Tag Archives: Music

Bonesaw Podcast – Episode 23: JC Autobody’s Jonathan Newby

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We get down with Jonathan Newby to chat about his one man/jam Experimental Blues Rock project JC Autobody. We get into Horror, the Indiana Scene, JC Autobody’s newest release “Witches” and more.

For more cool content, check out Bonesawzine.com.

Bonesaw Podcast – Episode 22: Superjoint’s Jimmy Bower

We got the chance to sit down with Jimmy Bower from Superjoint, Down and Eyehategod during the New York City date of Danzig’s “Blackest of the Black” tour and had a ball!

Bower talks about Superjoint’s reformation and plans, the joys of fatherhood, which guitar company he’d like to be endorsed by and a whole lot more in this awesome podcast.

Exinfernum: The Band From Hell

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New Jersey has never been a stranger to metal.

Classic bands such as Danzig, Overkill, Ripping Corpse, Whiplash and Symphony X have all come from there. The state still has its fair share of greats today including newcomers Exinfernum. In this interview, members James and Vinny talk about the band as well as some other fun topics.

How would you describe your band’s sound?

Vinny: The way I see it, we take inspiration from different forms of dark music. This includes black metal, darker death metal bands and old goth music – it all inspires us. The only term I think can describe our band is dark metal.

James: Essentially we just play really dark metal music and some of it verges on death or black metal. Metal-Archives.com even calls us blackened death metal. The sub-genre of metal we play isn’t as important to us as it would be for other bands. Really, we are just looking to make some dark, heavy music

Why did you choose the name Exinfernum and what does it mean?

Vinny: The name means “from Hell” in Latin. I was sitting in the dark one day, writing riffs and the name just hit me out of nowhere. It seemed to be a perfect fit for the music I was writing. It was also one of the few cool sounding names that wasn’t really taken.

I understand you used to be the old-school death metal band Gorematory. What made you decide to change to this new style and was it hard at first?

Vinny: Originally, Gorematory split up in November 2011 after opening for Entombed. We tried to bring the band back a few times but it didn’t work out. We decided to change the bands style. Since we went in such a new direction, the name (Gorematory) didn’t fit anymore. Our lyrics went from being gore and horror themed to more dark and spiritual. Due to these changes we put Gorematory to bed and Exinfernum was born.

James: We had alot of bad luck with the band. We started to feel the name Gorematory was cursed. This was around late 2014. We decided we were going to start 2015 with a clean slate. I also felt our style grew a little.

Vinny: To this day I am still a very big horror fan, but I needed to write about more things that are personal to me. At that point I started getting more into the left hand path.I started reading a lot more books and looking into different things. What I wanted to do was say these things but in a form of music. I guess you can say it’s something that feels more natural and personal to us. It’s more real then what Gorematory was.

Any new releases on the horizon? If so can you tell us about them.

Vinny: For the rest of this year we will continue to promote our album “The Gutting of God.” In the middle of next year we are going to start working on our second full length.

James: We have some rough song ideas (maybe around four). Cereberus, our drummer is also working on a few. Some might not make it to the next album but whenever we feel like writing we write stuff. Nothing we wrote is really concrete at the moment.

How do you feel about the state of black metal today? Do you feel the original idea of black metal is gone or do you think it just took other forms?

Vinny: I personally feel metal needs to evolve to survive, this includes black metal. As much as I like the classic bands such as Darkthrone, Carpathian Forest, Gorgoroth and Dissection; in order for the music to continue it needs to evolve. Don’t get me wrong, I love bands that are throwbacks to the old style but it still needs to evolve.

James: My opinion is a little similar to his. I feel black metal fans today take themselves and the music way too fucking seriously. I think a lot of black metal bands get too into the ideology and the image and forget it’s fucking music.

Vinny: To me, ideology and music go hand in hand.

Bonesaw Podcast: Episode 21: Mick Mayer from Sonic Pulse

Our guest at this time is Mick Mayer from Adventure Metal band (who’s last release bears the same title) Sonic Pulse. Mick and Chris shoot the breeze on touring, music, comic books and more – including Sonic Pulse’s upcoming album “Vs. The Internet” and why they band covers the “Adventure Time” theme song.

Band of the Week: Frank Zappa

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Arguably one of music’s most unique personalities, Frank Zappa was an extremely talented soul who’s bizarre vision and insane work ethic still impacts people to this day.

Born December 21, 1940 in Baltimore, MD, Zappa was the eldest of four children. His father Francis was a chemist and mathematician who worked at a chemical plant relatively close to the home. This led not only to exposure to mustard gas and gas masks being stored in the home, but Zappa developing a fear and fascination of germs – a subject that would constantly appear in his lyrics (among other strange things). Zappa was also sick throughout most of his childhood.

Zappa was also very much pushed towards religion at an early age by his parents, another topic that Zappa would satirize in his musical career very often (for example, “Heavenly Bank Account”). Zappa was not a fan of any religion because he felt it promotes ignorance and anti-intellectualism.

It was during his High School years that Zappa would start to express interest in music. First playing drums before eventually learning guitar and a myriad of other instruments over the course of his life. By his senior year, Zappa would start composing and arranging avant-garde pieces for his school orchestra. He would attend college in 1959 but left after one semester and held a disdain for the public and higher education system to a degree where he would take his own children out of school at age 15 and refused to pay for college.

