Tag Archives: DC Comics

F*ck Mondays! Episode 3: Two Idiots With Kazoos Watch Crank

real fmondays

Chris and Jon talk Ronda Rousey vs. Holly Holm, Arrow, The Flash and more – all while watching Crank and basking in the glorious world of kazoos. Trailers for Krampus and Marvel’s Jessica Jones are featured.

My Experience With the Works of Wes Craven

Last Sunday, Horror icon and director Wes Craven died of brain cancer at age 76. Like John Carpenter and George A Romero, Craven was one of the most important Horror directors of all time.

“The Last House on the Left,” “A Nightmare on Elm Street” and “Scream” (even though I don’t like the latter) all left their mark on the Horror genre and have influenced countless other films.

Here I will go into my experiences with his directorial work (take note I have not seen every film he’s ever done).

The Last House on the Left 

Back when I was in High School my local mall had a Borders. It was an awesome book store with tons of books and a decent-sized movie section. I had always heard of this film from reading about Craven’s works and from my mom who is also a Horror fan. I had also always heard that this film was widely controversial and as a mid teenager, that made me want to see it more. I eventually saw a copy at this particular Borders and without hesitation, I picked it up and watched it as soon as I got home.

The film is about two girls on their way to a rock concert that are kidnapped by four thugs and are raped,tortured and eventually murdered.

The thug’s car later breaks down in front of the house of an old couple who let them stay the night. Little do they know that this couple happens to be the parents of the two girls.

I loved this film. I loved how fucked up and violent the way the girls are tortured and in the way the main villains die. David Hess was great as Krug – the head of the thugs and the characters were mostly very fun. The explicit content helped tell the story and wasn’t there for just shock value. The film is loosely Inspired by Ingmar Bergman’s “The Virgin Spring (a great film that’s more of a Drama than a Horror) in plot. The film spawned many rip-offs including ones that would have Hess in the same role (“Hitchhike” and “The House on the Edge of the Park”).

The Hills Have Eyes

In 2006 I was still in my early stages of becoming a full-fledged Horror fan. I remember seeing trailers for a movie called “The Hills Have Eyes”. It looked very cool to me.

My dad at the time was working in New York City and would buy bootleg movies off of a guy he knew. After his shift, he brought home a bootleg copy of the film and we watched it. We both found it to be very fun and pretty damn brutal.

Around that same time I used to hang out a lot with a brother and sister named Guy and Angie who were the biggest Horror fans I knew. They recommended I check out the original and that Craven had directed it. That next weekend I went over their place and watched the original with them. Eventually I picked it up at a local Rite Aid during a Halloween Season.

The film is about a family whose car breaks down in a desert in the middle of nowhere. They are then attacked by a family of inbred cannibals. The parents are killed and the child of the oldest daughter and her boyfriend is captured. The daughter and her brother stay behind while the boyfriend goes out to find the baby and fight these inbreds.

Like the previous film, this movie is very raw and violent as this was Craven’s exploitation era. Though most people I know liked the remake, I preferred this version. The remake was great but this just felt more like what I love from horror films. The two movies are very similar with the only major difference being the origins of the cannibals. In the remake they are a community of people mutated from nuclear testing instead of an inbred family. Not only do I recommend both versions, I also suggest you stay away from both sequels as well.

Swamp Thing 

I have always known about the Swamp Thing character.  My friend Isaac showed me some of the comics (which I thought were cool) as well as hearing from Guy and Angie that the comic series is the first appearance of Hellblazer’s John Constantine.

I always knew this movie existed but never took the time to check it out (mostly because I was a teenager with no job). Then one day Isaac got a copy and invited me over to watch it, claiming it was the best Craven film.

“Swamp Thing”  is about a scientist named Alec Holland who is working on a chemical that can merge animal and plant life. He is sabotaged by the evil Anton Arcane who causes a freak accident that turns him into Swamp Thing. He ends up helping a woman named Alice Cable and uses his new found abilities to fight Arcane and his followers.

While I did disagree on this being Craven’s best, (and still do) I enjoyed it a lot and to this day consider it to be the most underrated DC movie out there.

This film appears in horror sections all the time but I wouldn’t call it a horror film. It’s more along the lines of a Sci-Fi/Action movie although the film still feels like it was made by Craven. I would later pick up a copy for myself last year when the store I work at added a movie shelf. It came in a pack with the other classics “Return of the Living Dead,” “A Bucket of Blood” and “Frogs”.

A Nightmare on Elm Street

My Horror journey started when I was in middle school. While I have always had an interest in Horror and have always had ones I’ve seen that I like (such as “Carrie” and “The Shining”), I was still more focused on playing video games and watching anime on Toonami.

Then around the seventh grade, my mom started buying Horror films she remembered loving. These includes such classics as “Pet Cemetery,” “Beyond the Door” and “Fright Night.” I fell in love with the Horror genre and felt the need to see all the classics.

