Music

My Experience at MDF 2015: Part 3 – Saturday

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Saturday was going to be the roughest day of the fest. With so many good bands across the stages, I knew I’d end up moving around a lot.

Before the show we stopped at a pharmacy since some of our friends needed a few things. Here I ran into Joe Sullivan of Metal Rules TV (this was an awesome surprise as his concert reviews are a big influence on mine). Today was the only day that our group included two more people, Gwen and Joff (this was due to them only having Saturday Edison tickets).

Fulgora

As early as 12:15 P.M. (seriously MDF wtf?) Fulgora played. I went into this set knowing nothing about them except that they’re on Phil Anselmo’s of Pantera fame’s Housecore Records. The band played some kind of sludge/death metal mix with a space theme.The drums were impressive but sadly, nothing else was.

Serpentine Path

After Fulgora were done another sludge/death metal fusion took the stage. This was one I was more familiar with. Playing a sludge influenced version of 90’s death doom, Serpentine Path crushed it.

Twilight of the Gods

Twilight of the Gods is a Bathory influenced power metal band. Although power metal is normally not my thing, I will admit this band played well. I’d heard the band started out as a Bathory cover band, which would have been awesome if they played some Bathory songs.

Morpheus Descends

The first of the “must-see” bands of Saturday. Being from the area Morpheus Descends is from, I’d seen them twice before (both secret shows). Now was time to see them play to a much larger audience.

I was joined by Pearl and Andrew of Chicago death metal band Moratorium.We all watched Morpheus Descends play their classic tracks such as “Immortal Coil” and “Corpse Under Glass.” It felt both weird and awesome to see a band from my area play the main stage at a huge festival.

Einherjer

After watching some death metal from familiar ground the lot shifted to viking black metal from Norway. I tend to be pretty picky when it comes to the whole folky side of metal, but Einherjer was always one of the ones I dug. Their epic and atmospheric sounds really translated well on Edison. I could have done without the people in Turisas shirts dancing funny, but it was a fun set regardless. After these guys I would run over to Soundstage.

Full Of Hell

After getting some cheap 7-11 food I went into Soundstage for some powerviolence. Full of Hell played their brand of hyper-aggressive noise really well. I didn’t stand too close to the stage as I was going to leave right after their set.

Vulcano

I rushed back to Edison Lot and got there just in time for some Brazilian thrash. I never had the chance to check these guys out before and boy did I wish I had.They played very raw and primitive old-school thrash that quickly reminded me of Sarcofago and old Sepultura.

Bulldozer

After watching one of Brazil’s most obscure thrash bands, it was time for an Italian one.

I will admit though I’ve made fun of some of their weird ideas and lyrics in articles in the past, I don’t dislike them at all and find them fun to listen to. With that said, I actually really enjoyed their set. My friend Herb, who was standing right up front yelled at them to play their infamous “Dance Got Sick” EP -t o which the bands vocalist, A.C. Wild heard him and laughed.

Tryptikon

On the car ride here Josh and I were both discussing what Tryptikon’s set would be like. We wondered if it would be all Tryptikon songs or if there would be any Celtic Frost covers thrown in for good measure (either variation would’ve been cool). I mentioned that I doubted they would play “Proclamation of the Wicked” or any Hellhammer songs.

As soon as the set started I was wrong. They opened up with “Proclamation of the Wicked,” playing it in the slowed down Tryptikon style. I watched it with my Albany friends Filip and Craig and while we were pretty far, we heard them nice and clear where we were. They played a mix of Trypikon songs and Celtic Frost classics. Singer/guitarist Tom G. Warrior proved me wrong once again when the band played the Hellhammer track “Messiah.” Not only was it an amazing set, it one of the best performances of the whole fest.

Matyrdod 

I rushed back to the Soundstage yet again to catch these Swedish crusties in action, who played a fun energetic set. After Matyrdod I went once again back to Edison.

Arcturus

I got back to Edison right when these guys were about to set up. A very different band on the bill, Artcurus are a Norwegian metal band with avant-garde influences. The bands sound turned off a lot of people but I was excited to finally get to see them (especially after their great new album “Arcturian”). Vortex’s vocals sounded spot-on and the band’s campy theatrics were fun as hell to watch. Arcturus had a great set, playing material from most of their albums.

