Cannibal Corpse Tear Down Irving Plaza

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After Killing Joke canceled their North American tour, I decided to look for another show to fill the void – and what better to fill it with than a lineup of Cannibal Corpse, Obituary, Cryptopsy and Abysmal Dawn? I had school until 3:45 p.m. last Tuesday and once it was over I raced from Newburgh to Middletown, got Wendy’s, picked up my friend Jay and then took the bus to New York City. We got there around 7:30 p.m. and made our way to Irving Plaza for a night of death metal.

Cryptopsy

Due to the bus dropping us off later than expected, we would not be able to catch Abysmal Dawn. Neither of us were fans so we chalked it up as an “oh well.” We got to the venue at around 8:15  p.m. – just in time for Cryptopsy. Due to the crowded audience I went up to the balcony and looked for a spot to watch the band. Out of the three bands we saw that night they were the only one I hadn’t seen before and was most anxious to see. Sure, the band doesn’t have Lord Worm anymore but they still sounded sick when playing classics like “Slit Your Guts” and “Phobophile.”

Obituary

After Cryptopsy finished I met up with my friend Branden at the merch table. We went to the top floor where Jay was and watched Obituary’s set from the screen. This was my second time seeing them, the first being at last years Maryland Deathfest. Like MDF, they didn’t play much classic material but still sounded great. Definitely a band that sounds better live than on the albums.

Cannibal Corpse

Last but not least were death metal heavyweights Cannibal Corpse. This was my fourth time seeing them and they never fail to impress. The band played a 13 song set covering all eras.” Scourge of Iron,” “I Cum Blood,” “Hammer Smashed Face,” “Devoured By Vermin” and many more classics were played. Oddly enough, they didn’t play “Fucked With A Knife” but after hearing it live three times it didn’t bother me. Like always, Corpsegrinder and company showed great energy and a sense of humor. After the show Branden, Jay and I left and took the bus back to Middletown.

The Vault: Top Ten Metal Albums of 2013

Editor’s Note: In the wacky world of publishing, some stories don’t see the light of day. Whether they sit on the backburner until they become irrelevant, positions change hands or they just plain get cut, it’s just one of those things. Today, one of those unpublished articles will finally get its due as we traverse the archives of “The Vault.”

2013 was a year of madness and mayhem. Plenty of albums came out, but only a few stand out way above the rest. In no particular order, here are my ten best metal albums of 2013.

10. The Ruins of Beverast – Blood Vaults – The Blazing Gospel of Heinrich Kramer

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Alexander’s back with another helping of his distinct brand of atmospheric black metal. This album is a lot more doom metal influenced then the last three, almost to the point where one could argue that this is more of blackened doom metal then actual black metal.While this album is the among bands weakest work, it still packs a punch with its creepy atmosphere and killer riffs. If you want to hear this band sounding their best check out the previous album “The Foulest Semen of a Sheltered Elite.”

9. Fenrismaw – Helcult

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Hailing from Poughkeepsie, NY comes the debut album from the Norse themed blackened death metal band Fenrismaw. Full of awesome double bass, crushing riffs, monstrous vocals and an overall menacing feel, this band feels like something that would come straight out of Sweden (there’s  even a Grave cover as a bonus track). Next time your friend tells you that all local level bands suck show them this album.

8.Gorguts-Colored Sands

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The first album in 12 years by Canada’s own tech death masters. For an album by a band that hasn’t done anything in so long this release is pretty damn good. The album continues the bands avant-garde influenced sound that started with their 1998 classic”Obscura.” With a sound that’s similar to old Opeth and a vibe that reminds one of Behemoth, “Colored Sands” is this year’s best tech-death release.

7. Windhand – Soma

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A band I discovered through being a fan of Cough. This album is Richmond’s second helping of female fronted Electric Wizard worshiping stoner doom. While the music is not as fun as their debut, this is still a worthwhile album for fans of slow sounds.

6. Motörhead – Aftershock

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Metal pioneers Motörhead prove that they (almost) always put out great material. This album is must more energetic then most of their other recent releases, reminding you how awesome classic Motörhead was. This is Motörhead’s best since at least the early 90’s. How many other bands can you say put out an awesome 22nd album?

5. The Melvins – Tres Carbones

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Here’s a last-minute entry as I listened to this an hour before writing this. These dudes have always been a favorite of mine and every album released by them has been something different (for those who don’t know, they’ve played both grunge and sludge metal before those were even genres). Like about 90 percent of the Melvin’s releases, this album is schizophrenic as fuck. The albums starts off with a few of their traditional sludge tracks with Buzzo’s awesome unconventional riffs in the lead. After that, the album continues with some free-jazz influenced experimental songs, reworks of traditional songs and covers of obscure punk bands. If you’re a Melvins fan this release will not disappoint.

