Tag Archives: Sony

Unlocking The Truth: Controlling Chaos

Unlocking The Truth (left to right): Alec Atkins, Malcolm Brickhouse, Jarad Dawkins. Credit: Phil Knotts.

It’s a warm Wednesday afternoon. Fifteen year-old Malcolm Brickhouse skates one of New York City’s East Village streets. His fellow bandmates Alec Atkins, 15 and Jarad Dawkins, 14; strut behind the sound of trucks on pavement and Brickhouse’s leather trenchcoat covering his DGK skateboard, giving him a floating appearance. People are quick to notice as Japanese freelance photographers begin shooting the boys being themselves on a Summer afternoon.

The attention and aura the kids give off is interesting. Passerby don’t seem to worry about it, being used to all sorts of things that bustle through the bowery; but they do glance here and there (and they should) as these are no ordinary Brooklyn high-schoolers.

Brickhouse, Atkins and Dawkins are Unlocking The Truth – a young heavy metal band who only a year ago had gotten out of a monumental deal with Sony and have been slowly but surely taking the world by force after being discovered by Eric Clapton’s drummer Steve Jordan during a 2012 Washington Square Park performance. Tonight marks the first of several intimate release shows for their debut album “Chaos” (available now from iTunes, Spotify and other online retailers via Tunecore) at The Studio of the one and only Webster Hall.

The boys are clam, cool, collected and hungry. They’re more concerned about what to order from the Chinese food menu than how many friends, family and fans will come to see them. They’ve already mastered the art of crowd control by playing to tens of thousands at Coachella, Vans Warped Tour and one-off gigs with the likes of Metallica, Guns ‘N’ Roses and Marilyn Manson (who the boys find extremely funny; had the most beneficial backstage advice for them, offering life lessons, business tips and visited them regularly instead of the usual “don’t do drugs” cliche’).

“He was much more open with us,” Dawkins said. “He would come in our dressing room here and there and talk about what he went through and what we should watch out for in this business. He’s really funny.”

Backstage, the young rockers hang out in the empty venue, messing around on their phones and jokingly teasing one another as teenagers do. Tired of sitting, Brickhouse busts out the 8.5” DGK (his other weapon of choice due to the artwork and company vibe) and skates around the venue to scope the place out for a minute before event staff inform him it’s not permitted to be on a board inside. While he doesn’t remember what got him into the action sport initially, skating calms his nerves. His favorite pro is none other than the multi-champion son of a comic Paul “P-Rod” Rodriguez, who is known for pulling off flawless contest runs and has one heck of an inward heelflip; Brickhouses’ favorite trick. The opening band’s sound check starts up and the guitarist heads back to the dressing room to rejoin his friends before they take the stage.

The early days, the city streets would soon become festival stages.

The openers are decent – a cross between Alice In Chains, Nirvana and the Stone Temple Pilots. No one remembers their name, but they do well and show a good amount of energy and charisma. The fans in attendance are not for them, but for the boys. Family and friends are catching up and piling in until the set comes to an end. Annette Jackson, Brickhouses’ mother and Unlocking The Truth’s co-manager stands in the back and hustles the boys merchandise – a bevy of T-shirts, stickers and posters to the adoring public. A strong but tiny fireball, Jackson is a Supermom in every sense of the word.

“It feels good supporting our son Malcolm and his goals of becoming one to the best bands and a music producer,” she says. “It’s very expensive, very time consuming and a thankless job, but we always say our prayers and thank the good Lord for blessing him and to never let us take our blessings for granted.”

One piece of “Truth gear” is noticeably absent, however. There are no physical copies of “Chaos” present as Jackson doesn’t want to risk an individual leaking the album two days before its release. The boys have worked too long and too hard to let someone else let the cat out of the bag.

Unlocking The Truth ripping it up at Coachella.