Razor

The last band of Edison Lot was the old-school Canadian thrash band Razor. While I still wish Sodom didn’t cancel their appearance, seeing Razor was still pretty cool. The band delivered a great thrash performance and a set that included a lot of classics. Herb and I left 15 minutes before their set ended to catch a band we both wanted to see at Rams Head.

Gnaw Their Tongues

We got into Rams Head to watch what was probably the second biggest outlier on the bill next to Mobb Deep. Gnaw Their Tongues play electronic music with black metal influences.

Instead of a full band it was a man programming beats on his laptop while another member did shrieks. I’m not a huge fan of electronic music, but this band is a pretty big. Gnaw Their Tongues had a lot of walk-outs due to being so different from many other bands on the bill, but I enjoyed the haunting atmosphere the band brought with them. Towards the end of their set I yet again went back to Soundstage.

Wolfbrigade

Wolfbrigade are the band that got me into crust punk and are still one of my favorites of the genre. They killed with their high energy and intense circle pits.Their whole set reminded me of first checking these guys out in 12th grade and learning what crust punk is all about.

Agoraphobic Nosebleed

The time had come for the main attraction of the entire fest: Agoraphobic Nosebleed’s first official live show.

The expectations where high. Just the thought of being part of the first real show from a band that never plays live was mind-blowing enough. The venue was extremely crowded. Anyone who had a pass that allowed access to Soundstage on Saturday was here.

The band more then met expectations. The energy was top notch. The sound was crystal-clear and extremely loud and their set had the most violent pit I had ever seen.

ANB would end up being my favorite performance of the entire fest. It felt as if the band had been building up to this very moment from the day they started. When ANB finished we traveled back to the hotel. Walking with us were a bunch of Josh and Nicole’s friends who were also blown away by this moment as well as a guy with a traffic cone on his head yelling that he was the singer for Portal (not making this up).

Check out the final part (Sunday) right here.

Pro Wrestling

Spaceman Frank’s WWE Extreme Rules 2016 Predictions

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by Frank Lucci

It’s the time of the year where WWE gets as extreme as the PG rating will allow, and the company is trying to carry some momentum into the critical Summer season.

The second Pay-Per-View of May, Extreme Rules is wedged between Payback and Money in the Bank (which has essentially become the Royal Rumble of the Summer). Throw an NXT TakeOver special into the mix and it would have been understandable for the WWE to sit on their laurels and phone it in for Extreme Rules (TakeOver won’t be happening until June 8). However, the influx of new talent has made the WWE and Raw in particular much better since WrestleMania. While there have been some hiccups, Extreme Rules has the potential to be a very good show.

Kickoff: Dolph Ziggler vs. Baron Corbin (No Disqualification Match)

At Payback, Ziggler managed to get the sneaky pin on The Lone Wolf, but all signs point to Corbin getting the win here. While falling short in their previous pre-show match, Corbin has been very aggressive since his debut and needs a decisive win  to help put him over with casual fans who missed his NXT work and his ‘Mania victory in the Andre the Giant Memorial Battle Royal.

Ziggler can make anybody look like a million bucks, but after doing the favors for Corbin he can hopefully go back to being main event cannon fodder.

The New Day (c) vs. The Vaudevillians (WWE Tag Team Championships Match)

The New Day remains one of the most entertaining elements of WWE, but they’ve lost a step since becoming full-blown babyfaces. For one thing, losing at ‘Mania to a faction that no longer exists and not having a match at the following Pay-Per-View doesn’t help. Secondly, not being squirrely jerks anymore means they can’t fully commit to being the perfect trolls we fell in love with.

While The Vaudevillians are doing far better than most expected on the main roster, they’re potentially tag team filler while Enzo Amore recovers from his scary concussion at Payback. The New Day retains in a good match.

Kalisto (c) vs. Rusev (United States Championship Match)

With Ryback seemingly on his way to being “future endeavored,” Kalisto has found a new massive monster trying to capture his title.

