My Experience At MDF 2016 – Part 2: Saturday

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After a most excellent Friday night we woke to another crazy day with an even better lineup to boot. After some Chipotle Jason and I headed to the venue while Herb and Matt went back to the hotel. The two of us got to the fest just in time for a band we both really wanted to see.

Demonical

A Centinex offshoot, Demonical which were similar to their step-band and  also like Centinex, they were killer live.

Gruesome… again

Since Gruesome was playing the same exact set again (this time on the day they were actually scheduled), I just used this time to look at merch. Seeing as nothing changed, it’s safe to say they played and sounded well.

Deranged

Swedish brutal death metal legionaries Deranged were another band I was curious about. BDM is hit or miss to me and this band was a surefire hit. Around this time Herb and Matt finally came to the lot.

Tulus

Another band I was curious about. Tulus are a 90’s black metal band from Norway that just never got as big as acts like Mayhem and Darkthrone. Tulus was good but nothing mind-blowing. They also did a very random cover of “Slowly We Rot” by Obituary.

Hirax

California thrash legends Hirax were one of the Saturday bands I wanted to see the most. As soon as their set started they easily became one of the fest’s best. They sounded spot on and vocalist Katon W. De Pena showed the crowd how it’s done.  Pena was running around shaking everyone’s hands and giving crazy facial expressions that reminded me of a friend back home.

Atrophy

In the ashes of Hirax’s wake were another 80’s thrash band called Atrophy. To me they were not offensively bad but were very forgettable and boring. Long story short, Hirax is a tough act to follow.

Hail of Bullets

While I am a big fan of Martin Van Druuen’s work in both Asphyx in Pestilence, I find Hail of Bullets boring and this set (which didn’t even have him in the lineup) didn’t improve my view of them at all.

Impaled Nazarene

After two boring bands, the fest got good again with Finland’s Impaled Nazarene. I had seen them at my very first MDF back in 2011 and found their set to be powerful and lots of fun. During most of the set I hung with Coco who I met at last year’s MDF.

Exciter

These speed/thrash titans were the band I wanted to see the most of Saturday’s Edison Lot lineup. Exciter had the entire original members playing this show as well (always a plus). Their set was intense with more moshing then you’d expect from a band this old-school. After they wrapped up their set I ran down to Soundstage.

Haemorrhage

Being one of my favorite goregrind bands, I was pretty excited to see Haemorrhage. Since I’ve already seen Nuclear Assualt twice and Testament once before I figured I was done with Edison lot for the day. Between Haemorrhage’s awesome songs, energy and the theatrics of the lead vocalist Lugubrious (yes, his stage name is Lugubrious), this was one of the best sets of the year.

Infest

Powerviolence pioneers Infest followed, continued and indulged in the lugubriousness. I only watched a little of their set (though I’d later find out they actually didn’t play that long), what I saw was intense (like all hardcore shows should be).

Grave Miasma

After Infest I headed to Rams Head and caught up with Herb. Grave Miasma put on a crushing,  heavy performance that impressed just about everyone in the crowd but Herb (how they didn’t I’ll never know) and prepared us for what was next.

Dragged Into Sunlight

Dragged Into Sunlight were another one of the bands I wanted to see most (esepcially since they dropped last year). They did not disappoint at all. Dragged Into Sunlight’s multi-subgenre sound translated very well at Rams Head and their performance was top notch. On stage were flicking strobe lights while the singer T (what’s up with these stage names?) had his back turned to the audience. This didn’t stop the band from having a really intense pit. After their set we stayed for one more Rams Head band.

Craft

Originally I was going to see Discharge at this time but unfortunately they dropped due to issues with their Visas (why don’t they just get MasterCards and be done with it?). Because of that we decided to see Craft instead while Jason went to see Drugs of Faith at the Sidebar Tavern.While a downgrade from the amazing set Dragged had, Craft still delivered and it was cool to catch this classic band.

After Craft’s set we said goodbye to a bunch of our concert friends and went back to the hotel where Matt and Herb were.

Check out the final part here.

 

Spaceman Frank’s NXT TakeOver: The End Predictions

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by Frank Lucci

Despite the ominous title, the newest NXT TakeOver live event special is not the end of the highly praised series – but it does have some finality hanging over it.

