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My Experience at MDF 2015: Part 2 – Friday

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After resting Thursday night, the five of us (Josh, Nicole, Jason, Matt and I) ventured to the Edison Lot. We arrived an hour before the first band to look at merch.

At the Season of Mist tent I finally met Enrique, the labels PR in person (who thanks to my connections I’ve been able to conduct several interviews for the label’s artists). Before we knew it, 2pm started to roll around and it was time for the first band.

Artificial Brain 

Friday started with Long Island tech-death metal in the form of Artificial Brain. At the time I’d heard a lot of hype about this band but sadly, I didn’t get the hype. Artificial Brain was very technical but not in a fun way.

Funebrarum

After being bored by those damn Long Islanders, it was time for a slice of New Jersey  to take stage. I had seen these guys once before at MDF 2011. Like at that year’s fest, they killed.

Cianide

Old-school death metal dudes, Cianide where next. The band sounded decent but nothing too amazing.

Vallenfyre

These British death/doom greats were the first band on my Friday “must-see” list. I’ve loved their music ever since their 2011 debut “A Fragile King;” most likely due to the fact that they are an offshoot of Paradise Lost and sound similar as well.

The bands live performance was very impressive and they sounded great. I was extremely happy to hear my favorite Vallenfyre tracks “Splinters” and “Savages Arise” performed so well. After their set Jason and I rushed to Soundstage to catch another of my must-sees for the day.

Flagitious Idiosyncrasy in The Dilapitation

Jason and I got to the venue just as these adorable Japanese ladies were setting up.

Cute pictures and image aside, they are one of heaviest bands from Japan. The energy these girls brought on was intense. I caught up with my friend Nick and his girlfriend Cheyenne as we watched them put on one of the best performances of the whole fest.

Nekrofilth

We stayed at the Soundstage to see Nekrofilth. When they were added to the bill, I checked out some of their material and though it sounded decent. After watching them for about half an hour, I was kinda bored. Something about their set just felt off so Jason and I decided to leave for Edison.

Aura Noir

When we got to Edison Lot, Aura Noir still had about 20 minutes left in their set. I had seen these Norwegian blackened thrash greats once before at MDF 2011. Again, like last time they put on a fun live show. The day would only get better from here on.

Suffocation

Suffocation has always been one of my favorite death metal bands. Their 1995 album “Pierced from Within” is one of my top 10 albums of all time. Before this, it had also been five years since I’d last seen them so they were way over due for another encounter. Suffocation blew me away just like they did five years ago. Between their perfect performance and vocalist Frank Mullen’s jokes, this set blew teveryone in attendance away.

Obituary

These death metal pioneers had been on my “to see” list for quiet some time.When I finally did, I was not disappointed.

While not as energetic as Suffocation, Obituary still delivered with their signature dirty Florida Everglades sound. While they didn’t play “Chopped in Half” (the song that first got me into them), I still greatly enjoyed them.

Bloodbath

The last band of the Edison Lot classic death metal triple feature was Sweden’s Bloodbath.

Many fans worried about this set because Bloodbath’s new vocalist, Nick Holmes had turned off many fans, causing the new album to get mixed reactions. Personally, I didn’t have a problem with that album and the band played a good mixture of songs from their entire career.

Holmes told some pretty funny jokes including asking “if we were sick of death metal yet” (as if).

Bloodbath encored with their two most well known songs, “Eaten” and “Cry My Name” as well as a short cover of the Phantasm theme. After Bloodbath, Jason and I rushed over to sound stage.

Napalm Death

This was the last band Jason, Matt and I watched that night. I had seen Napalm Death earlier that year with Voivod, Exhumed and Iron Regan (That show was killer and I got to interview Barney Greenway in person! ).

The British grind giants opened with “The Silence is Deafening,” which was the first hint that this set list was going to be very different from last time.The band had tons of energy and I enjoyed this performance a lot more due to the venue having better sound.

After Napalm Death was done, Jason, Matt and I left for our hotels while Josh and Nicole watched Aeternus at Rams Head. After stopping at 7-11 for some snacks and running into a homeless, schizophrenic version of Bill Cosby we made it back to the hotel and called it a night.

Click here for part 3 (Saturday).

Music, Podcast

Bonesaw Podcast: Episode 33 – Kieran Smith of Disparo!

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We’re coming at you from a land down under with Kieran Smith of Australian fastcore band Disparo! Smith talks about being an independent artist, booking his own tours – which includes Disparo’s current three month world tour and his humble beginnings as a drummer.

Disparo will be playing at Don Pedro in Brooklyn, NY on June 18, 2016.

Music

My Experience at MDF 2015: Part 1 – Thursday

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Memorial Day Weekend was back yet again which of course means another Maryland Deathfest.

The fellowship consisted of Josh (a.k.a. Heavy Metal Horseman), his then-girlfriend Nicole, our friend Matt and I. We spent Wednesday at Josh’s so we could all head out on Thursday to venture into Baltimore for the first day of the fest’s amazing lineup.