The better half of the Lucha Dragons has become the master of making something out of nothing, as his U.S. championship run has consisted of him pulling off great matches with little build. He pushed Ryback to new heights with his downright amazing moves and Rusev’s own freak athleticism has me almost thinking this could be the sleeper hit of the night (if only we could get a real effort from the WWE to promote the U.S. title again like last year).

Kalisto gets the win:  50% based on Rusev being a recent lame duck and 50% is me holding out for Sin Cara to betray Kalisto and challenge for the title before he sinks too far into the Jannetty realm.

The Usos vs. The Club (Tornado Tag Team Match)

First off: THE CLUB??? THAT’S THE BEST WWE CAN DO??? A million different options and the WWE decide to make Luke Gallows and Karl Anderson sound like they go to AJ Styles’ basement and drink mojitos while playing Team Fortress 2.

Since their debut, the two have been losing a disturbing amount to Roman Reigns (which is understandable given that he’s champ) and The Usos (who have not done shit all year) all well acting as pawns to the larger Styles/Reigns feud. That being said, they have been putting on good matches (albeit mostly reruns) and I see them winning at Extreme Rules to add more intrigue to the main event. 

Charlotte (c) vs. Natalya (Women’s Championship Submission Match – Ric Flair is banned from ringside)

After the frankly downright embarrassing ending to their Payback match, these two women are facing off again with the added stipulation that Charlotte’s father Ric Flair is banned from ringside (presumably Nattie’s uncle Bret Hart does not need to be banned from ringside since he openly didn’t want to be at Payback and therefore wouldn’t be caught dead at ringside for the rematch).

It’s easy to forget that this is the third PPV match between the two (if you count Roadblock) and WWE has made some questionable moves such as Ric saying he doesn’t think his daughter can win without him (watch out Titus we got a new father of the year here) and THE FUCKING SCREWJOB FINISH IN 2016. I will scream if Charles “Little Naitch” Robinson is again the referee for this match. Charlotte wins because we all know her versus Sasha Banks is going to happen.

Chris Jericho vs. Dean Ambrose (First-Ever Asylum Match)

Strait out of WCW it’s the debut of the Asylum Match! This twisted match (that can only be won by pinfall or submission) features weapons lined all along the top of the cage, giving it a unique flavor beyond typical vanilla cage matches. The problem is that a) this is the PG era and b) Jericho is unlikely to take big bumps this late in his career. Add in WWE’s desperate attempt to show how “ka-raaay-zee” Dean Ambrose is and this will be a well worked match that is instantly forgettable.

The Miz (c) vs. Sami Zayn vs. Cesaro vs. Kevin Owens (Fatal Four-Way Intercontinental Championship Match)

While many are disappointed the Owens vs. Zayn feud is not getting a true Extreme Rules continuation, the addition of Cesaro and The Miz has been done very well. Merging the two separate feuds makes sure this will get the proper time on the PPV and lead to a stellar match.

Everyone has played their parts well and special mention goes to The Miz for being the perfect smarmy Hollywood champion (along with his equally perfect real-life wife Maryse) who has shown his ability to hang with three of the biggest indy darlings in the WWE.

The only wrinkle in the buildup is the WWE insisting that we see these four go at it over and over again – meaning this actual match between the four already feels like it has been going on for several months rather than weeks. This is a toss up, so I will say The Miz retains due to some type of Maryse related shenanigans.

Roman Reigns (c) vs. AJ Styles (Extreme Rules Match for the WWE World Heavyweight Championship)

Since Payback the WWE has continued to play it smart with these two. Styles has been pushed into acting more aggressive and gelling with Gallows and Anderson, but only after several beatdowns from Reigns and The Usos. This is essentially the match we should have gotten at Payback, seeing as that one eventually became a “No DQ” anyway.

Styles is more of a natural underdog here, but if The Club takes out The Usos earlier I see a situation where he is given a chance to go full heel but refuses, leading to his defeat once again. Seeing this, The Club then turns on their friend for being weak – instantly making Styles the white-meat babyface the company desperately needs.

