Editor’s Note: In the wacky world of publishing, some stories don’t see the light of day. Whether they sit on the backburner until they become irrelevant, positions change hands or they just plain get cut, it’s just one of those things. Today, one of those unpublished articles will finally get its due as we traverse the archives of “The Vault.”
When Superjoint (formerly known as Superjoint Ritual) got booked only 40 minutes from me I was pretty curious. I’ve been a fan of Phil Anselmo’s work for many years and while I don’t like Superjoint as much as Down, Pantera, Viking Crown or Necrophagia; I do find Superjoint to be a fun project and way better then The Illegals. When I got to the venue I bought a ticket off of Kurt from Blast Furnace (the show’s local opener). After talking to a bunch of fellow metalheads at the door, they finally opened up and the show began.
Blast Furnace
First band on was Middletowns own Blast Furnace, who play really heavy old school death metal. Being from the area, I’d seen them play several times before and they are always a fun watch. Blast Furnace is definitely a band from middle to upper New York worth checking out.
Fulgora
Next up was one of several Housecore Records artists (including the headliner) Fulgoria. As mentioned in my Maryland Deathfest 2015 article, this band plays some sort of sludgy death metal. Album-wise I’m not a huge fan of the band but just like MDF they performed well.
Child Bite
Around this time the show started getting crowded. Because of this,the venue opened up the balcony. Child Bite plays some kind of weird post-hardcore. The set was mostly boring except when they covered “My War,” my favorite Black Flag song.
King Parrot
I have always heard hype about this band. Even at the show my friends Cheyenne, Mercedes and Ray all talked about how excited they were to see them and how over-the-top they are. Throughout the whole set vocalist Matt “Youngy” Young was wearing nothing but pants that were too big for him and shoes. This caused his ass to be seen during the whole set (not making this up). He would also spray the audience with water over and over. King Parrot played a mix of thrash, sludge and grindcore with vocals that were just high pitched squawks. These guys were the second best band of the night (the first seems obvious).
Superjoint
It was finally time to see the main act of the night. Superjoint’s sound is a little hard to describe. They play very short thrashy songs with sludgy riffs. This is mainly because Anselmo hates the use of subgenres – something he mentioned at the show. I was stoaked when he praised Blast Furnace and laughed when he bashed MetalSucks.
Superjoints energy was intense. They had a great set playing classics like “Fuck Your Enemy,””Dress like a Target” and “Ozena.” They also randomly covered “My Sharona” by The Knack. Sadly no Pantera songs were played but seeing Superjoint was good enough on its own… so good it made a random guy shit his pants (seriously).
Saturday was going to be the roughest day of the fest. With so many good bands across the stages, I knew I’d end up moving around a lot.
Before the show we stopped at a pharmacy since some of our friends needed a few things. Here I ran into Joe Sullivan of Metal Rules TV (this was an awesome surprise as his concert reviews are a big influence on mine). Today was the only day that our group included two more people, Gwen and Joff (this was due to them only having Saturday Edison tickets).
Fulgora
As early as 12:15 P.M. (seriously MDF wtf?) Fulgora played. I went into this set knowing nothing about them except that they’re on Phil Anselmo’s of Pantera fame’s Housecore Records. The band played some kind of sludge/death metal mix with a space theme.The drums were impressive but sadly, nothing else was.
Serpentine Path
After Fulgora were done another sludge/death metal fusion took the stage. This was one I was more familiar with. Playing a sludge influenced version of 90’s death doom, Serpentine Path crushed it.
Twilight of the Gods
Twilight of the Gods is a Bathory influenced power metal band. Although power metal is normally not my thing, I will admit this band played well. I’d heard the band started out as a Bathory cover band, which would have been awesome if they played some Bathory songs.
Morpheus Descends
The first of the “must-see” bands of Saturday. Being from the area Morpheus Descends is from, I’d seen them twice before (both secret shows). Now was time to see them play to a much larger audience.
I was joined by Pearl and Andrew of Chicago death metal band Moratorium.We all watched Morpheus Descends play their classic tracks such as “Immortal Coil” and “Corpse Under Glass.” It felt both weird and awesome to see a band from my area play the main stage at a huge festival.