On day one (Thursday), Edison (the main stage) wasn’t open but the two smaller stages, Soundstage and Rams Head were. Thursday’s Soundstage was all brutal death metal (and one rap group) while Ram’s Head had all doom bands. Thanks to traffic caused by a baseball game, we arrived at our hotel late. When we finally got there, we met up with our friend Jason who would room with us for the duration of the fest. After checking in and getting everything in order, we walked down to Soundstage.

Mortal Decay

The first band up was Philly’s brutal death metal band Mortal Decay. Because of the traffic, I missed 20 minutes of their set, which wasn’t too sad since I didn’t know this band too well. Brutal death metal is a subgenre that was always hit or miss for me. Mortal Decay was pretty hit and had a very enjoyable set.

Origin

Next up was the ultra technical death metal band, Origin. I’d seen Origin a few times before and they’d always delivered. As always, Origin had tons of energy and vocalist Jason Keyser would crack jokes about everything – including Mobb Deep not fitting the bill and the Baltimore Riots. These guys never disappoint.

Internal Bleeding

Next up were New York’s “slam” pioneers Internal Bleeding. This band never fully interested me and even live I just found their songs boring. Their set was slightly redeemed when they let everyone get on stage. This included Josh wearing his horse mask, a guy in a penis suit and the MDF chicken (yes, there is a man in a chicken getup at MDF). After Inernal Bleeding’s set I went to Seven Eleven for some cheap food then back to Soundstage for the next band.

Skinless 

Like Origin, I’d seen Hudson Valley brutal death masters Skinless a few times (including MDF 2011). Like Origin, they always kill. Skinless had tons of energy and an amazing set list. My favorite part was seeing Keyser again, singing on songs from “Trample the Weak” (the album he appeared on). This gave me memories of when I first saw Skinless back when he was in the band. Without a doubt Skinless were my favorite band to see Thursday night.

Devourment

This was the third time I went to a show with Devourment on the bill.The first time was at MDF 2011 and the second time was on tour with Dying Fetus and Exhumed. Devourment dropped both of those shows. This time however, they actually played. As someone who mostly enjoys older Devourment, I was glad they had a mostly retro set list. The crowd was nuts and got even crazier when they played the classic heart warming song, “Babykiller.” After their set I headed over to Rams Head.

Conan

I walked into Rams Head and heard Jex Thoth play the last minute of their final song. I relaxed on one of Rams Head’s couches as these British stoner doomers set up. Conan was super slow and super heavy, which as a stoner/doom fan I was impressed greatly.

Mobb Deep

After Conan I went back to Soundstage for the Mobb Deep bonus show. When this was first announced as part of the MDF package, a lot of people complained. As a fan of old-school hip hop, I was stoked.

After the hype man had the crowd yell “Mobb Deep” over and over, the legendary New York duo got on stage (fun fact: Mobb Deep were celebrating the 20th anniversary of their classic sophomore album, “The Infamous”). To my surprise, the crowd had more metalheads then rap fans. I watched the set for a little over half an hour before leaving for Ram’s Head due to what looked like a fight starting.

Yob

Next up was the Thursday band I wanted to see the most. Yob is one of my all time favorite stoner/doom bands and my second favorite band from the Portland metal scene (next to Agalloch). Jason and I went in to watch these guys while the rest of our group (due to not being big doom fans) went back to the hotel.

Yob’s set was amazing. The band would draw you in its atmosphere and as soon as you’re calm, the songs crush you with their overbearing heaviness. After they were done we went back to the hotel to get some rest for the next day (one that would blow us away even more).

Check out part 2 here.

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The Vault: My Experience at Maryland DeathFest 2014: Part 3 – Sunday

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Editor’s Note: In the wacky world of publishing, some stories don’t see the light of day. Whether they sit on the backburner until they become irrelevant, positions change hands or they just plain get cut, it’s just one of those things. Today, one of those unpublished articles will finally get its due as we traverse the archives of “The Vault.”

After the amazing experiences on Friday and Saturday, it was time for the final day of 2014’s Maryland DeathFest.  This day was mostly doom and sludge metal at the Edison lot, which is why I chose to watch Edison’s entire lineup.

Windhand

First up were Virginia’s female fronted stoner/doom metal outfit Windhand.  They were the most melodic band I’d seen at the fest which felt distinctive after two days of extremities. “Soma,” their latest release at the time was one of my favorite albums of 2013 and it was great to hear it performed live. I loved the way the clean vocals sounded live and thought Windhand’s sound translated well live as a whole. Next up was another stoner/doom band.

Bongripper

I’d been a fan of Chicago’s instrumental stoner/doom crew ever since an old friend of mine decided to randomly show me one of their songs on FaceBook a few years ago. The lack of vocals might turn some people off but I feel Bongripper’s psychedelic atmosphere is perfect on its own. I just sat back and enjoyed the atmosphere’s big change from the intensely violent shows of the past few days for 45 minutes. After Bongripper came yet another doom band.