4. Aosoth – IV: Arrow to the Heart

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Out from France comes a band I never bothered to check out till this year and boy do I regret waiting. This album is full of ambiance. Bizarre spoken word parts over soundscapes, guitar work that’s similar to Portal, and eerie sounding songs such as the title track make this album one horror filled ride to Hell. Arrow to the Heart washes the awful taste of Deafheaven’s “Sunbather” right out.

3. Deicide – In The Minds of Evil

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Deicide and Suffocation are my two all time favorite death metal bands. Sadly, the albums that followed 2006’s “The Stench of Redemption” were pretty lackluster, showing signs of Glen Benton losing his touch.That was until “In The Minds of Evil.” Out is the bands failed attempt to go more melodic and in is the evil and brutal sound we come to know and love as Deicide. This album doesn’t sound exactly like the classic Hoffman brothers era but more like a fusion of the new and old with the worst elements of the new sound removed.

2. Inquistion – Obscure verses of the Multiverse

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The two piece Inquisition has been on a winning streak ever since they started, providing us with a unique style of black metal.This album is no different. Not much to say here as it doesn’t differ much from other Inquisition releases (other then the thrash demos). A must have for Inquisition fans.

1. Carcass – Surgical Steel

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And we end off the list with the return of British extreme metal legends Carcass.When Carcass announced a new album everyone wondered what it would sound like. Would it be goregrind like the first two? Simple death metal like the third? Melodic like “Heartwork?” Some even wondered if it would sound like “Swansong” (so glad it didn’t). The answer is a mix of all (sans Swansong). The album’s full of fast intense death metal with the touches of “Heartwork’s” melodeath (such as the solos). Not a single track on this album feels like filler. The whole thing is full of energy and flows perfectly. Though this list is in no order, I believe this album deserves the number one spot.

Runners up: Noisem – Agony Defined, Exhumed – Necrocracy, Suffocation – Pinnacle of Bedlam

EP of the year: Bill X Nye – Richard X Lenski

Non Metal album of the year: David Bowie – The Next Day (with Chelsea Wolfe’s Pain is Beauty a close 2nd)

Disparo Announce 3 Month World Tour

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If you like your metal fast, aggressive and Australian then look no further than Sidney’s Disparo.

From the dawn of May to the dead of July, the crossover four-piece looks to do what Pinky and the Brain never could by hitting four of the seven continents in support of their debut album “Co-Exist” on the “Fastcore Forever, Sleep Never Tour.”

The tour kicks off May 10th in Australia, heads to the United States on May 19th, whips back around to Europe from June 22th to July 8th and finally boomerangs into Asia from July 14th before coming to a complete stop in Tokyo, Japan on the 30th.

In the immortal words of Edward R. Murrow, “Good night and good luck.”

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A Labor of L’Amour: DJ Alex Kayne On His Upcoming Book & Bensonhurst In Its Heavy Metal Heyday

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The legendary L’Amour marquee, circa 1988 (image courtesy of Alex Kayne).

Often hailed by its following as “The Rock Capital of Brooklyn,” L’Amour was a staple of hard rock/heavy metal acts of the 1980s and 1990s.

Some of the genres most legendary bands (such as the “big four” of Thrash Metal: Metallica, Slayer, Megadeth, and Anthrax) got their break in the tiny club that oftentimes felt like an arena. Memories, bonds, and acts of debauchery occurred on a nightly basis in the Bensonhurst venue. The club’s promoters were also notoriously fair when it came to booking, giving any band a chance to play on Brooklyn’s biggest stage – which made it so prominent for keeping the scene alive and a staple for establishing the developing New York Hardcore scene in the early 90’s.

L’Amour first opened as a disco club on a rather desolate stretch of 63rd Street in 1978 and transformed into a rock venue in 1981. Over the next two decades, its popularity skyrocketed and three somewhat short-lived sister locations were spawned in Queens, Long Island, and Staten Island. Throughout the 1990s and into the early aughts the original club would remain active before finally closing its doors in 2004. Usually at the helm of the Bensonhurst club, was DJ Alex Kayne, who is widely considered New York’s first-ever heavy metal DJ.

To read the full story on Bensonhurst Bean, click here.