Einherjer
After watching some death metal from familiar ground the lot shifted to viking black metal from Norway. I tend to be pretty picky when it comes to the whole folky side of metal, but Einherjer was always one of the ones I dug. Their epic and atmospheric sounds really translated well on Edison. I could have done without the people in Turisas shirts dancing funny, but it was a fun set regardless. After these guys I would run over to Soundstage.
Full Of Hell
After getting some cheap 7-11 food I went into Soundstage for some powerviolence. Full of Hell played their brand of hyper-aggressive noise really well. I didn’t stand too close to the stage as I was going to leave right after their set.
Vulcano
I rushed back to Edison Lot and got there just in time for some Brazilian thrash. I never had the chance to check these guys out before and boy did I wish I had.They played very raw and primitive old-school thrash that quickly reminded me of Sarcofago and old Sepultura.
Bulldozer
After watching one of Brazil’s most obscure thrash bands, it was time for an Italian one.
I will admit though I’ve made fun of some of their weird ideas and lyrics in articles in the past, I don’t dislike them at all and find them fun to listen to. With that said, I actually really enjoyed their set. My friend Herb, who was standing right up front yelled at them to play their infamous “Dance Got Sick” EP -t o which the bands vocalist, A.C. Wild heard him and laughed.
Tryptikon
On the car ride here Josh and I were both discussing what Tryptikon’s set would be like. We wondered if it would be all Tryptikon songs or if there would be any Celtic Frost covers thrown in for good measure (either variation would’ve been cool). I mentioned that I doubted they would play “Proclamation of the Wicked” or any Hellhammer songs.
As soon as the set started I was wrong. They opened up with “Proclamation of the Wicked,” playing it in the slowed down Tryptikon style. I watched it with my Albany friends Filip and Craig and while we were pretty far, we heard them nice and clear where we were. They played a mix of Trypikon songs and Celtic Frost classics. Singer/guitarist Tom G. Warrior proved me wrong once again when the band played the Hellhammer track “Messiah.” Not only was it an amazing set, it one of the best performances of the whole fest.
Matyrdod
I rushed back to the Soundstage yet again to catch these Swedish crusties in action, who played a fun energetic set. After Matyrdod I went once again back to Edison.
Arcturus
I got back to Edison right when these guys were about to set up. A very different band on the bill, Artcurus are a Norwegian metal band with avant-garde influences. The bands sound turned off a lot of people but I was excited to finally get to see them (especially after their great new album “Arcturian”). Vortex’s vocals sounded spot-on and the band’s campy theatrics were fun as hell to watch. Arcturus had a great set, playing material from most of their albums.
Razor
The last band of Edison Lot was the old-school Canadian thrash band Razor. While I still wish Sodom didn’t cancel their appearance, seeing Razor was still pretty cool. The band delivered a great thrash performance and a set that included a lot of classics. Herb and I left 15 minutes before their set ended to catch a band we both wanted to see at Rams Head.
Gnaw Their Tongues
We got into Rams Head to watch what was probably the second biggest outlier on the bill next to Mobb Deep. Gnaw Their Tongues play electronic music with black metal influences.
Instead of a full band it was a man programming beats on his laptop while another member did shrieks. I’m not a huge fan of electronic music, but this band is a pretty big. Gnaw Their Tongues had a lot of walk-outs due to being so different from many other bands on the bill, but I enjoyed the haunting atmosphere the band brought with them. Towards the end of their set I yet again went back to Soundstage.
Wolfbrigade
Wolfbrigade are the band that got me into crust punk and are still one of my favorites of the genre. They killed with their high energy and intense circle pits.Their whole set reminded me of first checking these guys out in 12th grade and learning what crust punk is all about.
Agoraphobic Nosebleed
The time had come for the main attraction of the entire fest: Agoraphobic Nosebleed’s first official live show.
The expectations where high. Just the thought of being part of the first real show from a band that never plays live was mind-blowing enough. The venue was extremely crowded. Anyone who had a pass that allowed access to Soundstage on Saturday was here.
The band more then met expectations. The energy was top notch. The sound was crystal-clear and extremely loud and their set had the most violent pit I had ever seen.
ANB would end up being my favorite performance of the entire fest. It felt as if the band had been building up to this very moment from the day they started. When ANB finished we traveled back to the hotel. Walking with us were a bunch of Josh and Nicole’s friends who were also blown away by this moment as well as a guy with a traffic cone on his head yelling that he was the singer for Portal (not making this up).
The Bonesaw 