As for Finn Balor, it seems like talk of him jumping to the main roster has cooled, so I doubt he will be much of a factor here. On top of that, Balor is scheduled to face Samoa Joe inside a steel cage at the next NXT TakeOver event (making his arrival at Extreme Rules even more unlikely).

With Reigns vs. John Cena rumored for SummerSlam and Styles a prime candidate for a Money in the Bank win I see Reigns keeping his championship in a big brawl.

Music

My Experience at MDF 2015: Part 2 – Friday

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After resting Thursday night, the five of us (Josh, Nicole, Jason, Matt and I) ventured to the Edison Lot. We arrived an hour before the first band to look at merch.

At the Season of Mist tent I finally met Enrique, the labels PR in person (who thanks to my connections I’ve been able to conduct several interviews for the label’s artists). Before we knew it, 2pm started to roll around and it was time for the first band.

Artificial Brain 

Friday started with Long Island tech-death metal in the form of Artificial Brain. At the time I’d heard a lot of hype about this band but sadly, I didn’t get the hype. Artificial Brain was very technical but not in a fun way.

Funebrarum

After being bored by those damn Long Islanders, it was time for a slice of New Jersey  to take stage. I had seen these guys once before at MDF 2011. Like at that year’s fest, they killed.

Cianide

Old-school death metal dudes, Cianide where next. The band sounded decent but nothing too amazing.

Vallenfyre

These British death/doom greats were the first band on my Friday “must-see” list. I’ve loved their music ever since their 2011 debut “A Fragile King;” most likely due to the fact that they are an offshoot of Paradise Lost and sound similar as well.

The bands live performance was very impressive and they sounded great. I was extremely happy to hear my favorite Vallenfyre tracks “Splinters” and “Savages Arise” performed so well. After their set Jason and I rushed to Soundstage to catch another of my must-sees for the day.

Flagitious Idiosyncrasy in The Dilapitation

Jason and I got to the venue just as these adorable Japanese ladies were setting up.

Cute pictures and image aside, they are one of heaviest bands from Japan. The energy these girls brought on was intense. I caught up with my friend Nick and his girlfriend Cheyenne as we watched them put on one of the best performances of the whole fest.

Nekrofilth

We stayed at the Soundstage to see Nekrofilth. When they were added to the bill, I checked out some of their material and though it sounded decent. After watching them for about half an hour, I was kinda bored. Something about their set just felt off so Jason and I decided to leave for Edison.

Aura Noir

When we got to Edison Lot, Aura Noir still had about 20 minutes left in their set. I had seen these Norwegian blackened thrash greats once before at MDF 2011. Again, like last time they put on a fun live show. The day would only get better from here on.

Suffocation

Suffocation has always been one of my favorite death metal bands. Their 1995 album “Pierced from Within” is one of my top 10 albums of all time. Before this, it had also been five years since I’d last seen them so they were way over due for another encounter. Suffocation blew me away just like they did five years ago. Between their perfect performance and vocalist Frank Mullen’s jokes, this set blew teveryone in attendance away.

Obituary

These death metal pioneers had been on my “to see” list for quiet some time.When I finally did, I was not disappointed.

While not as energetic as Suffocation, Obituary still delivered with their signature dirty Florida Everglades sound. While they didn’t play “Chopped in Half” (the song that first got me into them), I still greatly enjoyed them.

Bloodbath

The last band of the Edison Lot classic death metal triple feature was Sweden’s Bloodbath.

Many fans worried about this set because Bloodbath’s new vocalist, Nick Holmes had turned off many fans, causing the new album to get mixed reactions. Personally, I didn’t have a problem with that album and the band played a good mixture of songs from their entire career.

Holmes told some pretty funny jokes including asking “if we were sick of death metal yet” (as if).

Bloodbath encored with their two most well known songs, “Eaten” and “Cry My Name” as well as a short cover of the Phantasm theme. After Bloodbath, Jason and I rushed over to sound stage.

Napalm Death

This was the last band Jason, Matt and I watched that night. I had seen Napalm Death earlier that year with Voivod, Exhumed and Iron Regan (That show was killer and I got to interview Barney Greenway in person! ).