When the Brooklyn metal band signed a whopping $1.8 million, five album deal with Sony in 2014, things changed immediately (because of their ages, they had to get the Supreme Court’s approval to ink the contract). At the request of producers, the band decided vocals would be essential to their then-instrumental arsenal. There were talks of auditions with various singers, but they never surfaced when Brickhouse stepped up to the plate shortly after the decision was made. After taking lessons to this day from Melissa Cross, a vocal teacher for major label artists better known for her “Zen of Screaming” DVDs; Brickhouse now performs double-duty on guitar and vocals simultaneously.

“Someone has to sing. You can’t be a big band and not have a singer,” he said . “We were thinking of getting a girl singer, but it just didn’t happen. We even tried him (Atkins), but it didn’t work out, so I just said “I’ll sing.”

In addition to the new sound, a plethora of publicity, commercial spots and dream gig offers knocked on the boys proverbial doors. In the blink of an eye, they’d made it to the big leagues well before graduation. While they were still treated the same by their peers, the rest of the world was another story. Everything was happening all at once for the trio and the instant fame was more than they could handle at the time. After an intense legal battle, Unlocking The Truth would be released from their contract with Sony roughly a year after their initial signing.

“A lot of it was between our parents and laywers. It wasn’t the contract that made us leave. It was the pressure of dealing with fame. It was just a thing of too much too fast. I miss it now, but we’re trying to get it back at our own pace,” Brickhouse says.

During the Sony days, a six song EP (titled “Free As You Wanna Be”) was recorded by Disturbed producer John “Johnny K” Karkazis that eventually got scrapped after things didn’t work out. This would be a blessing (and omen) in disguise as Karkazis would be a necessary contact the boys needed to make when they would record “Chaos” with him over the course of a week.

“We were in a rush, but it worked,” Dawkins said. “He (Karkazis) is very fun to work with, a very good guy. He has over 20 years of experience, he’s wonderful at what he does and he’s passionate.”

The Chaos cover: proof that hard work pays off.

The house lights fade to black and Unlocking The Truth take the stage to a screaming horde of Truth Seekers commissioned by the Metal Gods. For the next 45 minutes, the lads initiate phase one of their plan for world domination. It’s their night and everything goes down like an ice cold beer after a hard day’s night. Brickhouse and the gang come out of their offstage shells alive with songs like “Monster,” “Take Control” and the album’s title track, “Chaos.” Brickhouse sweeps away on various ESP guitars– an endorsement he’s absolutely ecstatic about while Atkins and Dawkins lay down the heavy semi-latin grooves that make for a strong musical core. They call for mosh pits – which on any other evening would already be in full swing, but with the amount of family and friends in their Sunday best (despite the actual day of the week) the demand goes mostly unheeded. A sign of respect for the maturing monsters of rock.

After a wildly energetic performance, the boys take the time to thank everyone in attendance for their support, tell jokes, goof around and even bring close friends onstage. The crowd roars their approval – the loudest being Brickhouse’s devoted father Tracey, who travels with the band and never misses a gig. As the house lights come back on, the boys celebrate their achievements with their adoring public.

“Our son is giving everything he has to reach his goals and make his dreams come true,” said Jackson.

As Unlocking The Truth take their leave, the joy in their eyes tells the whole story. Three rockers from Brooklyn with a vision who’s shared identity is not just a name – but a manifesto.

“I plan on doing this my entire life,” Brickhouse says. “It’s what I love. I can’t picture myself outside of making music. I don’t like school and I can’t have an office job.”

Ratchet & Clank Makes Qwarktastic Debut


In 2002, Insomniac Games and the Sony Playstation 2 brought us the story of a Lombax and a robot that would save the universe.

Fourteen years later, Ratchet and Clank not only have an army of hit games under their belt, but are making their feature film debut both on the big screen and at home on the Playstation Network.

The movie follows a plot similar to the first game with a few storylines from subsequent games tied in to add more elements.

Ratchet dreams of being a Space Ranger but is stuck in a monotonous life as a spaceship mechanic until a defective robot he names Clank crash lands on Ratchet’s home planet Veldin.