The 1960’s would be interesting years for Zappa as he would not only marry both of his wives (the brief Kathryn J. “Kay” Sherman and lifelong Adelaide Gail Sloatman), but also begin his music career writing and producing before fully launching it with The Mothers of Invention and their 1966 debut “Freak Out!” before disbanding The Mothers of Invention for the first time.

They would reunite the following year with Zappa dropping “of Invention” from their name.

The 70’s would bring Zappa more into his own as he dabbled in filmmaking with “200 Motels” and released several solo LP’s such as 1970’s “Weasels Ripped My Flesh,” 1974’s “Apostrophe” (which included the single “Don’t Eat the Yellow Snow”) and all three parts of “Joe’s Garage” – Zappa’s 1979 rock opera about an adolescent man that forms a rock band, gives all his money to religion, has sexual relations with machines and is driven to insanity when he wakes up from a coma to discover a world where the government has banned all music.

It should be noted that Zappa was notorious for never drinking or taking drugs.

Zappa would continue to raise eyebrows with his strange and humorous lyrics coupled with complex song arrangements in the 80’s and would discover a young guitarist by the name of Steve Vai. During this decade Zappa would reach the peak of his popularity, releasing some of his most famous works such as the “Shut Up ‘n Play Yer Guitar” trilogy, “You Are What You Is” and the first three of his series of live albums “You Can’t Do That On Stage Anymore.”

This is just scratching the surface of how much music the man released over his 30 year career.

Zappa would release music into the 90’s, creating classical arrangements of his works as well as composing new pieces with the German chamber ensemble, Ensemble Modern. They would perform his works at the 1992 Frankfurt Festival (Zappa was one of four composers whose works were chosen. The other three were John Cage, Karlheinz Stockhausen, and Alexander Knaifel). Other performances were scheduled in Los Angeles, but Zappa was only able to appear at two due to health issues. On December 4, 1993, Zappa died of prostate cancer – a condition he was diagnosed with in 1990. He was 52 years old. In 1995, Zappa was inducted posthumously into the Rock and Roll Hall of Fame and in 1997 he received the Grammy Lifetime Achievement award.

Zappa is survived by his four children Moon, Dweezil, Ahmet and Diva, who are all employed within the music and entertainment industries. Dweezil is also an accomplished musician and honors his fathers legacy by playing his songs in concerts known as “Zappa Plays Zappa.”

Throughout his career, Zappa released over 60 albums. The amount of music Zappa recorded is unknown as albums continue to to be released to this day, the last being “Dance Me This” which was released on June 12. He is consistently ranked in Rolling Stone’s “100 Greatest” lists.

Bonesaw Podcast – Episode 19: Robert Orr of Zamboni

Joined by his partner in crime Robert Orr, Chris Butera discusses the NWA biopic “Straight Outta Compton,” this year’s installment of their annual “Thrash Bash BBQ” concert, Batman: the Animated Series and more.

Bonesaw Podcast: Episode 18 – Nina Marie

We dive into the crazy world of New York City busker and underground soul artist Nina Marie. Marie describes her life, including the twists and turns that come with underground musical endeavors. A cover of Adele’s “Crazy for You” is featured.

Listen to Nina Marie here.

Sonic Pulse Announce East Coast Tour

Self proclaimed “Adventure Metallers” Sonic Pulse announced a 16 date east coast tour Wednesday titled the “Party Like Your Dad Before He Had You” tour.

The tour will begin on August 14 at The Wreck Room in Peterborough, NH and commence on August 29 at Sammy’s Patio in Revere, MA – a short distance from the bands hometown of Boston.

The tour is to promote Sonic Pulse’s long awaited sophomore album, “Vs. The Internet,” scheduled to be released sometime in August.

“We’re really excited to finally be back on the road and looking forward to catching up with old and new friends along the way. Be sure to come hang out and party with us like your dad before he had you!” said the band via Facebook.

The tour flyer can be viewed below. Several dates do not yet have venues but have a destination in mind. To help, contact Sonic Pulse at sonicpulsemetal@gmail.com.

Bonesaw Podcast – Episode 16: E. B. Phillips

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This time around we take a look at underground New York Rapper E. B. Phillips. Phillips is a humble, down to earth character who brings us into his world discussing his roots, love for comic books, and a whole lot more. The featured song is “Third Eye” from Phillip’s album “Visions” which can be streamed and purchased at ebphillipshiphop.bandcamp.com.

Broken Guru: Bent Up Halo Review

When a band’s motto is “I don’t like my future,” one is unsure what to expect.

That band is New York’s own Broken Guru and their motto is proudly displayed in their blast from the past debut, “Bent Up Halo.”

Notable tracks include the Iggy Pop inspired “Tryin,” “28 Cents” and “Got to be Mean.” There’s a lot going on that can easily channel some dancing, pogoing (remember that?) or just plan shaking a fist in the air.

Arguably the best song is the title track as it not only has a solid rhythm but has early Alice Cooper written all over it.

The three piece from Forest Hills take a number of alternative routes in the last quarter of the album with “My Universe,” “Gimme More” and the closer “Like A Whore.” The Rolling Stones, The Melvins and Sonic Youth have nothing on the laid back in-the-pocket style that Broken Guru taps into.

Broken Guru’s “Bent Up Halo” is a fuzzy punk/garage rock album that takes you back to yesteryear. Had this have been the late 70’s or early 80’s, one could certainly see the outfit playing CBGB’s alongside Blondie and The Ramones on a weekly basis. Blending groovy riffs with a “Rocky Horror Picture Show” attitude, “Bent Up Halo” is an enjoyable 30-minute trip with good vibes and high times.