The British grind giants opened with “The Silence is Deafening,” which was the first hint that this set list was going to be very different from last time.The band had tons of energy and I enjoyed this performance a lot more due to the venue having better sound.

After Napalm Death was done, Jason, Matt and I left for our hotels while Josh and Nicole watched Aeternus at Rams Head. After stopping at 7-11 for some snacks and running into a homeless, schizophrenic version of Bill Cosby we made it back to the hotel and called it a night.

Click here for part 3 (Saturday).

Music, Podcast

Bonesaw Podcast: Episode 33 – Kieran Smith of Disparo!

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We’re coming at you from a land down under with Kieran Smith of Australian fastcore band Disparo! Smith talks about being an independent artist, booking his own tours – which includes Disparo’s current three month world tour and his humble beginnings as a drummer.

Disparo will be playing at Don Pedro in Brooklyn, NY on June 18, 2016.

Graphic Novels, Movies, Podcast

F*ck Mondays! Episode 16: The Great Civil War Debate

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We’re back from seeing the sight that was Captain America: Civil War and we’ve got a lot to say. Find out what we liked, disliked and more on another episode of F*ck Mondays!

WARNING: This episode contains spoilers!

Music

My Experience at MDF 2015: Part 1 – Thursday

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Memorial Day Weekend was back yet again which of course means another Maryland Deathfest.

The fellowship consisted of Josh (a.k.a. Heavy Metal Horseman), his then-girlfriend Nicole, our friend Matt and I. We spent Wednesday at Josh’s so we could all head out on Thursday to venture into Baltimore for the first day of the fest’s amazing lineup.

On day one (Thursday), Edison (the main stage) wasn’t open but the two smaller stages, Soundstage and Rams Head were. Thursday’s Soundstage was all brutal death metal (and one rap group) while Ram’s Head had all doom bands. Thanks to traffic caused by a baseball game, we arrived at our hotel late. When we finally got there, we met up with our friend Jason who would room with us for the duration of the fest. After checking in and getting everything in order, we walked down to Soundstage.

Mortal Decay

The first band up was Philly’s brutal death metal band Mortal Decay. Because of the traffic, I missed 20 minutes of their set, which wasn’t too sad since I didn’t know this band too well. Brutal death metal is a subgenre that was always hit or miss for me. Mortal Decay was pretty hit and had a very enjoyable set.

Origin

Next up was the ultra technical death metal band, Origin. I’d seen Origin a few times before and they’d always delivered. As always, Origin had tons of energy and vocalist Jason Keyser would crack jokes about everything – including Mobb Deep not fitting the bill and the Baltimore Riots. These guys never disappoint.

Internal Bleeding

Next up were New York’s “slam” pioneers Internal Bleeding. This band never fully interested me and even live I just found their songs boring. Their set was slightly redeemed when they let everyone get on stage. This included Josh wearing his horse mask, a guy in a penis suit and the MDF chicken (yes, there is a man in a chicken getup at MDF). After Inernal Bleeding’s set I went to Seven Eleven for some cheap food then back to Soundstage for the next band.

Skinless 

Like Origin, I’d seen Hudson Valley brutal death masters Skinless a few times (including MDF 2011). Like Origin, they always kill. Skinless had tons of energy and an amazing set list. My favorite part was seeing Keyser again, singing on songs from “Trample the Weak” (the album he appeared on). This gave me memories of when I first saw Skinless back when he was in the band. Without a doubt Skinless were my favorite band to see Thursday night.

Devourment

This was the third time I went to a show with Devourment on the bill.The first time was at MDF 2011 and the second time was on tour with Dying Fetus and Exhumed. Devourment dropped both of those shows. This time however, they actually played. As someone who mostly enjoys older Devourment, I was glad they had a mostly retro set list. The crowd was nuts and got even crazier when they played the classic heart warming song, “Babykiller.” After their set I headed over to Rams Head.

Conan

I walked into Rams Head and heard Jex Thoth play the last minute of their final song. I relaxed on one of Rams Head’s couches as these British stoner doomers set up. Conan was super slow and super heavy, which as a stoner/doom fan I was impressed greatly.