With many of the top NXT talent already on the main roster and several more possibly leaving NXT for Raw or SmackDown! when the brand split occurs in July, this may be the last TakeOver event with some of the classic NXT talents people first latched onto when WWE first began having live specials for the developmental brand.

Here are Spaceman Frank’s predictions for NXT Takeover: The End.

Andrade “Cien” Almas vs. Tye Dillinger

Poor Tye Dillinger. Despite having lots of crowd support and a marketable gimmick, the poor guy lives just to put over new talent. With so many of the old NXT guard on the main roster, would a push for “The Perfect Ten” be too much to ask?

His opponent, the former La Sombra, has been working NXT live events (as well as a dark match at NXT Takeover: Dallas) and has received rave reviews from live audiences. Random side note: I like that Andrade has “Cien” as a nickname instead of being “Cien Almas. ” As much fun as No Way Jose is, it’s hard to take him seriously with no real name. In addition, it’s rumored that Almas is going to be heavily featured in the Cruiserweight Classic this summer, so it’s pretty clear that he’s going to beat Dillinger.

America Alpha (C) vs. The Revival (NXT Tag Team Championships match)

This matchup is a big toss-up. For one, champs American Alpha are super over with the crowd and have routinely handled The Revival at live events. However, the champions are frequently discussed as the next tag team to jump to the main roster, so they could easily lose the titles and then move on. The Revival are a better version of the now broken up Blake and Murphy and shine as the talented yet generic heel tag team that make good diabolical champs. It’s time for a two time champion in NXT and The Revival will reclaim their belts so Jordan and Gable can make their leap forward.

Shinsuke Nakamura vs. Austin Aries

The big new dream match for The End sees the two men who debuted at NXT Takeover: Dallas clash and have an unofficial number one contenders match for the NXT Championship.

Nakamura can do no wrong at Full Sail as the crowd pops big time whenever his theme song hits. Meanwhile, Aries has the crowd begging for his heel turn; as A Double would be the perfect bad guy to slide into the main event picture. The big question here is if Aries turns on the live special or if he saves it for NXT’s weekly programming. I’m predicting Nakamura wins clean here, causing Aries to descend into madness later – making Swagsuke look good while the cameras are live.

Asuka (C) vs. Nia Jax (NXT Women’s Championship Match)

First teased at Takeover: London, this match is brimming with potential.

Asuka was able to take down Bayley, but can she handle a motivated Jax who’s been taking down every other woman on the NXT roster? Conspicuous in her absence is former champ Bayley, who (kayfabe) was injured by Jax and thus unable to get her rematch. It seems blasphemous to leave Bayley out of a TakeOver, as NXT could have easily added more drama or intrigue by having this be a triple threat or having Bayley be the guest referee. By having her out it seems plain as day that Asuka hangs on to her title so the two can have their big rematch in front of the much larger NXT Takeover: Brooklyn crowd while Jax gets valuable reps so she can be NXT’s next big heel.

Samoa Joe (C) vs Finn Balor (Steel Cage Match for the NXT Championship)

The fourth and (probably) final match  between these former friends is sure to be memorable. When it was assumed this feud was played out, NXT pulled a shocker when Joe won the NXT Championship at an untelevised show. Instead of having Balor immediately jump to the main roster to join his mates in The Club, he’s been showing more fire than ever in trying to reclaim the gold.

Joe has been perfect on the microphone as champ and I’m sure WWE wishes they could give their main roster champion Roman Reign’s half the ability this Samoan has. Throw in not only a rare stipulation but the first-ever NXT cage match at Full Sail and this could be a classic feud finisher that has been sorely lacking in this age of 50/50 WWE booking.

Both men deserve to make it to the main roster ASAP, but I see Joe retaining so WWE can begin hyping Balor coming to the main roster and Joe can lay down the groundwork for a match with Nakamura that will be so heavy Iron Maiden will write a concept album about it.

My Experience At MDF 2016 – Part 1: Friday

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Another year, another MDF and another adventure. With an amazing line up as always, I knew I wasn’t going to break the chain of MDF every year.

