
Chris and Spaceman Frank discuss the Cruiserweight Classic finale, TNA’s Delete or Decay and the revived WWE Backlash pay-per-view.

Chris and Spaceman Frank discuss the Cruiserweight Classic finale, TNA’s Delete or Decay and the revived WWE Backlash pay-per-view.

Chris and Jon discuss everything there was to discuss about UFC 203 and more!

Several months after the brand split we get our first official WWE brand exclusive Pay-Per-View, the revived Backlash.
It’s interesting to see how WWE presents these new types of PPVs and if they decide to shorten the length of brand exclusive events, or keep on steamrolling fans with three plus hour shows (not including the pre-show).
Despite splitting the roster, the WWE still seems to have trouble focusing on building up storylines properly (at least the video editing department will always be there to salvage the build and make us care about the matches right before they actually start). With the usual mix of trepidation and vague hope as most Pay-Per-Views, Spaceman Frank is here to predict Backlash 2016.
The Usos vs. The Hype Bros (Qualifying match for SmackDown Tag Team Championship Tournament Finals)
While the WWE Universe may not have Roman Reigns turning heel, at least we finally get The Usos turning into bad guys and attacking American Alpha. The tag team tournament may be the best booked part of Smackdown, and the WWE has made sure that the fans have a reason to care about three out of the four teams that were in the semifinals of the tournament. The lone exception being The Hype Bros, who will be losing to the hot Usos team so they can advance to the obvious finale of them vs. Slater and Rhyno. Speaking of that match…
Heath Slater and Rhyno vs. The Usos (SmackDown Tag Team Championship Match)
Heath Slater may be the 2016 version of Damien Sandow in that he turned crap into gold. His “free agent” gimmick has worked well, and the crowd is actually behind his antics with his perfect foil Rhyno. I went from having zero confidence WWE could pull this off to rooting for Slater to actually get the belts with his new buddy. It would be amazing if all of the Slater clan is at ringside for this match (please do this WWE). That being said, I see The Usos winning the tournament to set up the obvious Usos vs. American Alpha rematch for the belts down the line.
The Miz (c) vs. Dolph Ziggler (Intercontinental Championship Match)
The Miz is an interesting case in the WWE. The guy has nailed his character and has recently been pure fire on the mic. However, WWE has dropped the ball with giving him feuds people actually care about. After Apollo Crews lost at SummerSlam, we have another big disappointment from the show in Ziggler as his next opponent. I like Ziggler (I even named my Fantasy Football team Team Zigglypuff), but his big chance to break out on SmackDown has fallen flat. The Miz needs somebody he can actually play off of who can carry his half of the build (Heath Slater vs. The Miz anyone???) Anyway, The Miz wins because that seems to be the default option for The Miz in these types of feuds.
Nikki Bella vs. Carmella vs. Alexa Bliss vs. Naomi vs. Natalya vs. Becky Lynch (Six-Pack Challenge for SmackDown Women’s Championship)
This match is interesting in that it will reveal who the WWE brass has faith in going forward. Carmella has been targeting Nikki Bella, which makes me think the former champ takes down the rookie quickly. Alexa Bliss and Naomi have been background characters, and while they are decent in the ring it seems as though they’re there just to make up the numbers. Natalya may be the dark horse here, but she and Becky Lynch will take each other out because of their history. That leaves Nikki Bella as the last women standing, as she can help establish the belt and give the veteran something to do moving forward.
Randy Orton vs. Bray Wyatt
Another month, another meaningless Bray Wyatt feud. The poor guy cannot get any traction, and now he gets fed yet again to somebody coming off a major match. At this point I’m desperate for him to actually go for the title, because this gateway to the main event place he is in for years is wasting a great talent (maybe we’ll get Luke Harper making his return?). Orton wins to regain his momentum and Wyatt just farts around as he does.
Dean Ambrose (c) vs. AJ Styles (WWE Championship Match)
This is the saving grace of Backlash. I can’t see this match being poor in any way. Sure the build has been pretty bad, especially with Dean Ambrose acting like an apathetic teenager the whole time (We saw you cry when you won the title at Money in the Bank Dean, we know you care!). AJ Styles on the other hand is having one of the best years anyone has had in wrestling, and considering how hot he is I see him winning the championship in an awesome match. This will setup both rematches with Ambrose as well as John Cena, as I see him and Styles going at it again, but with gold on the line.
For our next musical guests we have Tyler Loney, Bryce R. VanHoosen and Gabe Franco from Portland, Ore. Speed Metallers Spellcaster. Join us as they talk Spellcaster and share some amazing stories.