Mobb Deep

After Conan I went back to Soundstage for the Mobb Deep bonus show. When this was first announced as part of the MDF package, a lot of people complained. As a fan of old-school hip hop, I was stoked.

After the hype man had the crowd yell “Mobb Deep” over and over, the legendary New York duo got on stage (fun fact: Mobb Deep were celebrating the 20th anniversary of their classic sophomore album, “The Infamous”). To my surprise, the crowd had more metalheads then rap fans. I watched the set for a little over half an hour before leaving for Ram’s Head due to what looked like a fight starting.

Yob

Next up was the Thursday band I wanted to see the most. Yob is one of my all time favorite stoner/doom bands and my second favorite band from the Portland metal scene (next to Agalloch). Jason and I went in to watch these guys while the rest of our group (due to not being big doom fans) went back to the hotel.

Yob’s set was amazing. The band would draw you in its atmosphere and as soon as you’re calm, the songs crush you with their overbearing heaviness. After they were done we went back to the hotel to get some rest for the next day (one that would blow us away even more).

Check out part 2 here.

Music, Podcast

Bonesaw Podcast: Episode 32 – AllOne Returns (Part 2)

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The second coming of Bruce “AllOne” Pandolfo’s second appearance finally sees the light of day when we talk about the economy, his new album “I’ve Been Thinking” (which can be purchased atwww.allonevoice.bandcamp.com) and more.

 

Podcast, Pro Wrestling

Manopera! Episode 17: WWE Payback 2016 Feedback

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What went down at WWE Payback? Chris and Frank have the answers (or at least they think they do). Find out what the boys have to say as they mull over Payback’s strong points, weak points and everything in between.

Music

The Vault: My Experience at Maryland DeathFest 2014: Part 3 – Sunday

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Editor’s Note: In the wacky world of publishing, some stories don’t see the light of day. Whether they sit on the backburner until they become irrelevant, positions change hands or they just plain get cut, it’s just one of those things. Today, one of those unpublished articles will finally get its due as we traverse the archives of “The Vault.”

After the amazing experiences on Friday and Saturday, it was time for the final day of 2014’s Maryland DeathFest.  This day was mostly doom and sludge metal at the Edison lot, which is why I chose to watch Edison’s entire lineup.

Windhand

First up were Virginia’s female fronted stoner/doom metal outfit Windhand.  They were the most melodic band I’d seen at the fest which felt distinctive after two days of extremities. “Soma,” their latest release at the time was one of my favorite albums of 2013 and it was great to hear it performed live. I loved the way the clean vocals sounded live and thought Windhand’s sound translated well live as a whole. Next up was another stoner/doom band.

Bongripper

I’d been a fan of Chicago’s instrumental stoner/doom crew ever since an old friend of mine decided to randomly show me one of their songs on FaceBook a few years ago. The lack of vocals might turn some people off but I feel Bongripper’s psychedelic atmosphere is perfect on its own. I just sat back and enjoyed the atmosphere’s big change from the intensely violent shows of the past few days for 45 minutes. After Bongripper came yet another doom band.

Graves at Sea

Graves at Sea are a sludge metal band from California. As a big fan of sludge I have always heard of these guys but never got around to listening to them until now. After seeing them I couldn’t believe I hadn’t. The first thing I noticed was the singers unique voice. The music also reminded me quiet a bit of New Orleans sludge greats Eyehategod. All and all it was a fun surprise and after Graves at Sea the days period of slowness ended.

Misery Index

Baltimore’s grindcore three-piece brought the moshing back to MDF. I had seen Misery Index once before open for Cannibal Corpse (with Hour of Penace, Goatwhore and Necroptic Engorgement as well) and they put on a pretty kickass performance. Since I had already seen them before and was getting hungry, I skipped a good amount of their set. I watched the first 20 minutes and then left for the nearest meal.  However, I did get back in time to hear “Traitors.” The next band would continue the intense mosh pits.