The night before, my friend Matt and I stayed at our friend Herb’s and headed for the annual metal fest the next morning. When got to the hotel we dropped off our stuff, met up with our friend Jason and headed down to the venue. After taking a cab down, we got there around 3:50 and started watching the band that was on.

Centinex

We got there during the middle of Swedish death legends Centinex’s set. Due to en-route traffic, we missed Horrendous and a good chunk of this band’s set. However, I was still able to catch several songs from them including the classic track “Moist Purple Skin.” Centinex sounded great and the fans were not disappointed.

Novembers Doom

Next up were Chicago’s melodeath/doom giants Novembers Doom. Around this time I ran into some of my Chicago friends who included members of Nucleus and Morditorium. I also ran into members of a Facebook group I’m part of. While I do like Novembers Doom I was never a massive fan. With that said, I did enjoy their set and thought they sounded great.

Wormed

Spain’s brutal death outfit Wormed transitioned the tone of the crowd from slowly brooding to intense and mosh heavy. Being one of my favorite bands of this subgenre, I was stoked to see them and my expectations were exceeded. After their set Jason and I head to Soundstage.

Bruce X Campbell

With a name liked that who would skip them? Bruce X Campell are a power violence act named after the one and only Bruce Campbell himself. And like the man with the iron chin, they were awesome.

Gruesome

After Bruce X Campell I head back to Edison lot. During this time slot, the classic death metal band Sinister was supposed to play, but due to dropping at the last possible minute Gruesome (who were already scheduled to play the next day) took the slot.

Gruesome is a band I have mixed feelings about. I don’t dislike their music but at the same time feel no need to listen to it as it sounds so much like Death that it feels pointless when Death’s music still exists. I watched them with an open mind.  They sounded good live and were fun to see. They also did a great job with the Death covers they played.

Hemdale

After Gruesome I went back to Soundstage with Herb based on a recommendation from Herb’s friend Sam. He compared them to acts like General surgery, Exhumed and Carcass – all of which we’re both big fans of. Hemdale was very entertaining and the vocalist told hilarious jokes about the internet.

 

Paradise Lost

I raced back to Edison Lot to catch Paradise Lost. As a fan of mainly just the first 2 albums I was curious of how many tracks from that era they would perform. They played mostly newer songs that were performed well and sounded good live. Midway through the set I did get to hear some tracks I enjoy such as “Rapture,” “Dead Emotion” and “As I Die (the latter being the only post-Gothic song I like).”

Samael

Samael was one of the bands I was curious about seeing once it was announced that they were playing all of “Ceremony of Opposites.” This is my favorite album by them as well as the last one they made that I liked.

When they started I thought they were playing one of their later songs until I realized it was on the album. The band looked like rejects from a bad 2000’s EBM band. They were playing their old songs but remixing them to sound like the later stuff. Though it sounded awful, I was wanted to see how my favorite Samael track “Baphomets Throne” would sound. Sadly, they really fucked it up with not only replacing riffs with synth but with “St.Anger” sounding drums. Once I heard this mess I went back to Soundstage.

Magrudergrind

Though Mayhem were playing at Edison Lot, I figured I’d go see Magrudergrind since I’d seen Mayhem once before. When I arrived I ran into my friends Nick and Cheyenne. All three of us were excited to see these grind greats as we missed them every chance we got. Magrudergrind sounded great and had incredible energy. This was a nice change in pace as the night just got crazier from here.

Rotten Sound

Being one of my all-time favorite (and one of my first) grind bands  I was stoked to finally see Rotten Sound. Continuing the trend of the night, Rotten Sound were even more energetic than Magrudergrind. Using Soundstage’s great sound to its full potential, they were among the best bands of the whole fest.

Repulsion

Next up on Soundstage were grindcore pioneers, Repulsion. I only watched about 20 minutes of their set as I wanted to catch Angelcorpse at 12:30. From what I was able to see, the band really killed and continued the late great shows of Friday night.