Graves at Sea

Graves at Sea are a sludge metal band from California. As a big fan of sludge I have always heard of these guys but never got around to listening to them until now. After seeing them I couldn’t believe I hadn’t. The first thing I noticed was the singers unique voice. The music also reminded me quiet a bit of New Orleans sludge greats Eyehategod. All and all it was a fun surprise and after Graves at Sea the days period of slowness ended.

Misery Index

Baltimore’s grindcore three-piece brought the moshing back to MDF. I had seen Misery Index once before open for Cannibal Corpse (with Hour of Penace, Goatwhore and Necroptic Engorgement as well) and they put on a pretty kickass performance. Since I had already seen them before and was getting hungry, I skipped a good amount of their set. I watched the first 20 minutes and then left for the nearest meal.  However, I did get back in time to hear “Traitors.” The next band would continue the intense mosh pits.

Pseudogod

Puesdogod are a Russian black metal band. Like Graves at Sea, they were another band  I’d always heard good things about but never actually got around to. Just like Graves at Sea, I’m glad I finally did.  The Pseudogod’s sound was like a fusion of Incantation and old Morbid Angel with a blackened touch. The rapid-fire drumming was also crushing. Next up was another very blackened band.

Wrathprayer

Puesdogod started the shift in the days genre from sludge/doom to black metal and Wrathprayer continued it. Like Psuedogod, they played blackened death metal. Unlike Psuedogod, these Chileans weren’t very interesting. They just sounded like yet another “kvlt” band who want nothing more than to appeal to the “trve” fans in that market.

Inquisition.

I had seen this Colombian black metal two-piece twice before. The first time was at MDF 2011 (though I only watched two songs due to it being 1:35 A.M.) and the second was as an opener for Marduk and I must say Inquisition owned that show.

Now it was time to see one of my all time favorite black metal bands play a full 45 minute set. Like the other times I had seen them, Inquisition played an in-your-face set with a haunting feel and little talking between songs.A major complaint a lot of people had was that they did not perform there most famous song “Crush the Jewish Prophet.” Although that is a great song, I wasn’t bothered by this as I sometimes feel people forget that’s not the only song in Inquisition’s catalog. Next up was a brief return to sludge.

Soilent Green

At this point I had never seen Nola’s sludge/death/grindcore band live but I had seen Goatwhore several times (which Louis Ben Falgoust II also does vocals). Though their sound is usually considered more sludge than death, their performance defiantly leaned towards death metal. It felt like I was seeing Goatwhore again but playing different songs, which is a good thing. I always loved the energy Goatwhore brings to the stage as well as Ben’s over the top stage moves. While I always found Soilent Green to be average, they put on a great show and the crowd went wild. While I do like Goatwhore more, this live set increased my respect for Soilent Green.

Gorguts

This was my third time seeing Canadian “avant-garde” tech death legends Gorguts.

My first time they were headlining with Origin, Nero di Marte, Necroptic Engorgement and BillxNye. At this show they only played songs from “Colored Sands,” their latest release at the time. While that was a great album (on my top ten of 2013), I wanted to hear more material. The second time I saw them was on 2014’s Decibel magazine tour with Carcass, Noisem and The Black Dahlia Murder. Here they only played three songs.

I figured I would give these guys a third chance to put on a fulfilling set and this time they finally delivered.  Rather than just one, they played songs from all of their albums. Gorguts must have finally gotten promoting only “Colored Sands” out of their system. Next up was the biggest misfit on the bill.

Uncle Acid and the Deadbeats

For these three days I’d been watching a lineup of mostly extreme metal bands and extreme forms of punk. Now it was time for something completely different and not extreme at all.

Uncle Acid and the Deadbeats are a British psychedelic rock band, making them the only non-punk or metal band on the whole fest (not saying it was a bad thing as I do love a lot of psychedelic/classic rock). The bands sound reminded me a bit of Blue Oyster Cult and Uriah Heep.When they ended I went over to the next stage to see the oldest band on the Edison Lot.

Candlemass

I have been a fan of this bands older work since I was 16 years old. They were my introduction to non-Sabbath doom metal (and where I first heard the term).

As excited as I was, I was also a little worried. To me, Candlemass has not had a decent album after “Tales of Creation” and since a lot of the members they have now are from after that album, I was wondering if they would even play much of the classic Candlemass tracks at all. They started their set with “Mirror Mirror” (the first Candlemass song I ever heard). This was my first clue that they’d be awesome. Right after that song, their vocalist Mats Levin announced that they were going to play an old-school set (though one later song was played). When I heard him say this I knew I was going to greatly enjoy this.

Candlemass was up there along with Asphyx and Dark Angel for best bands of the fest. Every song they played was a song I knew and unlike the next band, I’d give them the award for “best setlist.”

My Dying Bride

First off I will admit I’m not a fan of goth doom (I don’t have a problem with it just isn’t for me). I enjoy some Type O Negative and Katatonia every now and then as well as the early albums by this band, but I just wasn’t too thrilled to see these guys.