Although he’s already been turned down to join the Space Rangers by his hero Captain Quark, Ratchet is convinced by Clank’s inside information to warn the team of an imminent attack by the evil Chairman Drek and mad scientist Dr. Nefarious.

After discovering more details of Drek and company’s evil plan, our two heroes join the Space Rangers on a galaxy saving quest filled with weapons, gadgets and hijinx that remind us why we fell in love with the franchise in the first place.

In addition to the big names cast (Paul Giamatti, Rosario Dawson, John Goodman and Sylvester Stallone), one of the finer points of Ratchet & Clank is the inclusion of nearly every main voice actor from the original games. James Arnold Taylor, David Kaye, Jim Ward and Armin Shimerman do a wonderful job reprising their roles, bringing smiles to nostalgic faces and life to their characters ways only they can.

We also see many weapons featured throughout the series’ tremendous catalog of games. One of the highlights is the appearance of the Sheepinator while one of the lowlights is the R.Y.N.O.’s (Rip You a New One) cameo as it’s destructive power never materializes to the big screen.

Another issue is that despite being a key factor of the series and gameplay, none of the weapons evolve and if they do, the audience is never informed of it.

Although Ratchet & Clank’s cinematic debut holds its own as a standalone film, there are tiny nods to the franchise that aren’t present in the final cut. Having said that, a solid story that stays true to the source material, delightful humor, playful visuals and an excellent cast is more than a fan of the beloved franchise could ever hope for.

Throwback Thursday: Yu-Gi-Oh! Forbidden Memories

Yu-Gi-Oh! Forbidden Memories Cover.png

Released on the original Playstation during its final days, Yu-Gi-Oh! Forbidden Memories capitalized on the latest card game craze during its peak in video game form.

While the quest was monotonous, it was at least straightforward: defeat everyone in your path as Yugi traverses from his past and current lives in order to save the world.

The real fun was the game itself. For its time the graphics were quite good and simple, bringing the beloved card game to life albeit with alternative rules. Players could fuse monsters with not only magic and trap cards, but without the use of Polymerization. It is unknown why this was inserted into the gameplay, but it makes the game much easier at times, especially since the player does not have very good cards for a long time. An additional rule that was put into play was the use of “guardian stars.” When a player sent out a monster they would have to choose one of two guardian stars that would either put them at an advantage, disadvantage, or stay the same depending on the guardian star their opponents monsters have.

Even the animated series didn’t have rules that bizarre.

Most of the game is done in “Free Play” mode, as the player only receives new cards once they have beaten an opponent. If they should lose during the campaign, it’s game over. The free play mode is where they’ll want to go sharpen their skills and get better cards to upgrade their deck for the campaign. Since the cards you are rewarded seemingly come at random based on your speed and performance, the player will spend most of their time in free play, which is not necessarily a bad thing as the story is actually very short.

At the end of the day, Yu-Gi-Oh! Forbidden Memories came down to the heart of the cards as it opened a new way to experience the game, turning out to be one of the best time killers one could ask for. If you weren’t a fan of the card game, you could still enjoy this game for hours on end.

Trailer Feedback: Popeye

Although the world isn’t exactly clamoring for another throwback animation movie, Sony is giving us Popeye anyway.

While the trailer does not look terrible, everyone’s favorite sailor is noticeably missing some key features: his signature pipe and anchor tattoos.

Perhaps the film will focus on a younger Popeye embarking on an early venture that leads him to his first encounter with the love of his life, Olive Oyl.

This also could be Popeye’s first battle with Bluto over Ms. Oyl as well.

Despite the lack of spinach or Wimpy, it is a nice touch that Popeye features Eugene The Jeep – a mystical animal that is described as “living in a three dimensional world, but really belonging to a fourth dimensional world” by Professor Brainstine in a 1936 Popeye comic strip.

The animation looks fun and fluid, the quirky humor of Popeye is captured nicely, and the action is reminiscent of the classic cartoons (sans spinach) – with Popeye literally throwing the kitchen sink at Bluto’s goons.

We may not need another Popeye flick, but this doesn’t look that bad at first glance.