Angelcorpse

After 20 minutes of Repulsion, I went over to Rams Head for the last band of the night. Being the main reason for Rams Head Friday, Angelcorpse were the biggest must-see band of the night. From start to finish, Angelcorpse put on one of the most intense live shows I’d ever witnessed. The band’s fast and in-your-face style of blackened death metal really worked. Not a second went by that wasn’t amazing during their set. Angelcorpse was one of the best bands of the fest for sure.

After Angelcorpse, Herb, Matt and I went to our hotel (Jason had no Rams Head tickets) and went to sleep to prepare for the next day’s events.

Part 2 coming soon.

 

 

 

 

 

 

 

 

 

 

F*ck Mondays! Episode 17: The Flash, Arrow and Apocalypse Want Lesnar

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Chris and Jon are back to talk about The Flash and Arrow finales, the breaking news about Brock Lesnar’s UFC return and break down X-Men: Apocalypse.

This episode is dedicated to the memory of Muhammad Ali.

WARNING: Spoilers

Spaceman Frank Special Report: Matt and Jeff Hardy TNA Slammiversary Contract Signing – The Movie!

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by Frank Lucci

I don’t follow TNA, but still keep up with the various going-ons within the company (mostly to see the latest “LOLTNA” moments that they’ve become synonymous with).

On the latest episode of Impact we got perhaps the best example of why the company is subject to so many “going out of business” rumors. This Tuesday night, we got the epic mini movie for the contract signing between Matt and Jeff Hardy – a piece of cinema so great they put out a director’s cut for those needing to see even more of the intense Hardy acting. Naturally, Spaceman Frank could not help but deliver a blow-by-blow of this masterpiece.

– To kick things off we get opening shots of the Matt Hardy estate, one of which includes a sweeping crane overhead (Isn’t TNA broke? Did they spend their evening’s budget on this or did they just hire one of the Hardy’s friends to climb a tree with a camcorder? Also, who is the director of this movie? I suspect his name rhymes with Shmatt Shmardy).

– Seth Rollins’ dad welcomes us to MTV Cribs! Oh wait, it’s just a rough (and I do mean rough. Don’t do drugs or fall off ladders, kids!) Matt Hardy stepping out of his McMansion – complete with white picket front patio. The house and reality TV establishing shots totally do not line up with the sweeping orchestral score and Matt’s Hot Topic pirate garb.

– Matt invites “all of you, plus the world and Brother Nero,” here in an opening narration while he stands on his walkway making random faces with his arms up (Doesn’t the world pretty much count for everyone already Matt? Or is “all of us” the 33,000 plus people who have watched this YouTube clip?). Halfway through the narration it switches to Matt actually talking (probably due to a passing truck honking its horn during the first part of the speech). Did I mention Matt went from sounding like a good ole boy to putting on a faux posh accent for this movie? Now that’s ka-rayy-zyy!!!

– Jeff Hardy is riding his dirt bike around his admittedly sweet looking property (and smaller McMansion) before driving up to Matt’s (Two questions here. One: Are dirt bikes road legal, or this this how we figure out that Jeff is a rebel? And two: FOR GOD’S SAKE, WHERE THE HELL IS YOUR HELMET JEFF!?). Here come more crane shots of Jeff driving with a heavy metal soundtrack as he pulls up to Matt’s house, which hilariously has a big “H” on the front gate like he’s fucking Batman.

– Reby Sky (Matt’s wife) is there to meet Jeff, who mumbles something about it being a trap. Sky doesn’t have time for that though, because Matt is acting ka-rayy-zyy and she’s getting the hell out of here. Jeff is super upset about this, despite the fact that she’s getting her infant son out of the way of a “crazy” guy and is actually being a responsible human being. Jeff storms into the building, where Matt is playing piano – the craziest of all instruments (besides the piccolo). Matt gives another monologue about how this is not about the contract signing, but about how Jeff needs to see that Matt is solely responsible for the success of the Hardys (because it was Matt’s daredevil antics and good looks that lead to him becoming WWE Champion and having an amazing feud with CM Punk…oh wait…).