I decided to give these British goth-doomers  a shot anyway as there second album “Turn Loose the Swans” is one of my favorite death/doom albums. I watched them for a few songs, two of which I saw were from that album while the rest of the set was mostly boring. I wound up getting Subway with two people I met at the show before venturing back to Soundstage .

Ratos de Porao (Basement Rats)

Ratos de Porao is an obscure Brazilian crossover/thrash band similar in style to early D.R.I. I was only going to watch about 30 minutes of their set mainly because Ulcerate was going on shortly after them at Rams Head, but half an hour for a band like this is a lot of songs. Like any thrash show, the crowd was circle pitting hard.

Ulcerate

The New Zealand tech-death giants were probably the most technical band I’d seen on this year’s fest. Unlike most tech-death bands today whose main focus is just showing off, Ulcerate focus more on atmosphere, giving them a sound similar to later Gorguts.

Ulcerate was overpowering and loud thanks to the help of Rams Head’s live’s sound system. The band played a lot off their latest album “Vermis,” an album I greatly enjoyed (though not enough to put it on my top of 2013). Next up was the final band of the fest, who could not have been more brutal.

Immolation

Being from the Hudson Valley (Montgomery specifically), I found it pretty awesome that my areas biggest death metal band was ending this year’s MDF.

I saw these dudes three years ago in Kingston, NY with Gigan and Jungle Rot. It was a powerful show and the crowd tore the place apart (literally). Now it was time to see them decimate again in a bigger venue.

Immolation’s set was very different from the last time I saw them. Between then and now, they had a killer new album called “Kingdom of Conspiracy” and they played a lot of awesome old songs that they didn’t play last time. Like always, vocalist Ross Dolan had amazing stage presence and the crowd (or over-crowd really) was going nuts. After watching a few songs, I started to feel tired (a combination of the heat and watching bands all day). I went upstars and lay down on one of the seats and continued watching from one of the TV monitors. Even watching from a screen the performance was still brutal. After Immolation it was time to go back to the hotel one last time. MDF 2014 was a huge success and I do plan on returning as soon as possible.

Music

The Melvins Wreck the Music Hall Of Williamsburg

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When my friend Doug and I saw that The Melvins were coming to NY with a stacked bill including Napalm Death and Melt Banana, there was no way we wouldn’t be seeing this.

As a grunge head, Doug felt he needed to see The Melvins at least once and they were always a band I was curious about. The only date that was convenient for us was Saturday, April 15th in Williamsburg, Brooklyn, also known as the hipster capital of America.

Doug used this as the opportunity to overcome his fear of city driving. As we ventured through New York City’s lower east side slumps and narrow streets we finally got to “The ‘Burg.” Getting there was a weird experience as the area looked very run down and ghetto, yet artsy at the same time. Instead of scary looking people walking around it was mostly all hipsters and punks. We even found a supermarket that was 90 percent vegan and organic food. At 8:00 P.M. we walked into the venue and waited for the first band.

Melt Banana

The big opener was Japanese noise rock titans Melt Banana. I’ve seen them once before at Maryland DeathFest and while it was wacky there they somehow manged to make this set even wackier.

They started their set with wierd video game sounds being played on both the vocalists phone and the guitarist’s guitar. After this they transitioned to their grind and pop influenced noise rock.

Throughout the majority of their set the vocalist would move her arms up and down like a robot while flashing green and red lights on her white shirt. This all helped the bands signature sound of lazer beam guitar riffs and chirping vocals feel even wilder. Mid-set the band did a medley of about six of their shorter songs in one. This included “Dog Song” that was mostly clean vocals with a barking chorus (yes, a barking chorus). After what felt like an amazing drug trip it was time for The Melvins.

Melvins

https://www.youtube.com/watch?v=Hp5r9qwqpPc

At around 10:00 P.M. the duo of Buzz Osborne and Dale Crover got on stage with guest bassist Steve McDonald of the Los Angeles, Calif. alternative rock band Redd Kross.

They started out with The Melvins’ classics “Eyes Fly” and “Queen.” After these two songs the set list was mostly a mixture of later numbers like “Sesame Street Meat” and covers including the grunge classic “Leech” by Green River, “Halo of Flies” by Alice Cooper (which they closed with) and a song from Redd Kross which McDonald got on vocals for.

The band had a very loud and heavy live sound which fit perfectly with their slower droning tracks. While it was a very long set, it wasn’t boring for a minute as these guys are born performers.

After their set, Doug and his brother decided to leave. We wanted to see Napalm Death but we also didn’t want to be home so late plus we had all already seen them before (I’ve seen them twice and Doug’s seen them once). As we drove back, we instantly wanted to find an excuse to return to the city. Chelsea Wolfe is playing next month and director John Carpenter will be performing his iconic film soundtracks live  in July so hopefully my return will be sooner than later.