Some time later Isaac and I were at an FYE looking at the VHS tapes (yeah, the good ol’ days). I picked up “Friday the 13th Part III,” “The Thing” and this film. After having a fun time watching some hockey masked massacres we put in “A Nightmare on Elm Street.”

For the two people that don’t already know, the film is about a killer named Freddy Kreuger (played by fellow Horror icon Robert Englund). Unlike your average serial killer, Kreuger is a demonic spirit that haunts people’s dreams. If he kills you in your dream, you die in real life. While trying to stop this from happening, the main protagonist Nancy finds out more about Krueger and his connection to the parents of her and her friends.

This film is a horror classic. Kreuger’s mix of sadistic insanity and silly one-liners made the character a Horror behemoth to this day and made England a star. Johnny Depp’s death scene remains a staple to the franchise and help project his career into the stratosphere. Seeing this movie made me want to check out the sequels and eventually I would get the Nightmare Boxed set with all the films except “Freddy vs Jason” (which I have no reason to own anyway).

The Hills Have Eyes Part 2

As a random gift, Isaac decided to buy this for me when he saw it for real cheap. I popped it in when I got home the next day (even though I knew this film was an infamously bad one).

“The Hills Have Eyes Part 2” is about a group of bikers which include the youngest son from the first film, the daughter of the cannibal family (who is now a regular person as well as a blind psychic because, why not?) and a black guy who gets kicked in the balls every other scene he’s in (because that’s funny, right?).The team decides to race where the events of the original film took place.They are then attacked by some of the cannibals from the first film.

This movie sucks.

The first part is made up of mostly flashbacks from the original, including a flash back from the dog (not making this up). While part one was awesome, part two is not scary at all. Part two is full of wooden acting, terribly unfunny jokes and scenes that make you wonder “what were they thinking?.” The remake had a sequel that was pretty bad too but not as bad as this. Craven would later admit he only made this film because he needed the money.

As is tradition with Horror, there’s always a sequel. Keep checking back for part 2 of this tribute to one of the masters of terror.

Mark Hamill To Reprise Joker Role for Animated Feature

Mark Hamill’s Joker is coming out of retirement for one last laugh.

It was announced Monday the artist formerly known as Luke Skywalker will voice Mr. J once again for DC’s Animated version of “The Killing Joke.”

Plans to finally make an animated feature of Alan Moore’s classic graphic novel had been unvelied earlier this month at San Diego Comic Con.

While he had retired The Joker in 2011 after voicing the Clown Prince of Crime in the “Arkham City” video game, Hamill had reportedly expressed interest in returning to the role if “The Killing Joke” were to be made into an animated feature.

Not only did Hamill and fans alike get their wish, but according to Collider, Hamill has already recorded his voice for the feature.

The film will be released direct-to-video next year.

Who’d have thought something so awesome could come from a story revolving around one bad day?

Trailer Feedback: Suicide Squad

Last week Warner Brothers Pictures and DC Comics turned heads at San Diego Comic Con when the highly anticipated “Suicide Squad” trailer was revealed to the public.

We are invited to the journey over filet mignon as Amanda Waller (Viola Davis) vaguely discusses her secret government agency A.R.G.U.S’s plans while giving us a brief history of what the Suicide Squad typically is; a random collection of super villains serving as pawns for a covert mission.

Upon Waller’s words we are slowly introduced to the criminals compromising the team with the focus being on Harley Quinn (Margot Robbie) and Deadshot (Will Smith).

While there’s not much dialogue going on after the first third, we see enough action and twists that give us plenty inclination of what to expect next summer.

Throughout the trailer, there are snippets of singer Becky Hanson’s remixed cover version of the Bee Gees 1968 top-10 hit “I Started A Joke” playing in the background – an obvious foreshadowing of what we’ve all been waiting for.

Enter Jared Leto’s Joker, who’s seems to bring his own unique brand of sinister to the character on the big screen.

All we need to hear is that giant, menacing belly-laugh of his and we’re convinced.

Bonesaw Comiccast: Episode 3 – Flashing Fish Mooney’s Arrow (With Apologies to Uncle Jesse)

Chris and Jon swing for the fences as they shoot on the season finales of The Flash, Arrow and Gotham as well as sing praise and air grievances over upcoming series’ Legends of Tomorrow and Supergirl.

Bonesaw Comiccast – Episode 1: Marveling at Batfleck’s Dragon Balls

Celebrating the release of Marvel’s Avengers: Age of Ultron, we at The Bonesaw are proud to present to you The Bonesaw Comiccast.

In our first episode, join hosts Chris Butera and Jonathan Schorr as they discuss Batman v Superman: Dawn of Justice, The Avengers, Dragon Ball, and a whole lot more.

Throwback Thursday: Superman – Red Son

In 2004, Mark Millar took Superman and asked the unthinkable: what if our hero landed in Soviet Russia instead of the United States of America?

Red Son is that terrifying three part re-imagining.

While Superman is still saving people and attempting to be the most noble creature he can be; he takes orders from Joseph Stalin and mostly protects only Russian citizens.