Pseudogod

Puesdogod are a Russian black metal band. Like Graves at Sea, they were another band  I’d always heard good things about but never actually got around to. Just like Graves at Sea, I’m glad I finally did.  The Pseudogod’s sound was like a fusion of Incantation and old Morbid Angel with a blackened touch. The rapid-fire drumming was also crushing. Next up was another very blackened band.

Wrathprayer

Puesdogod started the shift in the days genre from sludge/doom to black metal and Wrathprayer continued it. Like Psuedogod, they played blackened death metal. Unlike Psuedogod, these Chileans weren’t very interesting. They just sounded like yet another “kvlt” band who want nothing more than to appeal to the “trve” fans in that market.

Inquisition.

I had seen this Colombian black metal two-piece twice before. The first time was at MDF 2011 (though I only watched two songs due to it being 1:35 A.M.) and the second was as an opener for Marduk and I must say Inquisition owned that show.

Now it was time to see one of my all time favorite black metal bands play a full 45 minute set. Like the other times I had seen them, Inquisition played an in-your-face set with a haunting feel and little talking between songs.A major complaint a lot of people had was that they did not perform there most famous song “Crush the Jewish Prophet.” Although that is a great song, I wasn’t bothered by this as I sometimes feel people forget that’s not the only song in Inquisition’s catalog. Next up was a brief return to sludge.

Soilent Green

At this point I had never seen Nola’s sludge/death/grindcore band live but I had seen Goatwhore several times (which Louis Ben Falgoust II also does vocals). Though their sound is usually considered more sludge than death, their performance defiantly leaned towards death metal. It felt like I was seeing Goatwhore again but playing different songs, which is a good thing. I always loved the energy Goatwhore brings to the stage as well as Ben’s over the top stage moves. While I always found Soilent Green to be average, they put on a great show and the crowd went wild. While I do like Goatwhore more, this live set increased my respect for Soilent Green.

Gorguts

This was my third time seeing Canadian “avant-garde” tech death legends Gorguts.

My first time they were headlining with Origin, Nero di Marte, Necroptic Engorgement and BillxNye. At this show they only played songs from “Colored Sands,” their latest release at the time. While that was a great album (on my top ten of 2013), I wanted to hear more material. The second time I saw them was on 2014’s Decibel magazine tour with Carcass, Noisem and The Black Dahlia Murder. Here they only played three songs.

I figured I would give these guys a third chance to put on a fulfilling set and this time they finally delivered.  Rather than just one, they played songs from all of their albums. Gorguts must have finally gotten promoting only “Colored Sands” out of their system. Next up was the biggest misfit on the bill.

Uncle Acid and the Deadbeats

For these three days I’d been watching a lineup of mostly extreme metal bands and extreme forms of punk. Now it was time for something completely different and not extreme at all.

Uncle Acid and the Deadbeats are a British psychedelic rock band, making them the only non-punk or metal band on the whole fest (not saying it was a bad thing as I do love a lot of psychedelic/classic rock). The bands sound reminded me a bit of Blue Oyster Cult and Uriah Heep.When they ended I went over to the next stage to see the oldest band on the Edison Lot.

Candlemass

I have been a fan of this bands older work since I was 16 years old. They were my introduction to non-Sabbath doom metal (and where I first heard the term).

As excited as I was, I was also a little worried. To me, Candlemass has not had a decent album after “Tales of Creation” and since a lot of the members they have now are from after that album, I was wondering if they would even play much of the classic Candlemass tracks at all. They started their set with “Mirror Mirror” (the first Candlemass song I ever heard). This was my first clue that they’d be awesome. Right after that song, their vocalist Mats Levin announced that they were going to play an old-school set (though one later song was played). When I heard him say this I knew I was going to greatly enjoy this.

Candlemass was up there along with Asphyx and Dark Angel for best bands of the fest. Every song they played was a song I knew and unlike the next band, I’d give them the award for “best setlist.”

My Dying Bride

First off I will admit I’m not a fan of goth doom (I don’t have a problem with it just isn’t for me). I enjoy some Type O Negative and Katatonia every now and then as well as the early albums by this band, but I just wasn’t too thrilled to see these guys.