When I heard about a new supergroup containing all the instrumentalists of rap/rock band Rage Against the Machine along with Public Enemy’s Chuck D and Cypress Hill’s B-Real, I knew I had to catch this.
Public Enemy and Cypress Hill (well, old Cypress Hill) and Rage were one of the few times rap and rock music mixed well. Due to the low prices, my friend Doug and I bought tickets to the Prophets of Rage show at the Barclays Center in Brooklyn, NY. Since we both had the day off, we spent time in Coney Island. I had never been here before and I ended up enjoying the areas beautiful yet retro look (I also got to try frog legs for the first time!). After hopping on the train, we got to the Barclays Center around 7pm just in time to catch the first band.
Wakrat
First on was Tim Commerford from Rage Against the Machine’s side project. We were curious to see how Commerford would fair in another band, and after viewing them…let’s just say we felt Tim should stick to Rage as Commerford was pretty…well, whack. The band played some kind of nu-metal influenced punk. While the bass riffs were cool, Tim’s vocals sounded too whiny and had cringe-worthy lyrics like, “Fuck with me and I’ll kill you all.”
AWOLNATION
After Tim’s midlife crisis band, the electronic rock band AWOLNATION took the stage. I was never a big fan of this band though I was never against them either (except for that obnoxious song “Sail”). Doug, on the other hand likes them a lot (except for that obnoxious song “Sail”). Though I’m no fan I will say they put on a great performance with lots of energy and I enjoyed their set… except when they played that obnoxious song “Sail.”
Prophets of Rage
Prophet’s of Rage set started with DJ Lord of Public Enemy opening the set by sampling many rock and hip hop hits. The crowd went really wild when he chopped and screwed the Nirvana classic “Smells Like Teen Spirit.”
Prophets then got on stage with a cover of “No Sleep Till Brooklyn” that infused lyrics from the Public Enemy hit ” Fight the Power.” They then went on to play a string of Public Enemy and Rage classics with the one Cypress Hill song, “How I could just kill a man” thrown in for good measure. The Rage members then got off stage and B-Real and Chuck D went into the audience. They then went back and forth performing classics from Cypress Hill and Public Enemy such as “Insane in the Brain” and “Welcome to the Terrordome.”
This got the audience screaming along to the songs. D and B-Real then went back on stage and played more Rage and Public Enemy songs, including a remake of “She Watch Channel Zero” using the riff from “Cochise” by Audioslave. They also threw in a cover of Bruce Springsteen’s”Ghost of Tom Joad.” Unlike Rage’s original cover of this song, Tom Morello sang on it with Aaron Bruno from AWOLNATION joining in. Prophets ended the set with “Killing in the Name.”
We then left for Montgomery, NY after witnessing one of the best shows of the year. The two of us later would write an editorial of the five greatest highlights from this show for Alternative Nation. Read this if you want to hear about Prophets of Rage’s set in more detail.