– Jeff responds by shouting a whole bunch (you know, to add drama). Honestly, despite Matt’s accent changing roughly every scene he’s a better actor than Jeff because he’s at least trying. Tommy…err, Matt decides that to settle this once and for all, the contract signing for their match at Slammiversary needs to happen at “the sanctuary of our genesis” aka an old ring in a barn. Epic music plays as Matt walks to the barn and stops to say hi to his gardener, which makes me immediately flash back to this infamous scene from “The Room” (below). Jeff ignores the gardener, most likely because he keeps getting smash-cut to different places.

– Matt’s in the middle of the ring, until Jeff storms the barn. As Jeff gets close enough to the squared circle Matt attempts to roll out of the ring but clearly has trouble doing so. Matt looks less than graceful here, especially with the contract and his coat flopping around audibly in the massive barn. A conveniently placed table is next to the ring and is literally the only other thing in this room. Matt signs the contract, but Jeff wants to get it on with “Big Money Matt” and his “sarcastic ass.” Anyway, the camera does a 360-degree shot of the two (or at least attempts it before the cameraman realizes he can’t go all the way around the brothers with the table being too close to the ring and then he just kind of starts going the other way). TNA: Combining immaculate storytelling with quality camera work for 14 years.

– Things get taken up another notch on the ka-rayy-zyy scale as Sky comes back and throws Jeff her baby, but it’s a fake (OH LAWD, SOMEBODY CALL SNITSKY!!!). Matt then blast Jeff from behind with some sort of green bottle – in this massive barn where we just established was completely empty aside from a wrestling ring and a table with a contract on it. This leads to the epic climax where Jeff takes a Side Effect off the ring apron onto the table – in slow motion. Honestly, the bump looks painful as the ground is concrete and the table is a regular roundtable that just breaks at the base instead of in half; but the slow motion effect kills this moment. Matt recovers and declares that “Brother Nero is over” as we fade to black.

Final thoughts: Wow…just wow. I really want to know whose idea this was. They could have filmed this at the Impact Zone on the cheap and it would have been much better. Smash style editing, hokey music, hammy acting and a nonsensical story makes this a hallmark of TNA badness. At this point, I’ve had my fill of TNA for the rest of year but chances are I’ll see Dixie Carter and company in 2017 when we get the sequel they’ll claim we “demanded.”

Hudson Horror Show XIII

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After really enjoying the last showing 6 months ago, I knew I had to come I’d come back.

The lineup for the film festival consisted of “Dolomite,” “A Nightmare on Elm Street,” “Jaws 2,” “Nightbreed” and two mystery films.

Like last time, there were vendors with a myriad of horror DVDs, Blu-Rays, VHS tapes, t-shirts and signs. This time however, the Hudson Horror Show vendors had a larger variety of other items including comics and vinyl. The film festival also had exhibits such a model shark from Jaws that you could get pictures with.

I met up with some friends and purchased DVD copies of the films “Slaughterhouse” and “555” as well as a Blu-Ray of “Corruption” (which comes with the exploitation classic “Last House on Dead End Street!”). At around 12:15 p.m.  the mystery movie played. While I can’t reveal what it was I will say it was very enjoyable crap. After that came an intermission and then the first of the revealed films.

Dolomite

“Dolomite” is an iconic blaxplotation film (and one of the best). Starring stand-up comedian Rudy Ray Moore, the film is about a pimp named Dolomite who is let out of prison and hired to catch a bunch of notorious criminals. The film is very sleazy and humorous with the word “motherfucker” being said in every other scene. A good place to start for those looking into the blaxplotation genre along with “Shaft” and “Coffy.”

A Nightmare on Elm Street

The next feature was this well-known horror flick. For the two people that don’t know, the film is about a killer named Freddy Kreuger (played by fellow horror icon Robert Englund). Unlike your average serial killer, Kreuger is a demonic spirit that haunts people’s dreams. If he kills you in your dream, you die in real life. While trying to stop this from happening, the main protagonist Nancy finds out more about Krueger and his connection to the parents of her and her friends.

“A Nightmare on Elm Street” is a horror classic. Kreuger’s mix of sadistic insanity and silly one-liners made the character a horror behemoth and England a legend to this day. Then-unknown Johnny Depp’s death scene remains a staple to the franchise and help project his career into the stratosphere. While I’d already seen the film several times it was nice to watch it again as it had been awhile.