The few times he does set foot on American soil (while saving American citizens) he is still not greeted kindly and is feared thanks to propaganda and Lex Luthor – who is in fact the smartest man in the world, married to Lois Lane and eventually becomes President of the United States.

Once Stalin dies Superman takes control of Mother Russia to create a Utopian society with the aid of Wonder Woman. This creates a dilemma with an anarchist Batman (complete with Soviet origin). Over time Superman becomes obsessed with creating a perfect world, further separating himself from the human race.

On top of that, Luthor constantly devises plans to destroy Superman solely because he challenges Luthor’s God complex by simply existing. Luthor creates Braniac, Bizarro and even the entire Green Lantern Corps attempting kill Superman in this unbelievable take on the D.C. Universe.

Red Son reads like a film, with each page representing a scene. The illustrations by Kilian Plunkett and Dave Johnson create the noir based shots and camera angles while Paul Mounts, Andrew Robinson and Walden Wong’s vibrant, yet gritty colors bring the story to life. Red Son will glue you to its pages and suck you in with its social commentary. Every page has you wondering what will happen next with equally shocking results each time.

Red Son will make you gasp, shiver and wonder why an animated feature hasn’t been made. If there’s anything to be said, the realism of the world Millar has created in this book is shocking, controversial and a highly enjoyable masterpiece.

Jared Leto’s Joker Revealed

It’s amazing what a little studio magic can do to a person.

In honor of “The Clown Prince of Crime’s” 75th birthday, director David Ayer gave everyone the big reveal yesterday as to what actor Jared Leto (Fight Club) will look like as The Joker in the upcoming Suicide Squad film.

White as a ghost, covered in tattoos, and a lone, purple glove (Michael Jackson anyone?). Of course, Leto keeps the lyric true; fully dressing himself with that deranged, Joker smile we all know and love.

In the immortal words of Darth Vader, “Impressive…most impressive.”

With teasers all month using the “WhereIsJared” and “SuicideSquad” hashtags, Ayer cleverly built global suspense before giving the people what they wanted. It’s safe to say no one was expecting anything this awesome or unique.

In addition to Will Smith announcing his role as Deadshot, Suicide Squad looks to be one of the biggest blockbusters we’ve seen in a long time. With Marvel’s Avengers: Age of Ultron and Ant Man poised to take this summer’s proverbial cake, it’s almost a given that DC will be taking a larger one next year.

Unless Deadpool has anything to say about it (he always does).

Trailer Feedback: Batman V Superman – Dawn of Justice

The trailer for the film comic book fans have been waiting for has finally been unveiled.

Apparently, Superman has developed a God complex with Batman taking matters into his own hands (as usual) in an effort to take him down.

Upon a statue of America’s most iconic figure we hear how all men who are given too much power is corrupted in multiple ways before cutting to Ben Affleck gazing into the hallowed eyes of the legendary cowl before a glimpse of Batman emerging from some wreckage.

Our next shot is the showdown of the world’s most recognizable superheroes straight out of Frank Miller’s “The Dark Knight Returns;” complete with high-tech bat-suit.

Cyber Bat-Fleck then utters the words “Tell me, do you bleed? You will,” before we cut to the graphic.

While we don’t exactly know what the plot is we have definitely seen some potential key development in why our heroes are fighting. However, we know the film is not going to be about them fighting alone. Regardless, we are definitely interested and are looking very forward to another trailer.

Well played Hollywood, well played.

Throwback Thursday: The Killing Joke

One of the most celebrated graphic novels of all time comes in the form of Alan Moore, Brian Bolland and John Higgins’ “The Killing Joke”.

The 1988 one-shot dives into The Joker’s past in the closest thing we get to an origin story (since the clown prince of crime  prefers his origin to be multiple choice). Believing in the theory that one bad day can shatter a persons psyche, Joker uses  Commissioner Jim Gordon as his personal guinea pig – tormenting him in one of the more vile crimes we’ve seen him commit.

Batman of course is on his way to rescue Gordon. With very little time on his side, he hopes that he isn’t too late or wrong in his counter-theory that willpower determines whether or not one will snap under their circumstances.

What makes The Killing Joke unique is how it develops The Joker. For the first time, we empathize for him. We see him as a tragic hero misshapen by society. There is a realism here that only Moore can tap into with his writing matched with Bolland and Higgins’s art. The Killing Joke is especially grisly in the heinous acts Joker commits for the sole purpose of proving a point.

In 2008 The Killing Joke was re-released as a deluxe edition, containing liner notes and recolored by Bolland in order to restore his artistic intentions to the novel.

There are very few novels that stand the test of time as The Killing Joke has, being one of the few story arcs kept in constant in “The New 52” series, serving as influence for Christopher Nolan’s “The Dark Knight,” and being referenced in the “Arkham” games and “Batman the Animated Series”.  If you’re looking to start getting into comics or just in the neighborhood of finding a great book, pick up The Killing Joke.