Music

Metal Church at the Chance

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After having a fun time seeing Children of Bodom a few weeks back, my next planned show at The Chance was none other than thrash titans Metal Church.

After getting my wipers fixed and buying a ticket from opening act Dark After Dawn, I went to pick up my friend Jay who was really excited to see them as their 1984 self-titled debut is one of his top albums. After 45 mins of blasting Demolition Hammer (another ridiculous thrash band) we made it to The Chance. We walked inside, met up with our friend Ray and the first band was just about to begin.

Dark After Dawn

https://youtu.be/s8cy9G60uog

First on were Goshen, NY’s Dark After Dawn. I had bought the ticket for this show off of vocalist/guitarist Maruf. They played a pretty heavy style of thrash metal. For a small local band they were pretty good and made for a fun warm up. After their set Jay left to the Nuddy Bar next door to get food – purposely skipping the next two bands as he had a hunch they would suck.

Christian Gisondi Music

Taking their name from their lead singer, next on were the local prog rock band Christian Gisondi Music. This band was awful. The members were all good players, but the music was all ruined by Gisondi’s obnoxious voice. Before the set he mentioned loving Metal Church saying “They are the only band to have a self-titled song on a self-titled album (Really, you never heard of Iron Maiden or Black Sabbath?).”  Ray and I started to notice Jay made a smart move as the next band wasn’t much better.

Painmask

Painmask are a “tough guy” hardcore band from Kingston, NY. As people who aren’t into that sub genre, Ray and I weren’t impressed. Every cliche’ of this style was present in their sound and it made for a cringe worthy experience.  Jay came in along with my old teacher/All Out War singer Mike Score towards the end of their set from a night of dinner and headbanging to classics by Celtic Frost and Carnivore on the jukebox at Nuddy’s.

Hatchet

https://www.youtube.com/watch?v=204faAtoI-Y

Both Jay and I were really curious about Hatchet as we both heard of them and knew they were the band on tour with Metal Church. When it comes to new thrash bands I can be picky (and Jay even pickier) so it was all just a matter of checking them out. Hatchet really impressed both of us and pretty much everyone else there. They had a pretty cool thrash sound with melodeath-esque guitar work. The vocals sounded a lot like Schimer of Destruction which is always a plus. In short, Hatchet washed the bad taste of the last two bands right out of my mouth.

Metal Church 

https://www.youtube.com/watch?v=nBHVQBNnGuk

After all those openers it was time for the nights main band, Metal Church. The whole crowd was curious to whether they will play much off their first two albums (the 1984 self-titled and 1986’s “The Dark”) as they had the singer who joined after the third (1989’s “Blessing in Disguise”).

For some reason most of the songs Metal Church played were from the Mike Howe era. The only David Wayne era songs played were “Start the Fire,” “Beyond the Black” and “Watch the Children Play.” I found this weird because a) I saw their third singer Ronnie Monroe do a solo set in Kingston five years ago where played plenty of tracks from the first album, yet the full band is ignoring it and b) Seeing as their self-titled song is their most famous one, why skip it?

Having said that, they sounded great and we had a fun time seeing them. After their set we left to return to reality once more.

 

 

Music

The Vault: My Experience At Maryland DeathFest 2014 Part 2 – Saturday

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20131201-030828-265961

Editor’s Note: In the wacky world of publishing, some stories don’t see the light of day. Whether they sit on the backburner until they become irrelevant, positions change hands or they just plain get cut, it’s just one of those things. Today, one of those unpublished articles will finally get its due as we traverse the archives of “The Vault.”

After Fridays success, my friends and I were highly excited for Saturday. The lineup looked amazing as it’s usually considered to be MDF’s main day. After finding an awesome Japaneses place to eat, my friends and I headed back to the Edison Lot to see if Saturday was worth all the hype.

Goat Torment

Having no idea who this band was, I decided to watch them as they were the first band up for the day. By the name alone I made a wild guess that they were a black metal band (I couldn’t be more right).These guys couldn’t look more black metal if they tried. They even yelled “Hail Satan” after every song. With that said they were still an awesome band. Goat Torment played raw, straight-forward in-your-face black metal and made for a great warm up.

Diocletian

Next up on the stage was a black metal band from New Zealand known as Diocletian. Though they were of the same style as Goat Torment, their songs were not as interesting but were still enjoyable. Next up was the first band of the day I knew…

Entrails

Entrails are an old-school death metal band from Sweden that formed in the early 90’s, but made it absolutely nowhere until around 2010. Entrails’ performance had tons of energy, intensity and their sound was spot on. Before this set I had only known a few songs by these guys but now after seeing them I feel the need to explore their discography.

Machetazo

This was my second time seeing Spanish deathgrind greats Machetazo (the first time I saw them was at MDF 2011 in the small indoor stage). They killed then and this time as well. I always find it cool when a drummer is also the lead vocalist. Like last time, the crowd was very energetic and wild. Though I greatly enjoyed their set, I preferred the first time because I just think that indoor venues work better for this band.