I decided to give these British goth-doomers  a shot anyway as there second album “Turn Loose the Swans” is one of my favorite death/doom albums. I watched them for a few songs, two of which I saw were from that album while the rest of the set was mostly boring. I wound up getting Subway with two people I met at the show before venturing back to Soundstage .

Ratos de Porao (Basement Rats)

Ratos de Porao is an obscure Brazilian crossover/thrash band similar in style to early D.R.I. I was only going to watch about 30 minutes of their set mainly because Ulcerate was going on shortly after them at Rams Head, but half an hour for a band like this is a lot of songs. Like any thrash show, the crowd was circle pitting hard.

Ulcerate

The New Zealand tech-death giants were probably the most technical band I’d seen on this year’s fest. Unlike most tech-death bands today whose main focus is just showing off, Ulcerate focus more on atmosphere, giving them a sound similar to later Gorguts.

Ulcerate was overpowering and loud thanks to the help of Rams Head’s live’s sound system. The band played a lot off their latest album “Vermis,” an album I greatly enjoyed (though not enough to put it on my top of 2013). Next up was the final band of the fest, who could not have been more brutal.

Immolation

Being from the Hudson Valley (Montgomery specifically), I found it pretty awesome that my areas biggest death metal band was ending this year’s MDF.

I saw these dudes three years ago in Kingston, NY with Gigan and Jungle Rot. It was a powerful show and the crowd tore the place apart (literally). Now it was time to see them decimate again in a bigger venue.

Immolation’s set was very different from the last time I saw them. Between then and now, they had a killer new album called “Kingdom of Conspiracy” and they played a lot of awesome old songs that they didn’t play last time. Like always, vocalist Ross Dolan had amazing stage presence and the crowd (or over-crowd really) was going nuts. After watching a few songs, I started to feel tired (a combination of the heat and watching bands all day). I went upstars and lay down on one of the seats and continued watching from one of the TV monitors. Even watching from a screen the performance was still brutal. After Immolation it was time to go back to the hotel one last time. MDF 2014 was a huge success and I do plan on returning as soon as possible.

Gaming, Movies

Ratchet & Clank Makes Qwarktastic Debut

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In 2002, Insomniac Games and the Sony Playstation 2 brought us the story of a Lombax and a robot that would save the universe.

Fourteen years later, Ratchet and Clank not only have an army of hit games under their belt, but are making their feature film debut both on the big screen and at home on the Playstation Network.

The movie follows a plot similar to the first game with a few storylines from subsequent games tied in to add more elements.

Ratchet dreams of being a Space Ranger but is stuck in a monotonous life as a spaceship mechanic until a defective robot he names Clank crash lands on Ratchet’s home planet Veldin.

Although he’s already been turned down to join the Space Rangers by his hero Captain Quark, Ratchet is convinced by Clank’s inside information to warn the team of an imminent attack by the evil Chairman Drek and mad scientist Dr. Nefarious.

After discovering more details of Drek and company’s evil plan, our two heroes join the Space Rangers on a galaxy saving quest filled with weapons, gadgets and hijinx that remind us why we fell in love with the franchise in the first place.

In addition to the big names cast (Paul Giamatti, Rosario Dawson, John Goodman and Sylvester Stallone), one of the finer points of Ratchet & Clank is the inclusion of nearly every main voice actor from the original games. James Arnold Taylor, David Kaye, Jim Ward and Armin Shimerman do a wonderful job reprising their roles, bringing smiles to nostalgic faces and life to their characters ways only they can.

We also see many weapons featured throughout the series’ tremendous catalog of games. One of the highlights is the appearance of the Sheepinator while one of the lowlights is the R.Y.N.O.’s (Rip You a New One) cameo as it’s destructive power never materializes to the big screen.

Another issue is that despite being a key factor of the series and gameplay, none of the weapons evolve and if they do, the audience is never informed of it.

Although Ratchet & Clank’s cinematic debut holds its own as a standalone film, there are tiny nods to the franchise that aren’t present in the final cut. Having said that, a solid story that stays true to the source material, delightful humor, playful visuals and an excellent cast is more than a fan of the beloved franchise could ever hope for.

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