F*ck Mondays! Episode 11: Whole Lotta Deadpool

real fmondaysImmediately after a late-night showing of Deadpool, Chris and Jon break the smash-hit down and reflect on what it’s like to go to the movies in Brooklyn, NY.

Top 10 Extreme Metal Love Songs

10 best metal love songs

A common Valentine’s Day tradition is listening to sappy love songs. Despite what you might think, even metalheads enjoy conveying their emotions for one another. In no particular order, here are ten “love” songs from metal’s more extreme sub-genres; showcasing the various ways to show someone how you really feel.

Vio-lence – Gutterslut

From the band’s humorous and politically incorrect “Torture Tactics” EP. “Gutterslut” is  about wanting to rape a slutty woman. If recorded today, there’s no doubt the members of Vio-lence would have an eternal P.R. nightmare.

Loving lyrics: “Fuck her in the ass good and hard
After I’ve chased her through the yard
I don’t use vaseline ’cause I like to
Fuck dirty and mean

Strapping Young Lad – Love?

Strapping Young Lad’s most well known song. The song is literally just about love.

Loving lyrics: “I’ll wait for the night to come
So far, suicide at home
For I’m not the man you know…
This love,
IT’S ABOUT CONTROL”

Carnivore – Carnivore

From their self-titled debut, this track was one of the first tastes of Peter Steele’s tongue-in-cheek humor. Nothing shows affection more than referencing forgotten 70’s bands.

Loving lyrics: “Lick me she begged, she pulled down my head,
I love to eat pussy
A taste so fine like sweet April wine,
I won’t trade for any money”

Cannibal Corpse – Fucked with a knife

One of the band’s most well known songs. This live staple is pretty self explanatory and is Ted Bundy approved.

 Loving lyrics:”No escape from your fate, destined to be mine.
Every night I wait to see, in the night, watching

Ancient – Lilith’s Embrace

A classic black metal track from the 90’s that is mostly known for its good/bad music video. The track tells the story of Adam’s son Cane meeting his father’s first bride Lilith.

Loving lyrics: “I shed bloody tears and she made them disappear
She kissed away my tears
Her powers I could see would forever set me free”

Gorgoroth – Unchain My Heart

From their 2000 album “Incipient Satan” (the first album to feature Ghaal). In case you were wondering, this is not a cover of the Ray Charles song and is one of the few Ghaal era songs to not feature Satan’s name.

 Loving lyrics: “the blood reflecting white
the curse of your heart
eternity
“unchain my heart”

Acid Witch – Witches Tits

Acid Witch were always one for wierd lyrics and here is no exception. Like Cannibal Corpse, this song’s title speaks for itself.

 Loving lyrics: “Covered in boils and sores
Crusted over popped pimples
Discharging pus
With warts for nipples”

Midnight – Vomit Queens

Midnight were always great Venom worshipers down to the lyrics. Although we don’t know what a vomit queen is this song is still awesome.

 Loving lyrics: “Give it to me – Vomit Queen
It’s bursting out – Vomit Queen
Give it to me – Vomit Queen
Aaarrrggghhh – Vomit Queen

Suffocation – Entrails of You

Here on one of their most popular reunion songs, Suffocation show they don’t only care about outer beauty. The song is about killing a woman and having your way with her entrails.

 Loving lyrics: “You are so beautiful; I bathe myself in the entrails of you
Submerge myself in your blood and wear your flesh, you are so fucking beautiful
You are so beautiful; I bathe myself in the entrails of you

Anal Cunt – Picnic of Love

The title track from the band’s most “experimental” album. As opposed to grindcore with offensive lyrics, this album was pure folk songs about love. See, Seth Putnam was a nice guy!!

 Loving lyrics: “I’ll kiss you for an appetizer
And love you for the meal
Then I’ll ask for your hand in marriage
As I look up lovingly and kneel

Bonesaw Podcast – Episode 27: Agoraphobic Nosebleed’s Richard Johnson

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It’s time to grind with Agoraphobic Nosebleed’s Richard Johnson as we discuss ANB’s live debut at last year’s Maryland Deathfest, recording their latest release “Arc,” future plans and more.

Manopera! – Episode 11: Thank You Daniel Bryan

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In the aftermath of Daniel Bryan’s retirement, Chris and “Spaceman” Frank discuss the news, possible career moves for Bryan, the build for WWE Fastlane and more.

Moon Tooth: Chromaparagon

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Fancy metallers Moon Tooth have delivered their debut “Chromaparagon.” Quickly rising up the ranks in their three year tenure, the band has a lot of emotions that are conveyed throughout the record in a full-on aural assault.