God Macabre

God Macabre were a lesser known pioneer of the 1990’s Swedish death metal scene. This very same scene was known for greats such as Grave, Dismember and Vomitory. But how do these guys rank compared to those others? Decent but nothing too great.  God Macabre’s performance was that of a run of the mill death metal band. I wasn’t fully bored by them but didn’t really find anything memorable about their music.

Nocturnus A.D.

I was real excited for this one. For those who don’t know, Nocturnus was a death metal band formed by singer/drummer Mike Browning after he left Morbid Angel (after guitarist Trey Azagoth had and affair with his girlfriend).

Nocturnus’s debut album “The Key” was a very distinct old-school death metal album as it featured keyboards, shredding and lyrics about science fiction instead of the  violent and gory lyrics the genre was known for. The band performing was actually Browning’s  post-Nocturnus band After Death but were playing all of “The Key” so they played under the name Nocturnus A.D.(get it?).

“The Key” is the only album I really knew by these guys so hearing a set completely dedicated to the album made me excited.  They played the whole album in its entirety and sounded great doing it. The only down side was at times the keyboards were a little drowned out but it wasn’t too big a problem.

After they played through all of “The Key” they ended the set with an awesome cover of the Morbid Angel song “Chapel of Ghouls.” The entire crowd (including me) was screaming along to this iconic death metal classic. Nocturnus A.D. was definitely one of the best performances at the entire fest.

Tankard

German beer thrash classics Tankard were up next and the first old-school thrash band I saw at the fest. While not my favorite 80’s thrash band, I never had a problem with them and was curious to see them. The crowd turned into a gigantic drunken circle pit as the band played both old and new material. After every few songs the lead vocalist Gerre would ask audience members for a beer and after they played “A Girl Named Cervesa,” they got two girls from the audience to dance on stage as “Cervesa.” Both the band and the audience just got more and more drunk as the show went on, making it wilder and wilder. After being possibly the one non-drinker watching all of Tankard’s set it was time for me to head over to Soundstage.

Dropdead

I returned back to Soundstage just in time for powerviolence pioneers Dropdead.  Just like Capitalist Casualties yesterday these guys played an awesome set of short songs and like CC I wasn’t bored for a minute. Towards the end of the set came a great surprise. Members of the hardcore punk legends Siege came onstage and with the members of Dropdead, finished the set with several classic Siege tracks. After this great two-for-one set I stayed at Soundstage for…

Birdflesh

Swedish comedic grindcore trio Birdflesh were by  far the wackiest band on this year’s fest. While they were setting up these two guys asked me and a bunch of other people to help inflate these balloon ghosts. When the band performed the two guys threw the balloons along with glow sticks at the audience who then threw them at each other and the band, who performed in their trademark over the top costumes.

Though this band is comedic they still put on an intense and powerful performance with the audience both moshing and throwing glowsticks and balloons. I didn’t stay for the whole set but I got to hear a decent amount of songs. The next band on was Noothgrush – a band I wanted to see but had to sacrifice as they played the same time as…

Unleashed

I rushed back to Edison just in time to catch these Swedish viking themed death metal masters. Unleashed’s set started out with lead vocalist Johnny Hedlund calling the audience warriors. Though I enjoyed their performance, I wasn’t too familiar with the songs they played. I only know Unleashed’s first and third albums (1991’s “Where No Life Dwells” and 1993’s “Across the Open Sea”) and they played virtually nothing from them. I was very confused by the set list in general as those omitted albums contained some of the bands most well known tracks such as “Before Creation of Time” and “The One Insane.”

Dark Angel

The time had come. The moment about 90 percent of people at this fest were waiting for. Not only were they the most hyped band of 2014’s Maryland Deathfest, it was also Dark Angel’s first U.S. show since 2005 and their ONLY U.S. appearance of that year.

As they were setting up, everyone was wondering if they would be able to live up to such hype. They did and you better believe it. Dark Angel delivered their aggressive and powerful brutal thrash metal just as good if not better then everyone expected. The intense guitar riffs, powerful vocals and crazy drumming by none other then Gene Hoglan himself translated perfectly from album to live onslaught. During their set it started to rain. Eventually it got real windy as rain blew towards the stage, adding to the atmosphere.

They had arrived.

After Dark Angel’s epic set Jason and I ran as fast as we could to Soundstage to make it in time to see the next band there.

The Extinction of Mankind

The two of us lucked out and made it just in time for these British crusties to start. Before seeing these guys, all I knew was their split with the legendary Doom. Like the other punk based bands on the bill they were filled with raw intensity and had tons of intense circle pits. After watching there set we walked over to the Ramshead stage.

Schirenc (playing songs from Pungent Stench)

Martin Schirenc

I will admit I was never a big Stench fan (always found them to be pretty mediocre death metal). When we got there, Schirenc had about 20 minutes left in his set and i just sat upstairs chilling with my friend Herb as Schirenc’s music was not interesting me one bit. Once he got off the stage things go more exciting as it was time for the nights last act.