Flordia is known for being one of the first places to have any death metal acts. Legends like Death, Obituary, Nocturnus, Morbid Angel and even some hidden gems like D.V.C all hail from there.
Now in current times, the scene has spawned a new gem known as Sapraemia. The band is young but already impressing both the new and old generations of Floridian metalheads. But this band alone isn’t enough to satisfy bassist/vocalist Julian David Guillen’s need for extremity. To cure this hunger Guillen decided to form a grindcore band called Munchausen, where he plays guitar while his girlfriend Shyann Rodriguiez does vocals. Today, the two lock up with The Bonesaw to chat about these amazing hidden projects.
How would you describe Sapraemia’s sound?
Julian: We’re influenced by Death, Nile, Wormed and lots of really brutal shit. We listen to a lot of the new school and the old-school. I guess the best way to describe us is a fusion of Origin and old-school Suffocation. People seem to really like us. We get a mixed crowd to of tech-death kids and old-school guys who loves bands like Incantation.
What does the name mean and where did you come up with it?
Julian: It’s a blood disease that eats all of your healthy blood cells. You are pretty much rotting from the inside. It’s a pretty metal disease and I found it to be a really cool word. A lot of people mistake us for the band from New Jersey called Sapremia. Maybe one day a tour of both of us will happen.
Any plans for any new material?
Julian: We are working on new material and trying to sell it to labels and stuff. We play new stuff at shows here and there and we do plan on recording it. Hopefully we will have an album before the year is over.
I see you played in Solstice for a short while?
Julian: I played with Solstice for a couple of months last year. When I was offered to join I had no idea who they were but then realized they are legends. It was a great experience playing for a classic band. I was younger than all of them by at least 15 years but it was fun. They’re all great guys.
Can you tell us about your other project Munchausen?
Julian: I was sitting at home one day and I was coming up with grind riffs. Nothing was going on with my other band at the moment so I figured to form a small fun project. I then talked to my girlfriend Shyann and said, “Hey, we should make some grindcore or something. Maybe you can sing.” She told me she didn’t know what to do and I said, “Well, just yell.”
Shyann: Then we discovered that I sound like bullshit. I honestly thought I sounded like crap, but everyone else loved it. I don’t know why, since I’m not trying to do anything spectacular. But I get good reactions so I’ll keep doing it.
Julian: You combine Barney from Napalm Death and Mike from Eyehategod, then make it a girl voice and you’ll get Shyann.
Well if you think about it, grindcore vocals are good for grind but in general are shit vocals.
Shyann: Yes, it works out that way.
Julian: Unless you’re the dude from Insect Warfare. His vocals are just awesome.
Are you guys working on an album? Anywhere people can hear you guys?
Shyann: We do have a bandcamp where you can hear our stuff. We have two singles up on there. We might upload others. Who knows.
Julian: Shyann wanted to keep us as low-key as possible. We mostly just focus on playing shows instead of mostly putting our music out there. I find it annoying when bands over promote. I see it all the time, bands trying to force you to like their Facebook page or wear their own shirts live or even remind you they have merch between every song they play. I’m just like, “Dude, let them find out.”
Shyann: It just pisses me off whenever a friend of mine has a band and their stuff is just all over the place. It’s not just 3 or 5 friends, it’s many assholes online who just spam everywhere. “Like Us on Facebook. Check Out our bandcamp. Look, we’re in this video. Look at our Instagram.” It’s over saturation and just way too much promoting. With Munchausen we just set just set out to make music for fun and don’t care about being huge or forcing our band down peoples throat on stuff like Twitter. I think Twitter is the dumbest shit in the world.
I noticed a song called “Comparing Turds” where you bash random bands in the lyrics. How did you come up with this song?
Shyann: I used to join all these metal groups about a year ago. I think I first saw it in this group called “Unpopular Metal Opinions.” Most of the time when someone compared two bands if someone thought both sucked they would comment “comparing turds” or some variation of it. The one who used it the most was this one girl who was an obvious black metal elitist. We became friends since we both like raw black metal and hate everything. She’s very weird. Whenever we chat she always randomly says that a random band sucks. I eventually got banned from those groups and me and her made our own metal opinions group together. I randomly searched the chat and typed in the word sucks and I got many results such as “Mastodon sucks,” “King Parrot sucks” and “Aeon sucks.” I agree with these bands being bad and we decided to write this song as a tribute to her.
Julian: We aren’t bashing her in any way. We love her. It’s a tribute.
Okay, time for the last question. If you were trapped on a desert an could only bring one album which would it be and why?
Julian: Damn that’s hard. I’d have to go with Blut Aus Nord’s “777-Sect(s).” Some of the nastiest, most experimental black metal out there. I love that band. Very varied and dark. The art is amazing too.
Shyann: For me it would be Alice in Chains self titled album. Alice in Chains is my favorite band of all time. People find it weird when I say that because I’m known for listening to all this ambient black metal. They’re pretty much what got me into I guess you could say heavy music. That album in particular has gotten me through hard times. So if I was trapped on a desert island and somehow had a CD player, that would be the album I’d hope would somehow be there.