Jaws 2

The following film was “Jaws 2” – a film with as much notoriety as the previous one.

Before the movie started a man by the name of Louis Pisano gave a short lecture on his book “Jaws 2: The making of a Hollywood Sequel.” The book is about pretty much everything there is to talk about in “Jaws 2” and how it was the first Hollywood sequel.

While not as good as the first, “Jaws 2” is still great. The film is pretty much just a direct follow up that tried to one-up the original in every way. Any fan of the first film would most likely enjoy this one as well.

After this film I started to head out. As much as I love “Nightbreed” and was curious to see what the last mystery film was, I was getting tired and it was getting late. On the way out I ran into Pisano and ordered his book off him (which I eventually plan to review) but that is something for another time.

Trailer Feedback: Five Nights at Freddy’s – Sister Location

Heere’s Baby.

Set in what looks more like a facility than a family restaurant, Five Nights at Freddy’s: Sister Location will contain at least four new haunted animatronics guaranteed to give you nightmares. There’s the ringmistress Baby, Funtime Foxy (who is possibly a hybrid of Foxy and the Mangle characters from the original series), Funtime Freddy (sporting a Springtrap puppet on his right hand) and the twisted ballerina Ballora – who’s eyes never appear to open.

The trailer for the FNAF spinoff begins with a cold open as the words “Fear, panic, dread and terror deep below ground where memories sleep. Anger is restless and secrets don’t keep” appear alongside flashing images of the beloved survival-horror franchise’s past installments. We are introduced to possibly new gameplay mechanics as the room/elevator descends into madness before divulging into a vent before we get a load of Baby and her nightmarish clan.

Creepy music ensues before presumably Baby utters the phrases “Don’t hold it against us. You don’t know what we’ve been through” at the trailers end.

The demented cat known as Sister Location was semi-let out of the bag in the second FNAF World update ending, which was released May 13th (which of course, fell on a Friday). During the ending, the player finds  FNAF creator Scott Cawthon at a desk explaining that he’s created something terrible and that her name is Baby. The lights dim, glowing eyes appear in the corner and when the lights come back on, Cawthon is found lying in a pool of his own blood.

This Fall, gamers and horror enthusiasts alike will uncover the terrifying reasons why nobody puts Baby in a corner.

Bonesaw Podcast – Episode 34: Exhumed and Gruesome’s Matt Harvey

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Things get heavy when we sit down with death metal mastermind Matt Harvey. Harvey talks his bands Gruesome and Exhumed, singing for Exodus and much more in this brutal podcast.

 

My Experience at MDF 2015: Part 4 – Sunday

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For the final day in Baltimore we (now also joined by Josh’s friend Tom who was with us for just that day) decided to make a trip to legendary writer Edgar Allen Poe’s grave.

I decided to wear my Suspiria shirt; one to wear something that for once wasn’t a band and two because it fit the the atmosphere of the exhibit. After getting a picture with his tombstone we headed back to the Edison Lot, stopping by 7-11 for lunch before heading down to the venue. When we got there we ran into none other then Katherine Katz of Agoraphobic Nosebleed.We all got pictures with Katz and I eventually would get to interview her. For this day I would stay at the Edison Lot for the remainder of its run (just like I did last year).

Masacre

When we finally got to the venue we had already missed the first two bands, so the first one I caught was Colombian death metal band Masacre. Knowing nothing about this band I decided to watch them out of curiosity and damn was this awesome. I couldn’t believe a band I never heard of could end up being one of the best bands Sunday had to offer. After this set, I’m now a proud Masacre fan.

Goatsnake

Back in 2011, Goatsnake dropped from playing MDF and where replaced by Ghost.While Ghost were cool to see, I’m glad that this year I finally got to see this stoner/doom super group.

Goatsnake was a nice break from the extreme nature of Masacre and most of the bands from previous days. Goatsnake had a good sound which helped with their trippy atmosphere (until this show I never noticed how much the singer sounds like Alice in Chains’ Layne Stayley).

Primordial

After seeing death metal then doom we then switched to folk metal with Primordial. As mentioned in part three, I am very picky with folk metal. Primordial is a band that is not only an exception but one I find to be top notch. Primordial sounded much more epic live  – especially when they closed with “Empire falls,” their signature song.