Asphyx

Saturday night ended with Dutch death/doom legends Asphyx (as well as meeting Hoglan on the way to the bathroom). Dark Angel had an insane performance that I thought would be topped by no one else at the fest (I was wrong).

Asphyx had the most crushing performance of the night and of the entire fest. Like it had for Incantation the night before, the great sound system did justice for this bands intensity and Asphyx had a perfect setlist. I have always thought of Martin Van Drunen as of the best vocalists in all of death metal and this live performance showed that he’s even better live then in studio (Hell, this whole band sounds better live then they do in studio). I was pretty tired but even that wasn’t distracting me from watching every second of Asphyx’s magic. After their set we headed back to the hotel once again to rest for the final night at this massive fest.

Music

The Vault: My Experience at Maryland DeathFest 2014 Part 1 – Friday

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Editor’s Note: In the wacky world of publishing, some stories don’t see the light of day. Whether they sit on the backburner until they become irrelevant, positions change hands or they just plain get cut, it’s just one of those things. Today, one of those unpublished articles will finally get its due as we traverse the archives of “The Vault.”

Back in late 2013 when the full line up for Maryland DeathFest 2014 was announced I knew I HAD to go. Last time I went was in 2011 (I had no money in 2012 and in 2013 I came close but didn’t go due to being in the probationary period at a new job. By now I had been working for almost a year and was going to earn vacation hours, so I found a group of friends to go with, booked our hotel and we were ready. May 23rd came soon enough (wasn’t able to do the Thursday date) and the MDF journey began .

FRIDAY

I arrived just in time for the doors to open. Even when standing right in line I was greeted by friendly metalheads from around the world. I met up with a few of my concert going friends from my area as well as some people I hadn’t seen since 2011 – all before the first band got on stage who turned out to be…

Castevet

Castevet - Photo

First up was this “hipster” black metal/hardcore fusion from New York City. For the most part, bands who fall under post-metal or post-anything genres generally tend to bore me and this band was no exception. I could barely pay attention as the band just sounded like Deafheaven with a small bit of punk influence. After a few songs, I just walked over to the other Edison lot stage awaiting something unholy.

MGLA

Hailing from Poland comes the unholy two-piece (a four-piece during live onslaughts) known as MGLA. This band played an intense set of raw drawn out black metal that reminded me a bit of Darkthrone during their most acclaimed era. If someone introduced me to this band as part of the 90’s Black Metal Inner Circle I would believe them. Though their sound fits well into that style, they did not sound like a carbon copy “kvlt” tribute band. MGLA was the first of many raw black metal bands to play the fest for the second time.

The Ruins of Beverast

mdf-update

First of the bands on my MUST SEE list for the fest was The Ruins of Beverast. If you read my previous blog on my top ten albums of 2013 then you know I LOVE this band. I was in such disbelief when I found out they were added to the bill. I had no idea this one man act from Germany played live shows at all, let alone that I was actually going to see them. This band killed. Though Ruins atmosphere works a little bit better in studio (and probably at indoor venues), the band still sounded pretty damn creepy live and they played a great set of songs – including my all-time favorite Ruins track “I Raised This Stone as a Ghastly Memorial.” After their set my friend and I headed out of Edison to go get a bite to eat as well as walk over to sound stage to see…

ACXDC (Anti-Christian Demoncore)

Laugh at the name all you want, these guys kick ass. Originally I wasn’t planning on seeing this band as I had not heard a single song by them, but my friend Jason was heading over to Soundstage and I had no idea how to get there – plus a band I wanted to see was scheduled on the same stage right after so I figured why not? ACXDC sound nothing like AC/DC (though that would have been awesome). Instead, they play a modern take on 90’s powerviolence. Their set was intense with the pit going wild and Jason stage diving like crazy. All and all, ACXDC was a pleasant surprise and since I was already at Soundstage i didn’t have to worry about being late to…

Coffins

Coffins

Japanese extreme giants Coffins were one of Fridays two outliers for Soundstage (the venue was mostly a punk line up). They play a style of death/doom that leans more towards death metal similar to Asphyx and Autopsy. Originally they were scheduled to only play Thursday and missing them would have been the only reason I was regretting not getting a Thursday ticket (I had already seen Crowbar twice and  Tryptikon would eventually drop off the bill),  but when when The Secret dropped and Coffins took their time slot my regrets went out the window. Whether its games, movies, music or anime, Japan is known for making things energetic and over the top and Coffins’ live performance was no stranger to this. For a band that falls under doom they had tons of energy and it reflected in the audience as the pit transformed from punk rock circle pitting to extreme metal moshing. Sound-wise Coffins were definitely one of those bands that sound better live then in studio. I left their set 10 minutes early so I didn’t miss a minute of…