In a mega-sized episode for a mega-sized show and fallout, Chris and the Spaceman discuss SummerSlam 2016.
Check out Chris’s post on the WWE Universal Championship here.

To sum it up nicely, this year’s SummerSlam had way more valleys than peaks.
One of the deepest of those valleys was the reveal of the WWE Universal Championship, in addition to the odd placement of the match that would crown the first participant to hold that title – Seth Rollins vs. Finn Balor. Besides the winner not being able to hold the title for a complete day due to an injury that would occur as a result of Rollins’ running turnbuckle powerbomb on the barricade (which should be banned as it has cut Balor’s career short while ending Sting’s completely), the title was rejected by the fans immediately. Instead of paying attention to the match, fans were focused on expressing their displeasure for the newborn belt with chants of “This belt sucks,” “Heeeyyy, we want a new belt” and even the TNA inspired “Delete.”
WWE’s reaction to the fans’ reaction, is of course, bitter – and who could blame them? They named the title after their fans – the WWE Universe. Unfortunately, what they didn’t realize was that in doing this, the WWE did what they haven’t been able to do in a very long time: create a legitimate top heel. How did they perform this often unachievable feat in an era where kayfabe is dead?
Pretty easily.
Exhibit A – The Design Is Lazy
First things first. When the title was announced the name choice, while not the best, is something fans are slowly getting used to as the logic behind the titles title made sense. With a name like the Universal Championship, fans speculated as to what it could look like. Will it have a globe on it? Could it hearken back to the days of older titles? They wouldn’t make it spin again, would they?
Instead, we got none of those things. What we did get was the same exact plates of the WWE Championship with a red strap (you know, so we didn’t forget which title was on Raw).
The design itself is boring, uninspired, and lazy. Rather than a fresh new look for a fresh new belt, The Universal Championship’s lackluster template comes off as a cheap imitation of something we already have (that we already weren’t too fond of to begin with). If the idea was to change straps all along, why not just put a blue strap on the WWE Championship, call it the SmackDown Championship and instead name the Universal title the Raw Championship? It would have made more sense both name and design name-wise. Seeing as SmackDown went that route for their Tag Team titles, it seems as if the idea had already been taken into consideration, but executed elsewhere.
A better thought: take a good look at the best looking titles; the two Women’s Championships. While both straps are white, the negative space is filled in with brand specific jewels – red for Raw’s and blue for SmackDown Live’s version. Although the designs to all heavyweight championships are identical, the extra miles gone to separate the women’s belts look great. Why not do the same for the men’s heavyweight titles but with black straps? It would have at least shown effort and continuity, things we barely get on WWE programming (NXT, on the other hand…).