Winter

After Primordial the shift returned to doom but with a deep-seated vengeance. I was super stoked to see these death/doom pioneers as I was always a big fan of their only album,”Into Darkness” for quite some time. As it tends to be in real life, Winter was extremely heavy and crushing – one of the heaviest bands on the fest.

Anaal Nathrakh

England’s Anaal Nathrakh were yet another one of my “must-see’s” (Sunday was on a roll). With the exception of the clean vocal sections, the band’s distinct mix of grindcore, black metal and industrial translated great live (a very minor complaint). The crowd went from being crushed by doom to intense moshing. The transition would revert to doom yet again with the next band.

Skepticism

To be honest, I was never a fan of funeral doom. During this band’s set I decided to get food from my favorite MDF vendors Pork Lord Tacos. After eating I went to the shape area. Here I met a girl named Coco who turned out to have read my interview with Teloch of Mayhem as well as friends with my areas infamous Facebook troll Olivia (small world).

Demilich

After Skepticism was over my excitement skyrocketed. One of the bands I wanted to see the most was about to start.

Finland’s tech-death masters were a band I planned on catching no matter who played at the same time. Demilich’s set was perfect: the sound, the energy, the choice of songs – EVERYTHING. This was easily my favorite set from Sunday night and one of my favorites of the whole fest.

Neurosis

Neurosis was always a band I found to be over-hyped. While I am a fan of sludge, the more post-rock infused bands just never did it for me. I was bored during their whole set and was honestly just awaiting to see Amorphis.

Amorphis

Next to Agoraphobic Nosebleed, Amorphis was the fest’s second biggest draw.

This was Amorphis’s second time playing in America (the first being at that year’s 70,000 Tons of Metal cruise). Amorphis was set to play their best album “Tales from One Thousand Lakes” in its entirety.

Unlike ANB (who more then met expectations), Amorphis was the most disappointing band of the entire fest. The main problem was the sound which I immediately noticed was way off. The mic would also tune in and out a lot – most noticeably during the clean vocal sections of “Black Winter Day.”

I didn’t stay for the whole set as I wanted to catch Melt Banana at Soundstage, but people who did told me Amorphis played no encore and would have had time for one if they did. What a bad move for a Sunday headliner.

Melt Banana

Japan’s experimental rock band was up next. I caught up with my friends Nick and Cheyenne and we watched from the rail at Soundstage.

Melt Banana more then made up for Amorphis’s disappointing set. The over-the-top energy mixed with the theatrical light show and vocalist Yasuko Onuki’s chirping vocals made it impossible to not enjoy this experience (she would also talk to the audience in her “chirp voice,” which I thought was pretty funny). As different as it was, Melt Banana was still one of the fest’s best acts.

D.R.I

I had once seen D.R.I. three years ago where they played a two hour set due to it being their anniversary show. Here I only planned to watch them for 45 minutes so it wouldn’t conflict with Portal at Rams Head. Having said that, 45 minutes of D.R.I. is still a lot of songs!

They opened with “Who Am I?” – the perfect way to start a D.R.I. set. Like last time, their energy was great but because of a larger crowd, they were more fun to watch this time around. After watching a decent amount of songs I went over to Rams Head for the final band of the 2015 Maryland Deathfest.

Portal

I got into Rams Head and watched Portal set up from one of the TV screens before finding a great spot where I could see everything.

Portal had a dark theatrical performance that went well with their odd, atmospheric music. They were going over time and their equipment’s power was eventually shut off. This didn’t stop them from finishing their last song. Overall, they were a great way to finish the fest.

After their set Josh,Tom, Matt, Nicole and I went back to the hotel (Jason had already gone back after D.R.I.) before heading home the next day. As always, MDF 2015 was a success and we all can’t wait to see what Evan and Ryan (the fest’s organizers) have in store for us this year.

Manopera! Episode 18: Extreme Rules 2016 Ups, Downs and Brand Splits

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“Spaceman” Frank reveals his new “Dudley” inspired gimmick before he and Chris divulge into WWE Extreme Rules, the brand split returning and Money in the Bank possibilities.

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