Steve Moore was diagnosed with cancer, putting the band on an indefinite hiatus. During this time, instrumentalist Gustavo de Beauville became heavily involved with soundtrack work and studio production (even more extensively than he already was). Through Moore’s positive mentality, he beat cancer and rejuvenated The Unravelling as quickly as he could. The band has recently released the “Revolt” single and has begun work on their long awaited follow up to 13 Arcane Hymns. Moore and Beauville caught up with Metal Insider to talk about their struggles, salvation and their future.
The overall sound has changed drastically from 13 Arcane Hymns to “Revolt.” Why did you guys decide to take The Unravelling in that direction?
Steve Moore: Well, the sound is always evolving, and the songs themselves will be quite different from each other too. “Revolt” is one piece of the new album’s puzzle. That being said, it has changed a lot since 13 Arcane Hymns. I know that Gustavo has his own reasons for the shift (soundtrack work, more production training, etc.), but I personally think it goes a bit like this. We want to do
something visceral and direct; more moody and atmospheric than overly technically focused. That requires a sense of space in the music where most bands would tend to fill it up. On the last album we were going for a full band sound. This time we’re not. A song can sound as cinematic as we want it to…we don’t really have the trappings of trying to fit into something. The lyrics have changed significantly, and this is partially because of my own ideas and concepts changing, or falling away, over the past 5 years. There’s much less personal struggle elements. The concept of the album is more of a “destroy the self-image” than building it up in any way, and that’s affected all aspects of what I do. We just know the way we like to explore sound and are honoring that – satisfying the inner teen in us who used to wait impatiently for Columbia House to arrive! The test is always if we feel it on a deep level.
Gustavo de Beauville: After trying the traditional metal band approach and realizing how cantankerous and unprofessional the scene was I switched gears. Reality kicked in hard and made me refocus on composing music for film and video games. I started teaching myself how to incorporate orchestral instruments into songs and discovered hybrid orchestral – where composers fused classical with electronic elements. Artists that really stood out for me during this time were Two Steps from Hell (Thomas Bergersen and Nick Phoenix), Troels Folmann, Clint Mansell, Hans Zimmer and John Murphy. These are guys that were actually earning a living with music. Trent Reznor also provided a lot of inspiration. Hence the radical shift away from drums, bass, guitars and vox to “whatever I need to craft the track”. Guitar is the instrument that I grew up playing but now I feel equally as ease using synthesizers, arpeggiators, preprogrammed beats or even a hang drum to make music.
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In 2010, Canadian Industrial band “The Unravelling” released an album that shook (and continues to shake) the very core of the metal underground.
That album is “13 Arcane Hymns.”
While drastically different from their newly released single “Revolt,” “Hymns” focuses on Lamb of God/ Tool influenced progressive grooves with locking tribal drumming and a frightful array of haunting, mid-range vocals crossing a link between Fear Factory and Alice In Chains.
The kicker: a mammoth wall of sound created by two Canadians.
Singer Scott Moore and instrumentalist Gustavo de Beauville have unleashed the early stages of a complicated vision with “13 Arcane Hymns” that is currently building into something beautiful.
Standout tracks from “Hymns” include the three openers “Move Forward Until You are Dead,” ”Becoming Chaos” and “Fire Breather.” The chemistry between Moore and Beauville is striking, capturing fear and imagination in the layers of emotions flattened into a myriad of sound.
“Last Rights Protest” is arguably the most gripping song on the album. Moore’s anger is expressed ten-fold with Beauville’s aggressive talents backing him.
“My Resignation” and “Arjuna” help round out the album with soothing intimidation reimagining pain. The progressive tendencies contain a great ebb and flow that build to impressive portraits through an innate wall of sound.
While a difficult struggle with Cancer put a strong hiatus on the band for five years, The Unraveilling have returned with “Revolt,” but their debut album serves as a blueprint for where they can (and will) go. The Unravelling’s initial unraveling still holds a body of water for what the band will eventually become. If you haven’t heard them before, do yourself a favor and give The Unravelling a whirl, starting from square one.
After five years of waiting, The Unravelling are preparing to unleash their follow up to their critically acclaimed 2010 album “13 Arcane Hymns” stating with their new single “Revolt.”
Shortly after the release of “13 Arcane Hymns,” vocalist Steve Moore became ill. In 2011, Morse was diagnosed with cancer. The fate of the Alberta, Canada duo would have to wait while Moore coped with his condition, resulting in a five year hiatus.
During Moore’s extensive battle, instrumentalist and band founder Gustavo de Beauville would spend his time working with soundtrack and various forms of production.
Moore’s perseverance would hold true and he eventually beat cancer. With his health restored, The Uravelling would rise from the ashes like a Canadian Phoenix.
While “13 Arcane Hymns” contained a sound that was one part Fear Factory, two parts Lamb of God and a sliver of Devin Townsend; “Revolt” is more Nine Inch Nails merged with early Alice In Chains. Beauville’s moving synths and well placed guitar drones connecting with Moore’s chilling, pained vocals cultivate the appropriately named piece into a deranged masterpiece.
Although the single (which can be heard here) sounds drastically different from their well received debut, The Unravelling have changed just as drastically from their own personal experiences and have found a way to have art imitate life for once.