Exhibit B – The Presentation Was Awful
While the build was initially not bad with two Fatal Four-Way matches, a singles match between the two winners and a match against handpicked contender Seth Rollins, it didn’t keep the fans eyes on the prize. Over the next few weeks, WWE slowly started to show us that even if Roman Reigns isn’t in the main event, he’s still in the main event. Rather than revolve the last segment of every three-hour Raw around the Rollins/Balor title match, we instead got Reigns and Rusev or Brock Lesnar and Randy Orton in that spot.
The Universal Championship hadn’t even been officially called up to the main roster and it was already floundering in the midcard.
Lesnar is a special attraction, but when you’re trying to introduce your new biggest championship to your audience, you don’t make him top priority – especially after said special attraction was caught doping after his now unrecognized UFC victory against Mark Hunt.
This goes triple for Reigns, who continues to be booed out of the building no matter where he is on the card.
It also doesn’t help that there was barely any interaction between Balor and Rollins. Aside from the initial encounter and Balor awakening The Demon King, there was nothing. Just vignettes that while good, didn’t carry the build by themselves. We really needed those in-ring segments with both competitors there to make this title feel like a big deal – and they had to go on last. It is very important that your Heavyweight Championship interactions go on last – even when they don’t revolve around John Cena.
When the big day finally arrived, there had been no contract signing, no title hype and more importantly, no unveiling ceremony for the star of the match that should have gone on last. Even on the big show, the title was again shuffled down the card in favor of Reigns and Lesnar – who’s matches were a) for lesser championships or none at all and b) had no legitimate finish (heck, Reign’s match didn’t even officially start). What happened was a casual uncovering of the brand new belt right before the match. It was essentially WWE telling it’s universe, “Here’s you go, don’t you like it?” like a relative who gets a seven year-old clothes for Christmas.
With hype like that, what did they think was going to happen? But it gets worse. Like Jesus Christ, the Universal Championship was betrayed by one of it’s own before being condemned by its many followers.
Exhibit C – WWE Told Us Not to Like it
In the month leading up to the red belt of disaster’s debut, all SmackDown Live did was trash the title.
Brand Manager Shane McMahon and General Manager Daniel Bryan poked fun at the Universal Championship’s name every second they got, both on and off-screen. From jabs in interviews saying it should be called the” Galaxy Championship” because a galaxy is bigger than a universe to tweeting mock designs in the form of a giant “U” with a strap (which actually looks better) to lambasting the title on TV, SmackDown basically told us the title was stupid from the get-go.
The idea was to create a sense of competition between brands, but this can only work if the new design blows everyone’s expectations out of the water. Since this was obviously not the case as evidenced by Exhibit A, the plan backfired completely. In Exhibit B, WWE showed us that despite being Raw’s new main title and that the crowning of its first champion would take place at SummerSlam, it still had less importance than both the United States title (which is considered the SECONDARY championship) and a beast that cheated in a legitimate sport when he didn’t have to. Finally, in Exhibit C, WWE goes on to tell us it doesn’t mean anything and we should treat it as such.
But it’s the fans that are in the wrong.
Conclusion
Was the WWE Universes behavior disrespectful? Absolutely. Balor and Rollins put on a stellar bout and should not have been overshadowed by a mediocre title. The problem is that it’s not the just the Universal Championship’s concept that caused fans to riot in their seats. It’s the overall carelessness that went into the belt, its match placement and overall booking itself that really did the damage.
At the end of the day, no matter how much WWE wants to blame smarks, the IWC and the rest of their “beloved” Universe, Mick Foley (who used to agree with the internet and slam the company on a regular basis before he and his family suddenly started working there), Vince McMahon and the rest of his glad-handing “Yes” men have no one to blame for The Passion of the Universal Championship but themselves.

Chris and Spaceman Frank sound off on the “glorious” NXT TakeOver: Brooklyn II in part 1 of their SummerSlam 2016 Spectacular.

The Stone Pony is a venue in New Jersey which my friend Doug and I have always heard about but never went to. As fans of their material since their 2000 album “White Pony,” when we saw that Deftones were playing, we decided to finally check the place out.
After being stuck in traffic due to a man climbing Trump Tower with suction cups we got to the venue. This was specifically the venues outdoor stage which is only open for the summer. The “Summer Stage” as it’s called looked like it would be used for a festival (it even had a bar and food vendors that had more than just popcorn and crappy hot dogs). We met up with Doug’s friend/new Alternative Nation writer Dylan, his girlfriend Christine and our old friend April.
Refused
Due to the traffic we missed most of the first band, Spotlights. Though they seemed alright I was just glad I was able to catch Refused. I’ve been a fan of these Swedish punks since I first heard them on Fuse back in the day while Doug was curious about them due to their involvement in the new Doom game.
Refused opened up with a newer track and from the moment he started we knew this was going to be a good performance. Their singer, Dennis Lyxzén did all kinds of over the top antics such as weird dance moves, running into the crowd screaming and Refused even covered the intro to Slayer’s “Raining Blood” with him making poses to the riffs (not making this up). They ended their set with their most well-known song “New Noise,” which brought on intense circle pits.
Deftones
After Refused finished Deftones were on. They started with “Rocket Skates” which was a good choice as it got the crowd going, with Deftones’ diverse audience being made up of bros, metalheads and even hipsters. They played a few tracks off the new album “Gore” as well as older greats like “Digital Bath,””Knife Party,” “The Passenger” and “Diamond Eyes.”
They sounded great and the whole performance had a distinct atmosphere felt nowhere else. The band didn’t touch their nu-metal stuff until the last few songs which vocalist Chino Moreno decided to wear a plain white t-shirt for. Though I don’t like those tracks, it was fun to see people go crazy for them. After the show we said goodbye to our friends and headed back to the Hudson Valley to return to real life.