Kicking off with their single “Queen Wolf,” Moon Tooth let loose on this rifftastic ripping opener. To get an idea of the chemistry this band has, everything blends from guitarist Nick Lee’s pull-offs to John Carbone’s flowing vocals to the swinging latin beats of drummer Ray Marte (who produced, engineered, mixed and mastered the album) carried by Vin Romanelli’s luscious bass lines that really tie the room together.

In short, “Queen Wolf” is Moon Tooth incarnate.

Next up we have “Offered Blood,” “Igneous” and “Little Witch.” The latter (which Lee sings) may be catchy, fun and bouncy and the middle is wild, but nothing sums up “Offered Blood” better than five simple words.

What the hell is going on?

“Offered Blood” is all over the place, making it one of the best tracks on the album. Carbone’s soothing melodies control the chaos of his bandmates as they jam over a trippy monologue. One of the monologue’s key lines that stick out is Carbone’s caravan calling, “All the silent tingles in the air pulse and the animals know you’re coming.”

“Bats in the Attic” is a thrashy, psychadelic instrumental that sets the tone for the remainder of the album and your imagination. “Bats” creates the aural sensation of said mammals fluttering their leathery wings, foreshadowing Moon Tooth’s sonic descent into madness.

As bizarre as its title suggests, “Forgive Me Snake Ryder”  is a mind-blowing cacophony of wonky atonal wankery. A litany of chromoparatastic riffs followed by brief pauses containing random samples of both speech and sophistication create this monsterpiece.

As we journey to the center of the album we’re greeted by some tag team turmoil in “Chroma Vesuvius I” and “Vesuvius II.” “Vesuvius I” is a gritty, chunky blues bit while “Vesuvius II” throws all that out the window, blanketing you in heavy ambiance while Carbone’s voice becomes the light guiding you out of the tunnel. “Vesuvius II” is an elaborate trap that has been slowly built for an aggressive, agitated breakdown.

“Vesuvius II” is the soundtrack of a man going completely insane.

Enter “Belt Squeezer” which is chock full of aggressive, thrashy fun. This also features Lee’s vocals and he makes them count with his 90’s punk/grunge combo that compliment Carbone’s clean, carrying hymns. “Belt Squeezer” features some of Chromaparagon’s best riffs and displays a brief moment of brevity before turmoil. For brevity, Moon Tooth slips in a blues moment around the four-minute mark before “Belt Squeezer’s” epic crescendo.

Wrapping up the album are “Death and the Vibrant Architechture of Rebirth” and “White Stag.” The tracks are solid, somber closers that feel like the end of a warriors long journey. Like Iron Maiden’s 12-minute epic “Rhyme of the Ancient Mariner,” the former tells a story while the latter’s droning goodbyes slowly set the record down to a crawl.

Chromaparagon is a solid, complex debut from Moon Tooth. The intricate labor of love is a testament to the age old proverb “hard work pays off.” In a genre full of one-trick ponies, Chromaparagon is a much needed shot in the arm for the metal nation.

WWE Breaking Ground – Episode 4: Tag Team Turmoil

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by Frank Lucci

Timed to get hyped because episode four of Breaking Ground is all about the tag teams. Prepare to bathe in their charisma as the episode showcases some of the biggest personalities in NXT.

Narrator William Shatner has a rare misstep in the opening montage by introducing the episode with “This time on Breaking Ground.” “This time” sounds really awkward when Shatner could have just said “today” instead.

The first proper segment introduces us to Jason Jordan. He reveals that he’s gone through a lot of struggles in his life. Jordan is one of four brothers, two are incarcerated (with one in jail for life). After seeing his family members hit rock bottom he works hard to fulfill his dream of making it to the WWE (I already like Jordan 1000% more after watching this show for two and a half minutes). After this heartwarming backstory, Jordan and his coaches talk about how lack of character held him back until he started teaming with Chad Gable.

Switching to Gable, he quickly puts over his wrestling background (including his trip to the 2012 London Olympics) and instant chemistry with Jordan. They continue to talk about how their similar backgrounds helped bring out Jordan’s confidence in the ring while the two shoot hoops in a suspiciously empty park. Despite dedicating several minutes to how well they’ve bonded as a team the two have a very wooden conversation after their game. It’s almost as if they set the whole game up for the show.