TAAKE

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Heading back to Edison (while hanging with a girl I met at the 2011 MDF and the bassist from ACXDC), I got back just in time to see Hoest’s crazy outfit. This was Taake’s first US show so there was no way in hell I was going to miss this. Hoest has always been one to get attention from the black metal crowd whether it be saying “Go suck a Muslim,” performing with his penis exposed or making out with the lead vocalist of Sweden’s Shinning and here he performed in a costume that made him look worthy of a Sith lord. This of course did not distract from the intensity that the band brought on. They had a great set list playing favorites from both old and newer albums. Taake blew both Ruins and MGLA out of the water but even their extreme intensity was no match for …

Capitalist Casualties

Ever since my buddy Nick first showed me them a few years ago I had been curious to see them. CC is a pioneering West Coast powerviolence band that has been around since 1986. These guys may be old timers but they had more energy the most bands half their age . This set  had the most intense mosh pit I had ever seen. Old-school powerviolence bands were known for their intense pits but were balanced out by the fact that they played small shows with a limited crowd. Here we had those same intense PV pits but at a huge fest.  The pit area became a battlefield which, along with seeing Nick live his childhood dreams made the show even more entertaining. They played a 45 minute set of short songs. As much as i enjoy grind and powerviolence bands with short songs, I feel bands like that are meant to have short sets. CC was though a huge exception as not a minute went by where I was bored. After their set I headed back to Edison yet again to see…

Agalloch

1933

I had been a big fan of Portland’s Agalloch ever since I first heard “Not Unlike the Waves.” Call it, dark metal, black metal, folk metal, etc., Agalloch’s unique sound has been labeled as so many things and on every album they have evolved and seem to always put out quality work. Their album “The Serpents and Sphere’s”  is destined to make my top ten of 2014 and is my second favorite album of there’s next to 2002’s “The Mantle.” Like Ruins, they were one of the bands I was most stoaked for on Friday. Sadly, they were the biggest disappointment on the whole fest.When I got to the Edison stage I noticed that they were already playing though they were not scheduled for another 10 minutes. At first that sounds cool like, “Yeah more Agalloch, right?” But in reality, it meant they rushed their soundcheck. The bass overpowered every other instrument. Since Agalloch were never much of a bass-driven band, this just made them sound like a mess of noise as they butchered not only their new album but their classics as well. Hopefully next time they will do better. After Agalloch it was time for the last Edison band that night.

At The Gates

Along with Ruins, Agalloch, and Incantation, Sweden’s melodeath creators At The Gates were one of the top of the must-see bands criteria for Friday. I have been a fan of At The Gates since I was in the 10th grade and felt extremely nostalgic when watching their set. Their set list was mostly songs off of “Slaughter of the Soul” with a few older tracks. To some that sounds disappointing (I even heard a drunk dude in the back say it’s “metalcore without breakdowns”), but personally, I greatly enjoyed that album and as for the litany of bands that ripped it off…not so much. There was a big rumor going around that they were going to debut songs from there then upcoming album “At War With Reality” at MDF, but it turned out to be false. Either way, I didn’t care as I was just happy to finally see these guys live. They ended their set with “Kingdom Gone” – my favorite track off the debut. The gates of Edison were closing and it was time to go to return to SoundStage to see…

Impaled

impaled

Carcass worshipers Impaled  are mostly known for being the unmasked members of the crossover thrash band Ghoul. They were the 2nd outlier on the Soundstage that day as well as the headliner. I did not get to watch too much of their set as their delayed sound check pushed them set back 15 minutes. From what I did get to watch (about like 20 minutes) they were pretty fun and I kind of wish I could have watched more but i had to leave for Rams Head at 12:30 to make sure I caught…

Incantation 

The time had finally come  for the band I wanted to see the most on Friday; the nights feature presentation: Pennsylvania classic death metal act Incantation. I absolutely love this band. They have been around since the early 90’s and still are able to put out killer releases (the album “Vanquish in Vengance ” was one of my top ten 2012 releases). I had once seen guitarist/vocalist John Mcentee’s other band Funerus play with Krisiun and Abnormality up in my area code last year but now was time to see his main band. Jason and I met up with my New Jersey friend Herb and we chilled as we awaited this moment. Once Incantation started we were all blown the fuck away. Rams Head by far had the best sound system of all three venues. The bands powerful sound was given great justice and they were loaded with energy. Incantation’s set list was great as they played plenty of songs from both the old and new eras. Incantation won the night and was a perfect closer for MDF Friday. After the set Jason and I went back to our hotel for some sleep after a successful night of metal. After all, we were just warming up, things were only going to get better.

Read Part 2 here.

Music, Podcast

Bonesaw Podcast – Episode 28: Witchaven’s Henry Montoya

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12829254_10153904692847295_8224299431011907744_oThings get extra heavy as we sit down with the notorious Henry Montoya of black thrash psychopaths Witchaven. Montoya and Butera discuss Witchaven’s upcoming album, touring, the September 11 attacks and aftermath and even crazier things. Be sure to check out Witchaven on their East Coast tour with Steel Bearing Hand (flyer above).