ZZ lives in a bus that he hopes to one day bring groupies to. (just throwing that out there). The Tough Enough gator wrangler also apparently had to learn how to wash his clothes and dishes for the first time (I fear for ZZ living alone). He admitted he can’t even tie shoelaces together and only wears leather boots and “flippy flops.”

Someone please help this poor boy.

Mojo Rawley blasts into the episode by showing off his newly bought house. After throwing the “for sale” sign around and yelling a bunch (good way to make an impression on the neighbors) we get a much more low key Rawley talking about loving the WWE as a child and his attempts at a NFL career. He shows off his love of partying by flipping onto a beanbag chair as who we assume to be his mother looks concerned. Matt Bloom and the other coaches sandbag the party by talking about his lack of in-ring ability to the point that Bloom says if he continues to not listen to their advice, he just won’t be booked on shows (ouch).

Zack Ryder gets introduced as a way to set up the formation of the Hype Bros. While both had reservations about teaming up, they both recognized the potential benefits (Ryder getting a career resurgence, Rawley a better shot of getting called up).  The Hype Bros and Jordan and Gable will compete in the Dusty Rhodes Tag Team Classic, with the two teams facing off for a chance to be in the semifinals match at the NXT Takeover: Respect special. With both members of the Hype Bros acting like their union is a business strategy it’s hard to get attached to the team in the same way as the more organic Jordan and Gable. Gable wants to be bff’s with Jordan, who refuses because he’s apparently too cool for that.

Shame on you Jordan, the man just wants to be loved.

After all the tag team focus we see Cal Bishop for the first time. A rookie with lots of potential despite being born with a clubbed foot. Nonetheless, he’s struggled with injuries during his NXT career. Bishop seems universally beloved by both the coaches and wrestlers and undoubtedly shows charisma and mic skills during his introduction. In comparison to the hard working underdog Bishop, ZZ continues to struggle with cardio work and work ethic in general. Keeping with the downward spiral of depressing news, Gable hurts his ankle at a live event. Lots of fun times during this portion of the episode.

Despite coming off like a giant hyperactive toddler at times, Rawley gets huge points for going all out to try and be a role model for kids like John Cena. He hangs out with fans after every show and goes out of his way to connect with fans knowing that they’re the ones who make it possible for him to follow his dream. He even grabs a young fan and announces to the crowd that he got straight A’s so they cheer the kid. Every women I know who saw this developed crushes on Rawley after thinking he was a doofus before. Hell, now I’ve got a small crush on this magnificent bastard.

After Rawley melts some hearts we get updates on different NXT superstars. Gable’s ankle gets better, but ZZ has coaches worried due to his inability to basically do anything. Insult to injury comes from Ebola Steak Josh who laps ZZ during a drill. While the coaches doubt ZZ’s work ethic, he does get choked up a bit when talking about his desire to make it. Given time and a good workout plan I have a feeling ZZ will be able to become a halfway decent wrestler, and the dude just needs time to adjust (and learn to tie a shoelace).

Bishop is back trying to get back on track career wise. After spending much of his two years at the Performance Center hurt he hangs his hat on being a model student and hard worker. He tears up while talking about his depression after hurting his shoulder for the first time after just making it to TV. All the feels for Bishop.

On the way to a live show Rawley drives with Dana Brooke, who proceed to bounce around like crazy people (FOCUS ON THE ROAD!). Ryder again sandbags the Hype Bros, literally saying he reaction to being paired up with Rawley was “Holy shit” (not really selling me on this team here, guys). Meanwhile, Brooke sees a women with “a nice rack” as she puts it and convinces Rawley to try and get her number while they’re on the highway (between this and helmetless Baron Corbin I am NOT ok with NXT’s traffic safety standards). Brooke also texts while driving, though I’m giving that a pass due to the fact that her super cylon vision probably helps her. Believe it or not, Rawley gets the girl’s number on the back of a Brooke picture and celebrates like he won the Super Bowl. Rawley is super positive about his relationship with Ryder, but realizes that always being apart hurts their chemistry.

This episode is full of bromance problems.

Back to ZZ who quits during a drill. However, nothing much is made of this as we switch to the big tag team match at the live show. Episode four ends before we find out who wins (dramatic tension!).

Lots of new elements are at play during this episode as ZZ is the only person focused on that we’ve seen before. Comparing the Hype Bros and Jordan and Gable ultimately hurts the Hype Bros, and we can plainly see there is some big problems with the Bros relationship. That being said, Rawley wins the episode with his dedication to the fans, and Bishop deserves an honorable mention for his struggles trying to get back into the ring.  

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